Kapell Rediscovered
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Free Music Notes for Kapell Rediscovered
Free Music Review: A Journey Back in Time
Hit: 5 Stars
When I first heard that these recording by William Kapell were available I thought they might have been part of an archive found by an Australian Broadcast Corporation. The reality was a bit disappointing in that Kapell's final performances were preserved in an off-the-air recording made by a music enthusiast. I had to conclude that the quality of the recordings could only be abysmal, despite that we owe a debt of gratitude that these performances were preserved.
I was curious, however, and purchased the records and, yes, the sound played over our stereo system reminded me of the worst recordings from the 1930's. I did find that listening through headphones made the sound more bearable. There also were some gaps in three of the recordings that were filled by using other earlier recordings by William Kapell: a gap at the end of the third movement of the Third Piano Concerto, the closing bars of Gates of Kiev and the first movement of the Bach Suite.
The performances are wonderful and demonstrate Kapell's range of expression from the delicacy of Mozart to the dissonances of Prokofiev. The Mussorgsky is magical; the subtle shadings of the Suite bergamasque are marvelous to hear. The Chopin, particularly the Scherzo, is played with great passion and energy. The second disc hold music Kapell had never recorded: Debussy's Suite bergamasque, Chopin's Barcarolle and Scherzo No. 1, and Prokofiev's Sonata No. 7. When one considers that Kapell could be alive today the shortness of his time is brought all the more into focus and the music on these discs becomes all the more precious and remarkable. It is difficult to assign stars to this collection. The sound may be poor but the performances are priceless. So the reason I have assigned 5 stars is due to the importance of the final performances of William Kapell.
Free Music Review: Incandescent performances albeit in poor sound
Hit: 5 Stars
I had eagerly anticipated the release of these recordings since their existence was announced in early 2004. And upon hearing these works, one can only be grateful that they survived at all. The real gem in this collection is the Rachmaninoff Piano Concerto No. 3, particularly the 2nd and the 3rd movements. This is playing for the ages, poignant and lyrical in the slow passages, but also feral and mercilessly intense in the climactic crescendos. Kapell never lets up the pulse for a moment and moves the work relentlessly forward to its'formidable conclusion with the use of broad and dynamic tempi in a way that allows all the various themes and voices of this complex work to emerge, and resolve, almost naturally. Kapell of all the pianists (and I am thinking of Horowitz, Argerich and Gilels ) best displays an intuitive understanding of the work's grand possibilities and huge pitfalls, which in Claudia Cassidy's words many years ago, is " that strange concerto, which is cheap unless it is magnificent ". She further recalls his performance where , " He forged the full splendor of the score from his amazing equipment of poetry and fire, of impishness and blazing technique, conjuring its' curious fragrance by coaxing from the piano its' loveliest songs. " This recording is,I think,a validation of that astute observation. Judge for yourself...Free Music Review: A Missing Link
Hit: 5 Stars
This set is revelatory, not only for those who honor the name of William Kapell, but for any listener who yearns for truly probing interpretations of the repertoire. It was always assumed that the Australian broadcasts were recorded, and now, thanks to those committed to making these performances publicly available, the world can now hear the last artistic utterances of a great genius who was literally days from his death. Kapell had forceably enlarged his repertoire to include probing interpretations of J.S. Bach, Schubert, Chopin Mazurkas, and Mozart, in a way that seemingly indicated he knew he had a limited amount of time to create his lasting artistic credo. On the other hand, he was 31 years old when he died, and the interpretations heard on this disc are those of a young man, a young artist, who would have plumbed even greater depths, had he lived longer. When one listens to this wonderful cross section of repertoire representing Kapell's choices of what would represent him in the broadest, truest manner on his Australian tour, one must conclude that he occupied a very large place in the history of performed music, even at his age. Do not miss the opportunity to own this set.Free Music Review: Perfect Classical Piano
Hit: 5 Stars
I happened to catch All Things Considered (Saturday 10 May 2008). They had a discussion of William Kapell (William Kapell recordings turn up down under -- [...]). I have loved classical music for decades but I had never heard of William Kapell. NPR played portions of Kapell's recordings and they can be heard at indicated web site. I have to say the music was astounding. This album represents music played on Kapell's final tour (before he was killed in a plane crash. I'm not easy to impress but Kapell impresses and that's understatement. Some of the music is scratchy (for example, Mozart Sonta in B Flat for example) but this in no way detracts from the presentation (think of listening to classical music on old 78 rpm recordings). Kapell plays classical piano the way piano should be played but rarely is. Don't take my word for it: Listen to the NPR discussion. One music critic called Kapell's play about as close to perfect piano as is humanly possible to achieve; no arguments from me...WOW!Free Music Review: Glorious Pianism!!!
Hit: 5 Stars
I have been an ardent admirer of William Kapell for years and thought that it was time for me to put my "two cents" in.I have collected all
I could get my hands on.Not just Kapell recordings but newspaper clippings,and even publications featuring his letters and work diaries.
Now to the recording at hand.I could easily become an "arm chair" sound
engineer like some of the other reviewers,but I wont.I am just so grateful
and full of joy that these recordings are available at all.I am also grateful to William Kapell for how he suffered for his art with all of his hard work.The great ones make it look and sound so easy.I continually
gain so much from hearing these interpretations,and I hope that the well
is not totally dry as far as undiscovered recordings. BRAVO!!!