Kate Rusby - The Girl Who Couldn't Fly
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Free Music Notes for The Girl Who Couldn't Fly
Free Music Review: Kate Rusby - a real treasure
Hit: 5 Stars
I can't imagine anyone not loving Kate Rusby's voice; it's replete with passion and sensitivity. One reviewer here said her voice was "pleasant." That's like saying the stained glass in St. Patrick's Cathedral in Dublin is "okay," which would show a lack of adequate looking. This isn't background music; it's art, something to enter into, savor and experience, not McMusic as background noise for life.
The production work is wonderfully sparse and tasteful. If you like music with depth, clarity, beauty, emotion, and spirit, you'll love The Girl Who Couldn't Fly. If you're merely looking for a beat to do some booty-shakin' or working out, there's an abundance of..well..less-than-deep music out there for you. But Kate Rusby - this woman is worth real listening.
So - really, truly listen to Kate Rusby's voice on this cd. Hear her ability to put across emotion; hear her vocal control, her restraint in using that instrument. Soak in the production, the arrangements, the restraint of the musicians who choose to support that voice rather than attract attention to themselves.
After careful listening, my evaluation is this: Top level, well-recorded music from wonderfully restrained musicians supporting one of the best voices I've ever heard. There is an intense soulfulness that comes from reserve and understatement. Kate Rusby's power comes from a deep well, an ear for turning tradition into her own unique expression, a gifted set of vocal cords, and the wisdom and restraint to use it all to give her songs depth and emotion.
I do think it too bad this isn't called The Girl Who COULD Fly. I'd like to see her in concert.
Free Music Review: Surprised by Joy
Hit: 5 Stars
Kate Rusby's songs are not only beautiful, but charming in their simplicity and ornate in their dynamics. Kate Rusby is first and formost a story teller and her lovely delicate voice portrays well the emotion, love, and warmth of its owner. As a songwriter, her work has a timeless quality that makes it quite unique. This CD is full of songs you will listen to over and over and never get tired of, and lovely lilting melodies that you will be quite happy to have stuck in your head. From the toungue-in-cheek song Mary Blaize to the devestating tale of false love told in A Ballad, Kate Rusby's "The Girl Who Couldn't Fly" is a timeless work of art.Free Music Review: Sandy's Rightful Successor
Hit: 5 Stars
Kate Rusby is the UK's finest female singer/songwriter since Sandy Denny. Which is not to say that she is in any way a copycat; she is an original. Any of her albums will be a worthy addition to your collection - including this latest work. Buy this. Then go out and buy the rest of her catalog. Free Music Review: Pleasant
Hit: 3 Stars
I like most of Kate Rusby's other albums but this one did not do all that much for me. The most I can say is that it was "pleasant".
None of the songs was particularly memorable. I just let her fade into the background while I was doing unpleasant tasks. Hearing her voice was pleasant.
Her voice is not particularly strong but does possess a certain airy quality. It was pleasant.
It was pleasant without ever being memorable.
Free Music Review: Warm, ingratiating, affirming, reassuring English folk music
Hit: 5 Stars
Combines a unique, appealing voice with expert, tailored acoustic folk settings, and songs with strong traditional English folk roots, even when Rusby wrote words and/or music. Her voice has a broad range-fairly pure in the upper reaches, huskier and earthier in a lower register. The slower a song, the more her voice resonates and quavers, giving a (false) sense of frailty in a voice that practically demands to fill any intimate space with warmth. Lovely. Settings are all carefully tailored and presented with great precision that is never cold or clinical; a homey folkiness underlies the virtuosity of the players. Songs tend to start simple and carefully accumulate complexity as they proceed, in many different ways. Session as a whole is warm, ingratiating, affirming, and reassuring-she places and holds the world in a good place. Stand-out: tr 6-You belong to me (she remakes a '50s pop classic in her own English folkie image). [49:47]