Lemon Jelly - '64-'95 [Deluxe Edition][Expanded Packaging]
!['64-'95 [Deluxe Edition][Expanded Packaging]](/images/64-95-Deluxe-Edition-Expanded-Packaging-B000787ZMQ-L.jpg)
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Music CD Cover
Artist: Lemon JellyEdition: Music CD
CD Release Date: 2005-01-25
Music Label: Xl Recordings
Soundtracks:
- '88 AKA Come Down on Me
- '79 AKA the Shouty Track
- '75 AKA Stay With You
- '76 AKA the Slow Train
- '68 AKA Only Time
- '93 AKA Don't Stop Now
- '95 AKA Make Things Right
- '90 AKA a Man Like Me
- '64 AKA Go
Free Music Notes for '64-'95 [Deluxe Edition][Expanded Packaging]
Free Music Review: So long as your not expecting more of the same, superb fun..
Hit: 5 Stars
The duo behind 'Lemon Jelly' (which consists of "Nick Franglen" & "Fred Deakin"....have through, a couple of remarkably fun and accessible downtempo albums, become something of an underground word of mouth sensation. But the worry for artists that make such electronically oddball albums, is that unless something is added to the formula with each album, the record buying public will eventually lose interest and move on. So for their 3rd album, the duo have not only given the music a tougher edge, but they have also only used samples from the period 1964 - 1995 (hence the album title 64-95). But will their blend of purely sampled created music succeed a third time around?? (well, you've seen my rating, so you know the answer, but lets
pretend, for the sake of this review, you haven't eh???).
The duo have obviously sat down, and decided upon what the particular strengths/weaknesses of their music are, and worked hard to broaden the sound with less emphasis on purely quirky downtempo driven tracks, as a fair portion of the ten tracks here, are certainly more energised, than before, with elements of crunchy rock and experimental sonic beats having fleshed out the sound more, and there even seems to be the occasional nods to (un)conventional dance music with tracks such as "The Shouty Track" bearing nods to Chemical bros styled dance-rock fusions. With it's enticing loops and hypnotic hooks, and vaguely aggressive shouts, It?s sumptuous, sleek and stylish?.and although nothing really like the previous albums, shows the duo are willing to not pigeon-hole their ideas.
The majority of songs sound as if they've started with a solid idea (or indeed sample), and built the track from the ground up, with a plethora of extremely well chosen samples and loops of sorts, which generally work towards some form of energetic rhythm, that the previous albums lacked to some degree. And it's clear that with having had two albums experience to draw from, the duo have arguably refined their considerable talents here, with the displaced samples, working to stretch the imagination of each track, rather than being a mindless procession of goofy samples, that become tiresome rather quickly.
But lets not forget the reason why we all like Lemon Jelly so much....and that's because they make sublimely tongue-in-cheek gleefully oddball electronica that although meticulously devised and arranged, doesn't take itself too seriously, so it tracks like "Only Time" and "Make Things Right", that still reference the quirky concepts of previous albums are here for those that still yearn for the duo's previous work, and although there are parts throughout the album, that clearly are, a step in a (slightly) new direction, In parts, its not hard to hear that this is still unmistakably Lemon Jelly. Although it is also clear the most, that the duo are obviously eager to evolve their trademark of songs built purely around samples with tracks that although possibly alienating fans of playful classics tracks such as "Nice Weather for Ducks", will almost certainly gain new listeners with the beefed up sound, that steps over the laid back grooves of the last two records, for "Come Down on Me's" brash beats and electric guitars, that although may not work quite so well in a chilled environment like the first two albums, will certainly attract the attention of those that considered the previous albums, far too finicky & forgettable.
"Make Thing Right" feels like it's a nod to the early 90's, when Trip-Hop was a musical forced to be reckoned with. Samples of acoustic guitars, coupled with languished, shuffling slow drumbeats feature, and has a lush, romantic and completely feel-good streak running through it. And is probably the sort of clipped pastoral acoustic that most, middle of the road Trip-Hop acts, wish they could do half as competently as it has been done here. Even "Stay With you" exhibits a leaning towards being a hybrid of Disco & Electronica, as it has the sort of catchy melancholic minor-key guitar elements, that was used so often in '70s pop, and has a slight air of glammed up stomp about it, that made those sorts of tracks, such unquestionable floor fillers.
Your enjoyment of this album, will possibly to some degree, depend on how accepting you are willing to be with this album, because those that are expecting (or indeed hoping) for a retread of the previous albums, will be, by and large....disappointed, as the relaxed mood of before has been expanded to include a wider genre, including: smooth breaks & dance electronica. Two examples, that are now introduced into the fold. And musically as well, the wide selections of samples, have expanded their already-eclectic sonic palette to include more obvious hints of disco, house and rock, which may upset some, but it's becomes clear after listening to a couple of tracks, that this is less quirky and eccentric than before, and seems to be a conscious attempt, that give their music some longevity. (which critics of previous work have cited). And it's has given the music not only some diversity, but a little more depth. Personally speaking, I think this is probably their most fully realised album yet, and the various hopping between quiet / loud(ish) songs, fights off any monotony, and so long as you know what to expect when you listen to this album, there's a great deal to gleam here from Electronica's most witty act.
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