Let Yourself Go

Let Yourself Go

Let Yourself Go
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Category: Music CD
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Music CD Cover

Edition: Music CD
CD Release Date: 2001-05-29
Music Label: Sony
Soundtracks:
  1. Let Yourself Go
  2. If
  3. How Long Has This Been Going On?
  4. My Funny Valentine
  5. Hanging Around with You (with Jason Alexander)
  6. The Girl in 14G
  7. I'll Tell the Man in the Street
  8. I'm a Stranger Here Myself
  9. Nobody Else But Me
  10. Nobody's Heart Belongs to Me/Why Can't I?
  11. Should I Be Sweet?
  12. He's Just an Ordinary Guy
  13. Going to the Dance with You
  14. On a Turquoise Cloud
  15. You'll Never Know
  16. Daddy

Free Music Notes for Let Yourself Go

Free Music Review: Isn't this the reason we love her?
Hit: 5 Stars

Kristin Chenoweth has made a name for herself, maybe not quite household, but everyone knows that cute face and energetic, overly-caffinated enthusiasm, not to mention that voice! That voice that makes you think, "How does she keep that going on for so long?" Then you realize, that's just how she talks, sings, and, well, basically wins every producer over from day to day, Hollywood or Broadway. Ever since Ms. Chenoweth made the 1999 Revival cast of "You're a Good Man, Charlie Brown" the "Sally Brown" show, she has been stealing spot-lights everywhere. Not only has she been in a dozen films (she's a hoot in Bewitched; not to mention the only reason to see the film), but she's turned a show about a green witch into a show about a spoiled prom queen who's character arch throughout the show was seen through her poise as well as her voice, going from the childish, sassy and altogether delightful "Popular" to operatic strains of maturity in "No One Mourns the Wicked." When she didn't win the Tony Award for her portrayal of Galinda (with a "ga"), it was certain that the award for Best Actress was not that at all, but really the award for "Most Improved Individual from the show Rent." I love you Idina, but that was Kristin's show.
Ms Chenoweth is a bonafide showstopper. There a moments on this debut solo album where you think maybe a meatier voice, such as Audra McDonald, should have sung one of the songs, such as "He's Just an Ordinary Guy," but then there are certain ways in which Kristin wraps the phrases in her own style and create a different idea of what the song would have been through the soul of someone else. It's a different song with her on board, and that's refreshing. She chose two Gershwin standards, which only prove that she can sing whatever she wants. However, we really first get to see the kind of voice we're dealing with once the track slips to number 6 and she starts to sing about the room that is "perfect for a mouse like me." Not only does she rely on her comic impulses to charm her listeners, but soon we realize this isn't the normal (can we call anything she does normal?) Ms. Chenoweth fare. She has the delight to show us that she is not just any musical theatre singer, she's opera trained, and a fine colortura at that. When she breaks into the Queen of the Night aria in the middle of "The Girl in 14G" it is obvious that we are dealing with possibly the finest voice in musical theatre history (sorry Barbara Cook/Harris). The she takes us on an emotional journey in "I'll Tell the Man in the Street" showing us that she can switch from cute to mature in the matter of an instant. This Rogers and Hart standard is maybe the most mature piece of this album. Every song on here is worth mentioning, but you really need to listen to this CD to understand why this woman charms within the first moment she steps onto any stage. She's just wonderful, and that is an understatement!

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