Gutterfly

Lifesavas - Gutterfly

Gutterfly
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Music CD Cover

Artist: Lifesavas
Edition: Music CD
CD Release Date: 2007-04-24
Music Label: Quannum Projects
Soundtracks:
  1. Intro - Welcome to Razorblade City
  2. Double Up
  3. Gutterfly - feat. Camp Lo
  4. No Surprise
  5. Shine Language
  6. Take Me Away
  7. A Serpent's Love - feat. Ish (Butterfly/Digable Planets)
  8. Dead Ones - feat. Fishbone
  9. The Warning
  10. Superburn
  11. Night Out - feat. George Clinton & Meganut
  12. The Squeeze - feat. Smif 'n' Wessun
  13. Long Letter - feat. Don Blackman
  14. Freedom Walk - feat. dead prez & Vernon Reid
  15. Celebrate

Free Music Notes for Gutterfly

Free Music Review: Solid Sophomore Album
Hit: 4 Stars

As with virtually every album, there are good tracks and bad tracks. I find that if there are more than four impressive songs on an album, I have struck gold, and here is nothing less.

Production: All of the production is incredible. Double Up might be a hard listen for some due to the fact that there are vocal samples underneath the verses and a hard hitting snare/crash. Once my ears adjusted, I found it one of my favorites. "You can lose all your money... 'or bubble up.'" My other favorites are flawless bangers that hook you from the beginning. Gutterfly, No Surprise, A Serpent's Love, Dead Ones, The Warning, Superburn,The Squeeze, Freedom Walk, and the surprise track (not listed here) Tailormade Razorbladez. Seriously, these are all certified beats.

Lyrics: JUMBO kills it on the mic. Let me say that right off. But if JUMBO kills it, VURSATYL is the lyrical equivalent of eternal punishment. Every single time his voice emerges over an instrumental, it is mind blowing the mastery he exhibits over his delivery, his rhyme patterns, and his voice is just commanding. Tailormade Razorbladez is their abstract, underground hip-hop track for the backpaker heads (like myself), and Vursatyl's verse should come with directions.

Compared to the duo, none of the guest lyricists come anywhere close to the overall potency of JUMBO and VURS, nor does anyone else really seem to be totally in their element, though they make for good supporting actors.

High concept albums are hard to pull off, but I think the theme is well sustained on every track. There is a clear storyline throughout, yet many tracks stand up quite well on their own (again Gutterfly, No Surprise, A Serpent's Love, and The Warning, for example).

And, though I haven't seen them perform any of the tracks from this album, I am highly anticipating their next live performance in the Town, especially due to the anti-establishment anthem Superburn. That track will blow any crowd to pieces.

Overall, if you like hip hop or blaxploitation films, and especially if you like both, you need to cop this at your neighborhood music shop in person.

Gutterfly Poster

At the core of LIFESAVAS' artistry is their passionate commitment to preserving the culture by focusing on lyrical integrity and signature beats. LIFESAVAS' vibe is immersed in soul and futuristic funk, with dazzling tag-team rhymes and impeccable production. With each song they recall defining moments in hip-hop history, while also offering a progressive view of hip-hop's future. LIFESAVAS' sophomore album Gutterfly is the embodiment of their passion. The duo's songwriting skills are showcased in the arrangements of a collection of daring concepts and subject matter.

Gutterfly's narrative includes 14 tracks with a thread of interludes, and traces the fictional deeds of a trio of ghetto superheroes - Bumpy Johnson (played by VURS as if his life depended on it), Sleepy Floyd (a character wholly inhabited by JUMBO) and Jimmy Slimwater (personified by SHINES) - who fight their way out of the perilous confines of a mythologized Portland, Razorbade City, in a way that's reminiscent of the creation myth behind many a great hip-hop partnership in the history of the genre (from Outkast to Tribe Called Quest). Inspired by an obscure, long-forgotten film project from the `80s of the same name, Gutterfly draws its source material not only from Baraka Feldman's original concept but also from the blaxploitation films of the `70s, such as "Coonskin" and the Zatoichi series of Japanese cult films, and the desire to shatter fans' expectations about what Lifesavas represent.

"With this album we thought `let's just go back to me and JUMBO, the things we liked back in the day, the way it was when we first started out,'" says VURSATYL. The opportunity was there for us to say something really human with this record. And we tried to use the umbrella of the story to play with identity a little bit - it gave us the freedom to say things we might not have, otherwise." "Being able to talk about these issues, in character, allowed us to get real free with it," JUMBO relates. ""VURS calls me the visionary cause I can see things before they happen, when we creatin' ya know?" "I thought it would be fly just to jump into this character to show you who I am in my real life, then merge that with the movie script. We ended up doing it backwards, but you still get both sides of the coin that way."

"JUMBO's funny, he thinks about everything in reverse," laughs VURS about his partner. "Sometimes it'll be the complete opposite of what I'm thinking, and I'll just have to pick up on what he's laying down and go with it. Gutterfly is the story of our deprivation: the ghetto is desolation, it's poverty, and me and JUMBO have been around each other all our lives, and were like `how can we make it up outta here?' We wanted to do something just for us, something we'd dig, that would make the second record more interesting to do. We threw caution to the wind."

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