Waiting for Columbus (Bonus CD) (Dlx)

Little Feat - Waiting for Columbus (Bonus CD) (Dlx)

Waiting for Columbus (Bonus CD) (Dlx)
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Music CD Cover

Artist: Little Feat
Brand: LITTLE FEAT
Edition: Music CD
Format: Live, Original recording reissued, Original recording remastered
CD Release Date: 2002-04-02
Music Label: Rhino
Soundtracks:
Music CD 1
  1. Join The Band
  2. Fat Man In The Bathtub
  3. All That You Dream
  4. Oh Atlanta
  5. Old Folks' Boogie
  6. Dixie Chicken
  7. Tripe Face Boogie
  8. Rocket In My Pocket
  9. Time Loves A Hero
  10. Day Or Night
  11. Mercenary Territory
  12. Spanish Moon
Music CD 2
  1. Willin'
  2. Don't Bogart That Joint
  3. Apolitical Blues
  4. Sailin' Shoes
  5. Feats Don't Fail Me Now
  6. One Love Stand (Outtake)
  7. Rock And Roll Doctor (Outtake)
  8. Skin It Back (Outtake)
  9. On Your Way Down (Outtake)
  10. Walkin All Night (Outtake)
  11. Cold, Cold, Cold (Outtake)
  12. Day At The Dog Races (Outtake)
  13. Skin It Back (Outtake first issued on "Hoy-Hoy!")
  14. Red Streamliner (Outtake first issued on "Hoy-Hoy!")
  15. Teenage Nervous Breakdown (Outtake first issued on "Hoy-Hoy!")

Free Music Notes for Waiting for Columbus (Bonus CD) (Dlx)

Free Music Review: Waiting for Mott
Hit: 5 Stars

Having been a long time fan of this wonderful multi-talented band, when their double live vinyl album was released in 1978, it was with great excitement that it was whisked home to my rustic record player. The volume was turned up to 'unbearable' and the Dog spent his day listening to one of America's finest, laying down a live set that would curry a favorable impression with any band on the Planet. I happily state that ' Waiting for Columbus' should be up there with all the other great live albums of the seventies. But then what constitutes a great live album? It's clearly not the mere replication of a band's studio performances. That approach may satisfy the attending audience whilst proving how clever a band can be, although not showing any imagination or creativity. But what's the point of making a record of one that already exists? It's far more rewarding to experience a live album on which the boys really get stuck in and show what they can do when released from the confines of the studio, and all the Record Company 'suits' in attendance. Other examples include the Who's scorching 1970 document 'Live at Leeds', where" The Who" were able to show off what an inspiring and exhilarating Rock 'n' Roll band they were outside the confines of hit singles and Rock Operas, or "The Allman Brothers Band" at the Filmore East, when a band can expand the length of a song searching out every aspect of its outer regions.

What makes 'Waiting for Columbus' so memorable is that it seamlessly puts all the qualities of a great Live album into one neat little package. Upon it's first release there was perhaps a feeling of some regret that not the whole of a 'Little Feat's' set could be squeezed onto four sides of vinyl and a three album set would of been welcome, but then we should be happy with what we got. But when it was originally released on the CD format, fans of the Feat really did have cause for grousing, as to fit into the requisite CD formula three further songs were cut from the running list, considered by all to be very unsatisfactory. However, finally now released in a two CD set in its full glory with original tracks replaced, plus the addition of ten wonderful new songs added on with some extra in-between banter from the band.

From the warm up cappella that the band ritually used to sing on their way to the stage, to the Country Joe Woodstock style intro, right the way through to the closing jam of final encore 'Feats Don't Fail Me Now', you get it all. As soon as the band hit the stage they lock into the opening groove of 'Fat Man in the Bathtub' and you are whisked away to the feeling of belonging that normally only happens on very special Rock 'n' Roll occasions, like being in TQ corner on a great night! There are too many highlights to mention them all, but accolades must be given to the 'Tower of Power' Horn section that joins the band from the fourth song 'Oh Atlanta', where the whole ensemble really begins to cook. An extended version of perhaps the Feats most well known number, 'Dixie Chicken', when all the members of the band had room to show their talents. Of course, spread like a thick layer of choice caviar every song has its fair share of brilliance from Lowell George, whose sumptuous slide guitar and unique vocals dominate this set. George's 'Mercenary Territory' is probably one of the best live moments of music ever recorded. After a break from the 'Tower of Power' Horn section, Lowell George comes charging in right after them, leaving nobody in doubt as to who the Boss is. That is not to say it is just the Lowell George show - far from it. Kenny Gradney lays down perfect Bass rhythms adding just the right amount of Funk to the proceedings. Sam Clayton's percussion give the Feat their unique sound. Richie Haywood is one of the busiest drummers in the business. Bill Payne lays down some of the finest all round keyboard work to be heard on any live album, whilst Paul Barrere's lead guitar work was the perfect foil for the music to hang onto, giving added depth to the band's forays into the land of Jazz/Rock fusion like on the nearly fourteen minute long impromptu jam of 'Day at the Dog Races'.

If you like your music live played by slick musicians who like to live on the edge and are not afraid to let go and give it their all, then this could be exactly what you are looking for. Brilliant!

It is quite extraordinarily sad that within a year 'Little Feat' were no more and Lowell George had left this planet, as many feared he would. But the legacy of music left behind is a fine one with this perhaps being the jewel in the crown. Several years later the remainder of the band reformed under the 'Little Feat' banner, but, although they were a popular live attraction, without George the magic had gone.
Mott the Dog.

Waiting for Columbus (Bonus CD) (Dlx) Poster

Little Feat's classic 1978 live double album, reissued complete on 2 CDs with 10 bonus tracks, seven unissued (mostly unheard mixes)! That unreleased material joins such classic fare as Oh Atlanta; Dixie Chicken; Willin' , and Tripe Face Boogie one of the better live albums ever waxed.
Few rock concert documents can match this 1978 live album for sheer musicianship, or for its full-blooded representation of one of the best live bands ever. Little Feat's turbulent '70s pilgrimage had been studded with commercial detours when its second incarnation as a swampy, blues-rock sextet clicked musically, and these English and American dates, beautifully recorded by George Massenburg, capture the band in all its rowdy, precise glory. The late Lowell George's influence had been damped down in the studio, deferring to his bandmates' writing and singing, but Columbus is dominated by his gruff, lyrical vocal presence and the mercurial tang of his indelible slide guitar. With the Tower of Power Horns aboard to inject razor-sharp horn work, this romp through the Feat songbook of southern-fried rock represents a satisfying summation of the band's best works, every bit as engaging as their studio models. This is simmering, smart music measured by an honor roll of great songs with no lapses. The only caveat--and a minor one--is the deletion of two tracks to squeeze the original two LPs onto a single CD. --Sam Sutherland
This 1978 live album remains a serious contender for one of the best live rock albums ever etched, standing toe to toe with live classics from the Band, Allman Brothers, and the Who. Recorded during concerts in London and Washington, D.C., Waiting for Columbus vividly captures the L.A. sextet at a crossroads between its swampy mid-'70s fusion of blues, country, and New Orleans R&B, and the more eclectic jazz accents introduced later in the decade. If the late Lowell George's influence had diminished in the studio, his presence dominates here in rowdy, righteous vocals, the mercurial tang of his indelible slide guitar, and a set-list laced with his songs. While still riveting in its initial, abridged CD release, this remastered two-disc edition expands and resequences the songs into a full concert set, with encore. Two deleted tracks are further augmented by 10 additional performances to make this a definitive edition of a classic album that really will "boogie your speakers away." --Sam Sutherland

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