Sacred

Los Lonely Boys - Sacred

Sacred
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Music CD Cover

Artist: Los Lonely Boys
Edition: Music CD
CD Release Date: 2006-07-18
Music Label: Sony
Soundtracks:
  1. My Way
  2. Orale
  3. Diamonds
  4. Oye Mamacita
  5. I Never Met A Woman
  6. Roses
  7. Texican Style
  8. One More Day
  9. Memories
  10. My Loneliness
  11. Outlaws
  12. Home
  13. Living My Life

Free Music Notes for Sacred

Free Music Review: Still Sensational Sophomore Songsters
Hit: 5 Stars

The musical landscape is littered with the waste of "one-hit" wonders who catch the public attention for their allotted fifteen minutes of fame, then fade to a career of headlining Holiday Inns. Since almost everything that appears on popular radio stations is pre-programmed by suit-wearing execs to be spoon-fed to lemming-like teenagers it makes real musicians take notice any time real musicians make it in the biz, especially if their music is roots-based.

The Brothers Garza (Henry on guitar and most lead vocals, Jojo on Bass and vocals and Ringo on drums and vocals) won a grammy for their initial album (for the surprising "Heaven") and bring their intense, and seriously fun, brand of Tex-Mex Tejano Bluesabilly to their sophomore album and they don't let up an inch. The tunes are just as good, and their performances just as inspired.

The CD opens with "My Way", and proceeds through one gem after another. Every track is worthwhile, but I'm particularly drawn to the spicy "Oye Mamacita" and "Texican Style", as well as the tribute "Outlaws" recorded with their father and special guest Willie Nelson.

Sacred Poster

Since their worldwide breakout in 2004, Texican trio Los Lonely Boys - brothers Henry, JoJo and Ringo Garza - have achieved multi-platinum album sales, a Grammy Award (their monster hit 'Heaven' won Best Pop Performance by a Duo or Group in 2005), and widespread acclaim from critics, fans and other musicians. All those experiences and more inform their commanding, propulsive new album, 'Sacred,'.

'Sacred' finds the Boys writing and playing with a new confidence, stretching their subject matter and arrangements on the album's thirteen songs, all of which they wrote or co-wrote. 'Sacred' opens with the killer one-two punch of "Diamonds," the album's anthemic first single, and "My Way," a defiant guitar shuffle that reminds listeners why Guitar World magazine named Henry Garza the Breakthrough Artist of the Year in a 2005 cover story. "My Way" also finds LLBs adding a horn section to their signature mix for the first time. Elsewhere on the album, they add other new colors to their arrangements including button accordion, Hammond B3 and Fender Rhodes, Wurlitzer electric piano and Henry's virtuosic Harmonica playing.

Other highlights on 'Sacred' include "I Never Met A Woman," the Boys' most soulful ballad to date, the impossibly catchy lament of "Roses," and "Outlaws," a song which features two distinguished guest vocalists: LLBs mentor Willie Nelson, and their father, Enrique Garza Sr. Mr. Garza - a talented Tejano and country musician in his own right - taught his sons to play their instruments, and enlisted them to be his backing band from an early age. His appearance on 'Sacred' brings the first family of Texican rock n' roll full circle.


One of the few contemporary bands to land a decidedly roots-rock song on the charts with 2004's Grammy-winning "Heaven," Los Lonely Boys solidified their status as youngsters with an established sound on their first disc. On this highly anticipated studio followup, all talk of the sophomore jinx dissipates with the opening soul-drenched riff rocker "My Way." Although horns are added for extra drama, the three Garza brothers nail this groove as Henry's Stevie Ray Vaughan-fortified guitar powers one of the boys' most fiery performances. Supporter and mentor Willie Nelson joins on the wah-wah driven, Waylon Jennings-styled "Outlaws," as does the brothers' musician father Enrique Sr. Tough midtempo ballads such as "Home" and the very Santana-ish "I Never Met a Woman" follow in the footsteps of "Heaven" as candidates for slow dance song of the year.

Anyone entranced by the Garzas' debut will be thrilled by this classy followup that tightens some of the loose ends but displays additional confidence resulting from two years of nearly nonstop road work. The band spotlights its Tex-Mex roots on the accordion-driven "Texican Style," where near-perfect vocal harmonies drive an irresistible bluesy shuffle. Most encouraging is that Los Lonely Boys haven't succumbed to commercial pressure since their surprise hit debut. Rather, they have refined and organically expanded their approach, and crafted another classy, committed, radio-friendly Americana gem that meshes blues, Mexican, and soul with a spicy topping of hot-sauce musicianship. --Hal Horowitz

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