Weary and Wired

Marc Ford - Weary and Wired

Weary and Wired
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Music CD Cover

Artist: Marc Ford
Edition: Music CD
CD Release Date: 2007-03-27
Music Label: Blues Bureau Int'l
Soundtracks:
  1. Featherweight Dreamland
  2. Don't Come Around
  3. It'll Be Over Soon
  4. Dirty Girl
  5. The Other Side
  6. 1000 Ways
  7. Smoke Signals
  8. Greazy Chicken
  9. Currents
  10. Just Take The Money
  11. Medicine Time
  12. The Same Thing
  13. Running Man Blues
  14. Bye Bye Suzy
  15. The Big Callback

Free Music Notes for Weary and Wired

Free Music Review: Lowering the standard.
Hit: 3 Stars

Several years after the magnificent It's About Time, this album is unfortunately a letdown. Marc chooses to move away from the songwriting and positive energy that filled It's About Time to more soloing and a heavier/muddier sound. The songs on It's About Time were reflective and/or positive, but here we get mostly simple, negative rock lyrics. Some of the songs don't seem finished or well written enough either, as if they're just an excuse to jam. This leaning doesn't work as the band as a unit sounds flat and ordinary.

There is some good guitar playing of course, as well as Marc's underrated voice. Smoke Signals is a standout track and The Other Side and Currents impress. But the album is too full of songs that sound like any guitarist laying down some heavy riffs and singing about Dirty Girl and Don't Come Around. We've heard it all before. Marc shouldn't have to remake It's About Time, and it's hard to say if commercial success was aimed at here, but there isn't enough here to separate Weary and Wired from any number of other decent singer/guitar records around.

Weary and Wired Poster

Marc Ford's first record was with CBS' renowned retro blues rockers Burning Tree in the late 1980's. Burning Tree's self-titled debut album was a much-heralded debut among guitar aficionados and led to Ford being asked to join The Black Crowes.

Ford put his stylized guitar stamp on the Black Crowes' records "The Southern Harmony and Musical Companion,""Amorica" and "Three Snakes and One Charm" as well as making two additional records with the band, "Tall" and "The Band" which were recorded in the 90's and were previously unreleased until 2006.

Ford accepted an invitation to join "Ben Harper and the Innocent Criminals" and toured with them, recording their EP and DVD each entitled "Live at the Hollywood Bowl."and won a Grammy Award in 2004 for his involvement with Ben Harper and the Blind Boy's Of Alabama's record, "There Will Be A Light." Ford also appears on Ben Harper and the Blind Boy's Of Alabama's DVD "Live At The Apollo." Two years ago Ford was asked to rejoin The Black Crowes and recorded their "All Join Hands" reunion tour while also continuing to work with Harper, appearing on his 2006 album "Both Sides of the Gun." After the 2006 release of the double CD and DVD "Into the Fog," Live At The Fillmore with The Black Crowes," Ford left the Black Crowes and began making plans to record "Weary and Wired." This significant recording shows Marc's strength as a singer/songwriter, fueled by large doses of his phenomenal guitar work that brings to mind such masters as Clapton, Hendrix and Beck.


Ex-Black Crowes guitarslinger Marc Ford's second solo album literally sounds like a classic. With its conflagrant riffing, big six-string tones, blues bedrock, and tunes that swing from soulful pop ballads like "The Other Side" to grinders like "Don't Come Around," the disc recalls a time in the '60s when groups like the MC5 and Humble Pie were at rock's creative apex. The wah-wah-mad instrumental "The Big Callback" also nods to Hendrix, and "Smoke Signals" has the drama of early Neil Young and Crazy Horse. But ultimately Ford's a synthesist, not a copycat, so his unpredictable guitar heroics are as likely to explode into clouds of whinnying feedback as to sprint into marathons of bent, ringing sustained notes and pentatonic scales. Ford's lyrics display a street poet's sensibility that matches his light-sandpaper voice. And as a song interpreter, he shakes the dust off "That Same Thing" with expressionistic jabs of moaning, raging guitar that make the hoary blues chestnut a raw, unexpected highlight. "Just Take the Money" trumpets contempt for his former bandmates. That's not the classiest move, but with his own fiery style at his absolute command, Ford needn't worry about burning bridges. --Ted Drozdowski

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