Where We All Belong

Marshall Tucker Band, The Marshall Tucker Band - Where We All Belong

Where We All Belong
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Music CD Cover

Artist: Marshall Tucker Band, The Marshall Tucker Band
Edition: Music CD
Format: Extra tracks, Original recording reissued, Original recording remastered
CD Release Date: 2004-01-27
Music Label: Shout Factory
Soundtracks:
  1. This Ol' Cowboy
  2. Low Down Ways
  3. In My Own Way
  4. How Can I Slow Down
  5. Where A Country Boy Belongs
  6. Now She's Gone
  7. Try One More Time
  8. Ramblin' (Live)
  9. 24 Hours At A Time (Live)
  10. Everyday (I Have The Blues) (Live)
  11. Take The Highway (Live)
  12. See You Later, I'm Gone (Live Bonus Track)

Free Music Notes for Where We All Belong

Free Music Review: THE MARSHALL TUCKER BAND LIVE ! (and in the studio, too)
Hit: 4 Stars

Released as a double album in 1974, Where We All Belong is a live/studio combination album that features southern rock, country rock, and a healthy dose of live jam-band instrumental improvisations. With Jerry Eubanks playing the saxophone or flute on most songs, the music also has a jazzy feel to it.

The Spartanburg, South Carolina band gained national attention with Take The Highway, a hit single from their self-titled debut album. A good live version of the song is included here on this album.

This Ol' Cowboy, a fan favorite that is sung by guitarist Toy Caldwell and features Charlie Daniels on the fiddle, opens the album, and it's followed by two outlaw country songs, Low Down Ways and In My Own Way, sung by their talented lead singer, Doug Gray. Both are well performed and sound Marshall Tucker good. How Can I Slow Down and Where A Country Boy Belongs (featuring Elvin Bishop on slide guitar) speed things up a little, and add a little southern rock and blues to the sound of the album. The rocking/bluesy Now She's Gone and country/bluesy Try One More Time wrap up the studio portion of the album and both sound very good. The live set opens with the southern fried boogie-woogie of Ramblin', and Doug Gray's extraordinary vocal ability is highlighted on this one. I'm telling you, this guy can really sing! 24 Hours At A Time, again featuring Charlie Daniels on fiddle, is the highlight of this album, probably my favorite Tucker song, and this live take is much better than the also great studio version. It's a perfect feel-good song with lots of interesting instrumental improvisation, and it stretches out over 13 minutes. These guys are really great musicians, and they work very well together. It's followed by the blues-rocking Everyday (I Have The Blues), which features guitarist Toy Caldwell on vocals and guitar and is over 9 minutes long. Toy was an exceptional guitarist, and he really shows his stuff on this one. The live version of Take The Highway follows, and closes the very enjoyable and entertaining live set. A live version of See You Later, I'm Gone is also included as a bonus track.

If you're a fan of The Marshall Tucker Band, Where We All Belong is a definite essential. And if you're an ol' southern boy like I am, it's just great to kick back and listen to this excellant music and remember a time when this ball of confusion called Earth wasn't...well, so confusing!

Where We All Belong Poster

The Marshall Tucker Band arrived at a crossroads on its third album, Where We All Belong. With two successful LPs already under their belt, the Spartanburg, SC sextet was on the verge of even greater popularity. Marshall Tucker's eclectic brand of musical Americana had won them a fervent following as a touring act. Now—thanks to lead guitarist Toy Caldwell's knack for hook-laden songwriting—they were edging closer to breaking into Top 40 radio.

Where We All Belong gives a taste of both ends of the Marshall Tucker spectrum: the expansive jam band and the more tightly-focused recording act. Released in 1974 as a two-record LP, the album found the band refining its own distinctive brand of country-rock on the studio cuts.

Anticipating the mass appeal of cowboy culture a few years later, Toy and his band adopted a bit of a Wild West attitude in their music. For all the prominence of pedal steel guitar and down-home lyric imagery in its tracks, though, Where We All Belong was far more adventuresome than most mainstream country music of its time.

Balancing the well-honed studio cuts were the in-concert recordings that round out the album. The genre-spanning versatility and instrumental excellence of Marshall Tucker's membership is caught here in all its unfettered glory. As a live act, the band had the power to drive audiences delirious with their soaring jams, as these recordings demonstrate.

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