Mendelssohn: A Midsummer Night's Dream (complete) / Ozawa, Boston Symphony Orchestra
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Free Music Notes for Mendelssohn: A Midsummer Night's Dream (complete) / Ozawa, Boston Symphony Orchestra
Free Music Review: Best of the bunch
Hit: 5 Stars
The combination of music, narration and vocals make this CD the best example of AMND that I know of. Free Music Review: Musically Perfect Shakespeare
Hit: 5 Stars
Mendelssohn as a child was very much immersed in the literature of Shakespeare. Growing up the child of wealthy parents this musical genius had little to worry him through his life, and that left him to focus on his music. At the age of only 17 (in 1826) he completed an overture to the play "A Midsummer Night's Dream" by Shakespeare, and it wasn't until another 16 years later that the incidental music was written, but this is little matter as the entire thing flows together so well.
Judi Dench here (known for her role as M in James Bond movies) narrates the select passages out of Shakespeare before and after the musical selections. Her performances here are flawless, wonderful interpretations of the Shakespeare that allow the idea of each scene of the play to come out and wrap around your head so that when you listen to the corresponding incidental music you are touched to the level which Mendelssohn has united the two.
The Boston Symphony's performance is equally as amazing headed by Seiji Ozawa. He leads the orchestra in an approach that is taken with a very light touch at times and almost seems not to exist, especially where it touches with Judi Dench's narration and you find yourself lost in a forest wood in Midsummer with Lysander and Hermia. One could easily imagine sitting in the audience of a theatre of a performance of Shakespeare listening to this music and agree that it is entirely in character. The beautiful singing of Kathleen Battle and Frederica Von Stade as the fairies complete the effect as their voices sing sweetly up the register very truly in what would be a fairy voice which further aides to the setting and perfection of this album.
This album is beautifully recorded and the sound is clear as one has come to expect from the Deutsche Grammaphon label. Add to that the flawless beauty of this performance and the fact that this disc actually has the overture and all the incindental music that Mendelssohn wrote, one would be hard pressed to find a better album for this Shakespeare play. It is a must have for any Mendelssohn fan and is equally vital to any Shakespeare buff's collection, and if you're neither, I say get it anyway because it is just that gorgeous, and has also a very cheery effect upon the soul.
Free Music Review: a voice teacher and early music fan
Hit: 5 Stars
MENDELSSOHN AND SHAKESPEARE WOULD LOVE THIS RENDITION, 'CAUSE OZAWA'S PERFORMANCE DESERVES RECOGNITION.
Felix Mendelssohn(1809-1847) was brought up in an intellectual environment thoroughly immersed in Shakepeare. His Grandfather Moses Mendelssohn had made some translations that included an excellent version of Hamlet's "To be or not to be", and his son Abraham, in turn, introduced Shakespeare to his own precocious Fanny and Felix, who used to give little domestic performances in their house.
It is no wonder then, that at age 17, already an experienced composer with literary sensibilities, Felix would have wanted to set his own ideas to music. On August 6, 1826, he completed an overture, that was intended as a distillation into sonata form of the play's imaginative content. Even at this age Mendelssohn's Romantic instinct is to reconcile literary impressions with abstract musical structures, and the outcome is a musical portrait of the play's meaning into sonata form.
When , in August 1843, he was commissioned by the King of Prussia to write incidental music for the play, he found that much of his previous overture could remain and heighten particular moments. The performance of the work took place in Potsdam on October 14,1843, and was such a success that it passed through Europe as being one of the finest pieces of music ever written to accompany spoken drama!
Seiji Ozawa has , in my opinion, cast three very excellent women for the roles singing/speaking in this production: Kathleen Battle with her smooth effortless & flowing soprano as the lst Fairy; Frederica von Stade with her very vibrant and dramatic tone quality as the 2nd Fairy, and who but the ever-marvelous Judi Dench, her voice laden with all kinds of nuances and varied intensities.
The Tanglewood Festival Chorus has a lovely ethereal quality, which is very suitable for this other-worldly tale, and the Boston Symphony Orchestra needs no applause! I enjoyed this disc tremendously, and will continue to play it for many years to come.
Free Music Review: A Midsummer Night's Dream CD
Hit: 4 Stars
The music is lovely. However, the listing of songs has absolutely nothing to do with the way the are in fact recorded. Most annoying.Free Music Review: A splendid and rewarding performance
Hit: 5 Stars
I normally am not enthusiastic about anything put forth by Ozawa, so I was pleasantly surprised by the warmly appealing recording of Mendelssohn's complete incidental music, music which is not nearly recorded or performed often enough. Much of the credit has to go to von Stade and Battle, as well as Judi Dench, who avoids slipping into an overly cloying narrative, as often happens.
Well-recorded & well-presented; a very rewarding performance in all respects!