Metallica - Metallica
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Free Music Notes for Metallica
Free Music Review: Is it Metallica, or the Black Album?
Hit: 5 Stars
The actual title for this one is "Metallica," but all the fans call it "The Black Album." This might be Metallica's most controversial album besides "St. Anger." This album marks a concerted departure of the band from complex song structures and the like. Because the sound is so simple throughout the album many have taken to call this "pop" metal. I think that is a rash judgment, though. Sure, the songs are simpler than on Metallica's previous effort, "...And Justice for All." But, this album might be one of their heaviest overall. It is certainly Metallica's most popular album, having sold more than 14 million. I don't think this album measures up to the greatness that was "Master of Puppets," but then there are few albums in the history of metal that do that.
1. Enter Sandman - it would be hard to find people in either America or Europe, and probably other parts of the world, who have not heard "Enter Sandman." It is filled with the furious vocals and powerful riffs that we've come to love this band for. This was the perfect opening song. The song is about a seemingly never ending nightmare. Heavy, heavy, heavy. It begins with a traditional Metallica acoustic intro and leads straight into some of the heaviest metal out there.
I give "Enter Sandman" a 5/5 rating.
2. Sad But True - Even heavier than "Enter Sandman", this song is about reflecting on the contradictions and failures that often make up a person's life. It has one of the heaviest crunches for a main riff that I've ever heard. The song is not as good as the opener and it gets a little boring after much listening. That is the problem with simpler songs. They are easier to sell but the power in them seems to wane after extended play.
This one is a 4.5/5.
3. Holier than Thou - This song tries hard to be a kind of thrash exploit. It doesn't quite make it. The theme centers around dealing with someone who is always judgmental, and never finding fault in themselves. This is a heavy song, though not as heavy as the first two. The advanced metal listener might think this one is at the top of their list from this album. It is a good song, but not great.
I give it a 4/5.
4. Unforgiven - this one is about the mental anguish suffered by a man never allowed to have his moment. It is a blend of acoustic lightness and metal heaviness that fascinates the listener. This song of raging sorrow will get inside you and stay.
It is a clear 5/5.
5. Wherever I May Roam - my favorite song on this album. It has a unique sounding acoustic opening that builds into one of the catchiest metal riffs of all time. Ultimately, this song is about the power of freedom. James Hetfield seems to clearly express his sense of arrival at the pinnacle of rock stardom, and the implicit respect that comes with it. This is one of Metallica's all time best.
Certainly a 5/5.
6. Don't Tread on Me - use of the old American cliche might be either a focus against America's enemies or America's too easy determination to go to war, depending on your point of view of the song. This one is almost as heavy as "Sad But True," and is a very good song. It is a bit repetitive, though, so it can become easily boring after many listens.
4/5
7. Through the Never - perhaps one of the cleverest songs on the album. "Questions pending..." This one is about man's obsession with knowing all there is to know about the physical universe. It could easily be a defense for the Evolution theory and a reproach for those who close their minds rather than try to understand the nature of things. There is a good main riff and the song is not too long. Great metal tune.
4.5/5.
8. Nothing Else Matters - this one is a mostly accoustic song about friendship and comraderie between the band members. It is a good tune, but it is also one of those songs that brought the word "sellout" to the lips of many Metallica fans. While not very heavy, it is a good song that is inspiring, though some of the lyrics are a little cheesy, imo.
4/5.
9. Of Wolf and Man - a great, great song. James Hetfield's raging vocals and primal lyrics really set this song off. The main riff is not as heavy as other Metallica tunes on this album, but the punch of the song is unmistakable. This song is ostensibly about lycanthropy, or werewolves, but it touches base with the wolf in each man.
4.5/5.
10. The God that Failed - this song might be about the loss of Hetfield's mother to cancer when she refused to seek medical treatment because of her beliefs. I've heard this explanation many times but I've never heard it confirmed by Mr. Hetfield. Apparently, God failed to heal his mother when she refused treatment. It is a good song with a solid riff.
4/5
11. My Friend of Misery - a good song about dealing with someone who will not leave you alone to think for yourself. There is nothing but problems. We can all identify with being around someone who just will not let go of their solution for everyone's problems. This song is somewhat bass driven but not too complex. It is very heavy but it is different from the typical metal song. This one was not written to be popular, but observant and brutally truthful. From a depth standpoint this song might be the strongest on the album.
4/5.
12. The Struggle Within - This song should be last because, imo, it is the weak point of the album. I don't really know why Metallica included this one on this album. It seems out of place and a little bit strange. It has always been one of my least favorite songs from Metallica. To be fair, it is heavy and fast and there are bound to be some listeners that enjoy this song very much. I'm just not one of them.
2.5/5.
Metallica's fifth project is a very good one, though just shy of greatness. I give it 5 stars on the weight of the great songs that are on the album. For the initiate Metallica fan either this one, or "Ride the Lightning", is the place to start. If you've never heard this album, or are new to the Metallica experience, then by all means buy this one. It is not as commercialized as some people claim, but it is polished enough to be one of the most enjoyable listens in heavy metal history.
Free Music Review: The Black Album
Hit: 5 Stars
"Metallica" (1991), also known as "The Black Album," was the sound of the beginning of a new era of music. The album sold more copies than any other Metallica album, and is considered to be one of the greatest albums ever made by many. For some reason, early Metallica fans seem to enjoy bashing this album. The reason is understandable in some terms. People were upset because Metallica no longer had the 7-8 minute songs that included the fast riffs and classic solos that were the trademark of Metallica up to this point. In my opinion, however, Metallica may have changed their music to fit in, but still left a mark on music. The songs on this album continue to be played to this day on radio stations around the world, almost 15 years after its release.
The album starts off with one of Metallica's most famous songs, "Enter Sandman." The mellow start to the song quickly works its way up to kick-ass mode, where James starts off the album by screaming "Say your prayers, little one..." The song features one of the most famous choruses ever sung by Metallica: "Exit: light, Enter: night, Take my hand, We're off to Never-ever-land." "We're off to Never-ever-land" were used later on to end Metallica's "King Nothing" off the "Load" album, which came a few years later. The song features an eerie prayer, followed by the sinister sound of James Hetfield saying "Hush little baby, Don't say a word..." Undoubtedly, one of the greatest Metallica songs of all-time.
The second track on the album, "Sad but True," is a true kick-ass song. The in-your-face screaming will really get your blood pumping. Although it may not be as fast as earlier Metallica songs, it still remains a song that would definitely get your mom screaming at you, unless your mom is a Metallica fan like mine.
After the hardcore "Sad but True" comes the third song on the album, "Holier Than Thou." One of the least popular songs on the album, "Holier Than Thou" is still a song that could get your blood pumping.
The fourth song on the album is another one of Metallica's biggest hits, "The Unforgiven." This ballad once again proved that Metallica could be deeper and more emotional than previously thought, and drew a lot of fans because of it. It gave Metallica a new sound never heard before, and despite the greatness of this song, marked the beginning of a rise in popularity that would lead to the worst Metallica albums ever in later years.
The fifth song on the album, "Wherever I May Roam," reminds us that Metallica is still a heavy metal band. This song became another big hit for Metallica, and Metallica continued to enjoy a rise in popularity that they had not experienced in their illustrious career.
The sixth song on the album is a song that was not released by Metallica, but is one of my favorite songs. "Don't Tread on Me" has a great sound to it, and is another kick-ass song on this album.
The seventh song on the album is "Through the Never." Although I do like this song, it's not my favorite song on the album. This song keeps our blood pumping and puts us in much need of a break after being blasted for the last three songs.
We get that much-needed break on the eighth song of the album. "Nothing Else Matters" was a ballad that remains one of the softest Metallica songs of all-time, and once again showed people the deeper and softer side of Metallica. While being a mostly acoustic song, it still was another big hit for the band and demonstrated more than any song on the album that Metallica had went through a change.
After that approximately six-minute break where our heart has slowed, we get right back into kick-ass mode with "Of Wolf and Man." James Hetfield has always been obsessed with wolves, and it shows in the ninth song on the album. "Of Wolf and Man" talks about the classic story of a man turning into a werewolf when a full moon is out. This is another great, hard-rocking song by Metallica.
We then slow it down once again with the tenth song on the album, "The God That Failed." The song starts off with an intro that makes you want to turn your bass all the way up. Don't let the title fool you: this is not talking about God failing. James Hetfield's parents believed that medicine and doctors were useless and that only God could heal a person. James's mom died at a young age because she would not go to a doctor or take medicine. The "god" in the song is the beliefs that James's parents had, and they failed.
The eleventh song on the album is also a good song to crank the bass up on. "My Friend of Misery" is another hard-rocking song that talks about a person who is always trying to please everyone and take everything upon himself, therefore making him miserable.
The twelth and final song on the album is "The Struggle Within" which starts off slow and then works its way up to the fast singing of James Hetfield. Lars Ulrich's incredible drum-playing is a great end to an album widely regarded as Metallica's best ever. The album was certainly the best-selling album for Metallica, and will remain a classic for years to come.
Free Music Review: SLEEK, POLISHED METAL BRIDGING THE GAP
Hit: 5 Stars
METALLICA DUMPS FLEMMING RASMUSSEN, HIRES BOB ROCK, AND THE REST IS HISTORY. MYSELF, I PREFERED FLEMMING, NOSTALGIA YOU UNDERSTAND, BUT THERE IS NO DOUBT BOB ROCK TOOK METALLICA IN THE DIRECTION THEY WANTED TO GO. HE WAS A MUCH MORE ACCOMPLISHED PRODUCER ANYHOW, AND FLEMMING SIMPLY COULDN'T SQUEEZE LIKE BOB ROCK COULD, AND THE BOYS KNEW IT. LOTSA FOLKS CALLING THIS ALBUM A SELLOUT BY THE BAND; WELL, IT WAS. THEY SOLD OUT MULTI PLATINUM, THEY SOLD OUT CONSECUTIVE NIGHTS IN EVERY CITY AND THEY SOLD OUT THE T-SHIRT STANDS. THANX TO BOB. WHAT THE FU_K DO THE PEOPLE THAT CRITICIZE METALLICA KNOW? APPARENTLY NOTHING. DOES ANYONE THINK THAT METALLICA DIDN'T KNOW WHAT THEY WERE DOING? SURE, THEY WERE THE BEST BY THE TIME JUSTICE CAME AROUND, BUT THEY FIGURED OUT HOW TO REACH MILLIONS MORE. SORRY THAT METALLICA COULDN'T BE YOUR FAVORITE CULT ANYMORE. AND THE FACT IS, THE BLACK ALBUM ISN'T AS RAW AND HEAVY AS KILL EM' ALL OR PUPPETS, BUT NEITHER IS RIDE THE LIGHTNING, SO WHY SPLIT HAIRS? THE BAND MADE A CONSCIOUS EFFORT TO STREAMLINE THE MUSIC AND GIVE IT A COMMERCIAL SOUND. AND THEY DID JUST THAT. AND THEY SMASHED EVERY OTHER COMMERCIAL ACT AROUND AT THE TIME. AND MADE LOADS OF MONEY, AND RECRUITED MILLIONS UPON MILLIONS MORE FANS, AND THAT'S A BAD THING? IF THE MUSIC SUCKED THEN SURE, I GUESS. BUT GUESS WHAT CHESTER? THE MUSIC DIDN'T SUCK. IT WAS STILL HEAVY AND MEAN AND FAR BETTER THAN THE NEXT ACT. THE SONG ARANGEMENTS AREN'T AS COMPLEX OR AS DYNAMIC AND I THINK THAT'S WHAT HAS TURNED SO MANY OFF. ELSEWISE I CAN'T SEE THE PROBLEM. THE MUSIC ON THIS RECORD IS SO MUCH RICHER THAN ANYTHING ELSE THEY HAVE DONE, IT HAS A PULSE THAT RESONATES, SOMETHING THEY ALMOST ACHEIVED ON LIGHTNING, BUT NOT QUITE WITH TRUE THRASH TRACKS LIKE "FIGHT FIRE WITH FIRE" AND "TRAPPED UNDER ICE" AND "CREEPING DEATH". MATTER OF FACT, TRACKS 2, 3, 4, 6 AND 8 ON LIGHTNING AREN'T ALL THAT HEAVY AT ALL. LOTS OF MELODY AND CLEAN GUITAR WORK AND JUST PLAIN GOOD OL' RIFFING IF YOU WANNA GET TECHNICAL ABOUT IT. SO WHERE'S THE CRITICISM THERE? WHAT, IT'S OK CAUSE IT WAS 1984? PLEASE. BOTTOM LINE IS METALLICA WENT COMMERCIAL ONE TIME, PROVED THEY COULD DO IT ON ANY LEVEL, THEN JUST PULLED THE RUG OUT ON EVERYONE AND SUITED UP IN SOME CUBAN PIMP SUITS AND GAVE US LOAD AND RELOAD, TWO MORE ALBUMS WITH A PULSE. THOSE TWO RECORDING'S AREN'T EXACTLY ADVERTISING METALLICAS' BRAND SO YOU CAN'T QUITE CALL THOSE "COMMERCIAL", "SELL OUT" ALBUMS BY DEFINITION. AGAIN, IF YOU THINK SO, THEN YOU ARE A MORON AND NEED TO GO BACK TO BUSINESS NIGHT SCHOOL. SO YEAH, THE BLACK ALBUM IS A COMMERCIAL EFFORT (NOTICE THE TERM EFFORT?), AND I'M VERY HAPPY THAT THE BAND EXPLORED THAT AVENUE. I GET TO HEAR WHAT MAINSTREAM METALLICA WOULD SOUND LIKE. IT'S LIKE A "WHAT IF?" SCENARIO REALISED. BEAUTIFUL! AND THE ALBUM KICKS ASS TOO, IT'S A BEAST. I KNOW HARD MUSIC WHEN I HEAR IT, AND IF TUNES LIKE "HOLIER THAN THOU", "DON'T TREAD ON ME", "THROUGH THE NEVER" AND "THE GOD THAT FAILED" AREN'T HEAVY, THEN MAYBE I DON'T KNOW WHAT METAL IS ANYMORE. I THOUGHT METAL WAS SEPULTURA, SLAYER, EXODUS, OVERKILL, ANTHRAX, MEGADETH AND PANTERA; AND BANDS LIKE THE IMMORTAL IRON MAIDEN WERE ON THE FENCE, BUT STILL GREAT. AND IF SOMEONE HAS A PROBLEM WITH MASTERPIECES LIKE "MY FRIEND OF MISERY" AND "WHEREVER I MAY ROAM" AND DOPE ASS METAL LYRICS LIKE, "THE EARTH BECOMES MY THRONE", THEN MAYBE YOU'RE TOO OCCUPIED WITH FITTING INTO SOME CATEGORY, ALL INDIGNANT AND IGNORANT, TO REALLY HEAR THE ALBUM. PROBABLY HAVE NO TOLERANCE FOR OTHER FORMS OF MUSIC EITHER. I USED TO DO THAT TOO. WHEN I WAS 13 YEARS OLD. NOW I ENJOY JAZZ, SKA, BIG BAND, BLUES, EVEN SOME HIP HOP AND POP(DEPENDING). CAUSE I ENJOY MUSIC, NOT UPHOLDING SOME JUVENILE PERSONA. I'M SMARTER THAN I USED TO BE AND I WISH MOST FOLKS COULD EVOLVE, LIKE METALLICA HAS, BUT SADLY THE BLACK ALBUM WILL ALWAYS BE KNOWN FOR "SELLING OUT". WONDER HOW SOME WOULD FEEL WHEN THEY FIND OUT THAT THEIR FAVORITE DEATH METAL ACT JAMS SOME BARRY WHITE AROUND THE HOUSE OR FREQUENTS REGGAE CLUBS ON THE WEEKENDS. ANYWAY, YOU WOULD DO WELL TO SPEND YOUR HARD EARNED DOLLARS ON A RECORD THAT TOOK YEARS IN THE MAKING, SUPPORTED MANY MORE YEARS OF TOURING, AND BRIDGED THE GAP BETWEEN METALLICA AND ALL THE REST OF THE UNSUSPECTING NEW FANS THAT MIGHT NEVER HAVE GONE AND EXPLORED 80'S METALLICA, IF NOT FOR THIS ALBUM HERE. SLEEK, POLISHED, MATURE, SMART HEAVY METAL, AND ONE TOUCHING BALLAD THAT CAN BE CONSIDERED A MASTERPIECE IN IT'S OWN RIGHT. OH, AND THE ALBUM INLAYS AND ART DIRECTION AREN'T TOO SHABBY EITHER!
BTW, WHAT DID DAVE MUSTAINE GIVE US AROUND THIS TIME? A NEAR MASTERPIECE OF HIS OWN ALMOST RUINED W/CHEESY LYRICS, IMMATURE SUBJECT MATTER AND VOCALS THAT MAKE IT IMMPOSSIBLE TO LOOK COOL IF YOU ARE JAMMING NEAR ANY CHICKS. I HONESTLY BELIEVE THE SUPERB MARTY FRIEDMAN & MACHINE-LIKE NICK MENZA BAILED HIS ASS OUT ON THAT ONE. WHAT A CLOWN.
THE BLACK ALBUM GETS 5 OUT OF 5 STARS... AS A MATTER OF DUE COURSE.
Free Music Review: Perfect for anybody trying to get into Metallica or Thrash
Hit: 5 Stars
Released in 1991, Metallica(Christened the Black Album because of its rather dark cover) went straight to the top of the Billboard Charts, ironically knocking off fellow Thrashers Megadeth's Countdown to Extinction off the top. It eventually stayed at the #1 position for over 4 weeks, quickly reaching Multi-Platinum sucsess. Over time, it spawned the Top 40 hits "Enter Sandman", "The Unforgiven", and "Nothing Else Matters". Also you will hear the songs "Sad But True" and "Holier Than Thou" quite frequently on the radio. For those reasons, the Black Album became one of the most sucessful albums of the 90's, and quite possibly the Most Sucsessful Metal album of all time in the proc ess. Granted, this album is nowhere near as epic or beautiful as Metallica's earlier records, such as Master of Puppets or ....And Justice For All, but nonetheless it's a magnificent album in its own right. Before Metallica added grunge to their sound with albums like Load and Re-Load, they were one of the most influential bands of their time, basically molding and shaping the Metal genre of Thrash, which includes such classic bands as Megadeth, Slayer, Testament, Anthrax, Exodus, and the lesser-known Metal Church. Metallica blended the speedy guitar riffs of Judas Priest and made them even faster, added James Hatfield's somber and superb vocals, and Lars Ulrich's frantic drumming created perhaps the best metal band of the 80's, and possibly ever. But with The Black Album, Metallica slowed up just a little, incorporating ballads like "The Unforgiven" and "Nothing Else Matters", but in no way lost their original thrash style, which showed in classic songs like "Sad But True", "Of Wolf and Man", and "The God That Failed". It is completely perpostrous that Metallica sold out with this album, they just put in two ballads! That in no way changed their sound, but in fact deepened it, showing that they weren't just pigeonholed into a certain type of metal. Even if they don't like to admit it, "The Unforgiven" and "Nothing Else Matters" make up two of the strongest songs on this album. In fact, Metallica really never sold out until they tried to achieve mass appeal with all the Nu-Metal losers with St. Anger, one of the worst examples of a great band degrading as they went along, falling in with other degraded bands such as Pearl Jam, Stone Temple Pilots, Megadeth, Anthrax(When they incorporated rap), Black Sabbath, and even Ozzy Osbourne. The Black Album IS the album to get if you are trying to get into Metallica, as you will instantly fall in with Kirk Hammett's masterful guitar solos and James Hatfield's growling vocals, and then you should go on to purchase all of their older material with a more open mind towards complex song structures and even grander guitar solos. Without a doubt in my mind, Kirk Hammett is the best guitar player out there, with his masterful solos and how he can hold up a song all by himself, and James Hatfield's signature growl makes him one of the best vocalists around, Lars Ulrich is a consistent and excellent drummer, and Jason Newsted on bass is underrated and always solid and tight. In fact, Newsted's work on the Black Album may be better than Cliff Burton's excellent work, with such great bass intros as on "My Friend Of Misery" commonplace. Kirk Hammett's excellent guitar work is evident on such songs as "Enter Sandman", "Wherever I May Roam", "Through The Never", and "Of Wolf And Man", which contain some of the most memorable solos of Hammett's career, probably the best one coming off "Enter Sandman", but his guitar playing on The Black Album is only a taste of the greatness that once was. James Hatfield's lyrics are superb throughout, with such well-written songs as "Nothing Else Matters", "Enter Sandman", "The Unforgiven", "Of Wolf and Man", and "The God That Failed" some of his strongest ever. Overall, every song is a classic, with every song being good, with "Holier Than Thou" being slightly downgraded because it's so repetitive, but it's still a great song!
Best Songs: "Enter Sandman"-How do you not like it? One of Hammett's most memorable riffs and Hatfield's vocals, which may be his best ever! "The Unforgiven"- Perfect ballad! It manages to hold your attention even though being slow, and is only one of about 7 ballads I can stand! Just barely below the magnificent "Enter Sandman".
Worst Tracks: "Holier Than Thou"- Granted, this is still a great track, but it suffers from a simplistic riff and overall is really repetitive. The album's worst lyrics, but they're still good!
HIGHLY RECOMMENDED! BUY NOW! NOTE:...AND JUSTICE FOR ALL IS METALLICA'S STRONGEST ALBUM!
Free Music Review: Clean and Tight Classic Album
Hit: 5 Stars
Metallica figured out that if anything was lacking on their previous few albums (And Justice For All... especially) it was sonic clarity, proper mixing, engineering, and production. Many cry that the inclusion of Bob Rock was Metallica selling out and reaching for a larger market. I disagree, they realized that there sound needed some more muscle and Bob Rock was the guy that knew how to properly record and capture a strong sound. I know the album is not as fast as some of their earlier work "Master Of Puppets" clocks in at 220 bpm, or as orchestrated and lengthy as "And Justice For All..." "Through the Never" is the fastest track on the album at 188bpm and each song is orchestrated in a more efficient manor, but from a sound engineer's point of view this is a more instrumentally stripped down and heavier album then the previous. The audience can actually hear the bass guitar and the notes that James and Kirk are playing.
I do agree with a previous reviewer that this is some of Kirk's strongest and most logical work yet. He appears to be more concentrated on the dynamics and feeling of each songs melodic and lyrical theme and adds to that were as before he would concentrate more on chord progression and speed. He's always been a great lead guitarist to listen to and this time he lets it all hang out: Tapping, Hammering, Tremolo picking, Wah-wah petal, Whammy bar, clean, dirty and harmonious. He does a wonderful job summing up what he's done before while leaping forward.
James blew his voice out during the early stages of recording this album and decided that it was time to seek professional help. He has a very powerful voice that wasn't previously exploited due to the fact that he had no knowledge of proper technique or tone. Also, James steps outside himself here with the inclusion of "Nothing Else Matters". A song that he didn't want to appear on any Metallica record, but was nagged by Lars to do so. James explains in many interviews that he was playing this one day by accident when Lars heard it and asked what it was, James expressed that it wasn't Metallica material but was something he would rather keep to/for himself. Lars objected and said that it should be a Metallica song, and history was made. James also explores some things hear that previously Metallica had only flirted with. The more Spanish yet melancholy progression in "The Unforgiven" comes to mind, The Arabian harmonic minor theme throughout "Wherever I May Roam", as well as the simpler song structures of "Enter Sandman" and "Sad But True".
Jason can be heard through out and has a very powerful yet clear sound. On the "Year and Half in the Life of" documentary Jason, with the help Bob Rock, fought hard for some of his ideas to be on this record and a great deal of them do appear but unfortunately they are uncredited except for "My Friend Of Misery". Jason's performance and melodic choices on this album really compliment everything that is going on and it leaves me wondering how much better "And Justice For All..." would have been with the production and engineering of this record allowing for his performance to be heard.
Lars lays back a bit on this album and tries to compliment the bass lines and powerful moments of the songs with out distracting from the lyrics or the melodies and harmonies James and Kirk are playing. He still impresses the percussionist out there with his more technical and complicated rhythms sections especially on the middle of "Through The Never". He accents "The Unforgiven" with some nice bass and cymbal crashes and "peppery" snare compliments.
The people who complain that Metallica sold-out here either must hate clear and defined guitar tones, drums that don't blast the whole time and over take the mix, a singer that uses a full range of his voice (finally) and that you can understand, and bass that cuts through the music and adds punch. Or, seriously miss the point that, musically, there are a lot of things going on in each of these songs at any given moment it's just not at the break-neck speeds they used to happen. This time James and the boys focused on the quality of the sound rather than the quantity of the sound.
I recommend this album should be in any one's collection. It's honest, it's American and it's a bridge between metal and rock that hadn't been made until this time. Many fans/people complain this album was about selling out, while at the same time many musicians strive to capture the raw yet polished and heavy sound Metallica produced on this record. I don't even know if they [Metallica] could (or would) do it again.