Mozart: Die Zauberfl?te
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Music CD Cover
Composer: Wolfgang Amadeus MozartConductor: Wolfgang Sawallisch
Orchestra: Orchester der Bayerischen Staatsoper M?nchen
Performer: Andreas Stein
Performer: Anneliese Rothenberger
Performer: Brigitte Fassbaender
Performer: Edda Moser
Performer: Gunter Wewel
Performer: Ilse Gramatzki
Performer: Kurt Moll
Performer: Leonore Kirschstein
Performer: Olivera Miljakovic
Performer: Peter Hinterreiter
Performer: Peter Schreier
Performer: Theo Adam
Performer: Walter Berry
Performer: Walter Gampert
Performer: Wilfried Badorek
Edition: Music CD
CD Release Date: 2006-10-17
Music Label: EMI Classics
Soundtracks:
Music CD 1
- Overture
- Act 1. Introduction. Zu Hilfe! Zu Hilfe!
- Act 1. Dialogue. Wo bin ich?
- Act 1. Song. Der Vogelf?nger bin ich ja
- Act 1. Dialogue. He da! Was da?
- Act 1. Aria. Dies Bildnis ist bezaubernd sch?n
- Act 1. Dialogue. R?ste dich mit Mut und Standhaftigkeit
- Act 1. Recitative & Aria. O zittre nicht, mein lieber Sohn
- Act 1. Dialogue. Ist's denn auch Wahrheit, was ich sah?
- Act 1. Quintet. Hm! hm! hm! hm!
- Act 1. Trio. Du feines T?ubchen, nur herein
- Act 1. Dialogue. Bin ich nicht ein Narr
- Act 1. Duet. Bei M?nnern, welche Liebe f?hlen
- Act 1. Finale. Zum Ziele f?hrt dich diese Bahn
- Act 1. Finale. Wie stark ist nicht dein Zauberton... Schnelle F??e, rascher Mut
- Act 2. March of the Priests
- Act 2. Dialogue. Ihr in den Weisheitstempel eingeweihten Diener
- Act 2. Aria & Chorus. O Isis und Osiris
- Act 2. Dialogue. Eine schreckliche Nacht
- Act 2. Duet. Bewahret euch vor Weibert?cken
- Act 2. Dialogue. He, Lichter her!
- Act 2. Duet. Pamina, wo bist du?
- Act 2. Quintet. Wie? wie? wie?
- Act 2. Dialogue. Tamino! Dein standhaft m?nnliches Betragen hat gesiegt
- Act 2. Aria. Alles f?hlt der Liebe Freuden
- Act 2. Dialogue. Zur?ckt!... O weh! Die K?nigin der Nacht!
- Act 2. Aria. Der H?lle Rache kocht in meinem Herzen
- Act 2. Dialogue. Morden soll ich? Das kann ich nicht!
- Act 2. Dialogue. Hier seid ihr beide euch allein ?berlassen
- Act 2. Trio. Seid uns zum zweiten Mal willkommen
- Act 2. Dialogue. Tamino, wollen wir nicht speisen
- Act 2. Aria. Ach, ich f?hl's
- Act 2. Dialogue. Siehst du, Tamino, ich kann auch schweigen
- Act 2. Chorus. O Isis und Osiris
- Act 2. Dialogue. Tamino, dein Betragen war bisher m?nnlich und gelassen
- Act 2. Trio. Soll ich dich, Teurer, nicht mehr sehn?
- Act 2. Dialogue. Tamino! Tamino! Willst du mich denn g?nzlich verlassen?
- Act 2. Dialogue. Da bin ich schon, mein Engel
- Act 2. Finale. Bald prangt, den Morden zu verk?nden
- Act 2. Finale. Der, welcher wandelt diese Stra?e voll Beschwerden
- Act 2. Finale. Papagena!
- Act 2. Finale. Nur stille!... Die Strahlen der Sonne
Free Music Notes for Mozart: Die Zauberfl?te
Free Music Review: There's nothing wrong with tradition when the singers are this good
Hit: 5 Stars
EMI never thought much of this 1970s Magic Flute from the Bavarian State Opera, but in its traditional way the performance is of high quality. One notices ths immediately in the Three Ladies, who sing perfectly in tune and with considerable artistry. Sawallisch is a known quantity, reliable but not inspired. He understands how to make the opera go, and his orchestra, if a bit rough in the woodwinds, plays extremely well.
Since it's on tow CDs, this version cuts the dialogue to a minimum, but at least you get more than Klemperer provies (none). As Tamino, Schreier is young enough that his off-putting nasality doesn't grate too much. Otherwise he's quite effective and vocally secure. Walter Berry, who was Klemperer's Papageno, is among the best--he's a bit more hammy this tie around, which is fine. Eda Moser makes for a solid, full-voiced Queen of the Night. Rothenberger, often heard in operetta, is youthful and appealing as Pamina; she avoids the excessive passivity and pathos of others in the role. KUrt Mill is resonant and commanding as Sarastro.
Once you add up the pluses, in fact, this emerges as a first-rate Zauberflote, which lacks the most scintillating portrayals and yet is well ahead of Colin Davis, Solti (both versions), and Haitink. Only Bohm and KLemperer, in their classic sets from the Sixties, outdo this one. Warmly recommended.
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