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Outkast - Speakerboxxx/ The Love Below
Music CD CoverArtist: Outkast Edition: Music CD Format: Explicit Lyrics CD Release Date: 2003-09-23 Music Label: La Face Product features: Soundtracks: Music CD 1- The Love Below (Intro)
- Love Hater
- God (Interlude)
- Happy Valentine's Day
- Spread
- Where Are My Panties?
- Prototype
- She Lives in My Lap
- Hey Ya!
- Roses
- Good Day, Good Sir
- Behold a Lady
- Pink & Blue
- Love in War
- She's Alive
- Dracula's Wedding
- Vibrate
- Take Off Your Cool (with Norah Jones)
- A Life in the Day of Benjamin Andre (Incomplete)
- [Untitled Hidden Track]
Music CD 2- Intro
- Ghetto Musick
- Unhappy
- Bowtie
- The Way You Move
- The Rooster
- Bust (with Killer Mike)
- War
- Church
- Bamboo (Interlude)
- Tomb of the Boom (with Ludacris)
- E-Mac (Interlude)
- Knowing
- Flip Flop Rock (with Killer Mike)
- Interlude
- Reset
- D-Boi (Interlude)
- Last Call (with Slimm Calhoun)
- Bowtie (Postlude)
Free Music Notes for Speakerboxxx/ The Love BelowFree Music Review: No Skippin' or Slowin' Down Hit: 5 Stars
It's about time you infantile fools were freed from your constipated notions. Go to your record store right NOW and ask a grown-up for the following: Eric B. & Rakim's "Paid in Full," Stevie Wonder's "Songs in the Key of Life," A Tribe Called Quest's "Low End Theory," Public Enemy's "Fear of a Black Planet," Parliament's "Funkentelechy vs. The Placebo Syndrome," Beatles' "Abbey Road," Sly Stone's "There's A Riot Goin' On," Led Zeppelin's "Houses of the Holy," Curtis Mayfield's "Superfly," John Coltrane's "A Love Supreme," Miles Davis' "Kind of Blue," and Prince's "Purple Rain." After you know each one of these by heart, go back and listen to Speakerboxxx/The Love Below.Now, about the album(s). Some stand-outs on Big Boi's "Speakerboxxx" are: -"Ghettomusick" takes a trunk-thumpin beat, combines it with a tight-as-hell hook a la Dre, rapid-fire verses a la Big Boi, and throws in a Patti LaBelle sample that slinks in and out like a housecat. - "Unhappy" has a chorus that creeps under your skin. The rhyme is very introspective and it just ripples over the top of phat congas and synths. - "Bowtie" is an Old Skool party on wax. This joint uses brass to move your a**. Another one of those choruses that gets wedged in your brain: `Crocodile on my feet...Fox fur on my back...' - "The Way You Move" Yeah, even mainstream radio's playing it. The crux: bootylicious bass and Sleepy Brown getting as dangerously close to Billy Ocean as anyone ever should. - "The Rooster" Another one of those choruses (with Chicken Dance Elmo doing background vocals, if I'm not mistaken...) that sticks to you. Domestic disputes never sounded so funky or this damn funny. - "Bust" A dark, brooding thang. It's like Eddie Hazel of Funkadelic got resurrected somehow and threw down with Big Boi and Killer Mike. - "War" A short track that comes in two parts. The first part's kind of a menacing preface to part deux, in which Big Boi lets loose with hard-hitting commentary on our post 9-11, post-stolen election world. - "Church" A track asking the ever-living question "Why are we here?" that makes you wonder who slipped a Kirk Franklin disc into your CD player when you weren't looking. - "Knowing" Dre and Big Boi together, as it should be. Tight piano and percussion lay the foundation for commentary on how this nasty world gets b(u)y. - "Flip Flop Rock" One of the catchiest hooks in years, courtesy of Jay Z. Throw in classical piano paired with a beat so undeniably funky that (unless you're dead or Republican) you'll find your neck snapping uncontrollably. I predict this to be the next platinum single off this album. - "Reset" a smooth joint with an ethereal feel--something that would fit well on "ATLiens." Tight/deep flows by Khujo and Cee-lo match Big Boi's brilliant verses. The rest of the album is disappointingly lackluster, with Big Boi unnecessarily pairing up with lesser emcees. But over all: excellent. Now, Dre's "The Love Below." It took about two listens for me to get into it, but the effort was worth it. If you give it a chance, you can catch the Bootsy, Prince, Sly, Stevie, et al. references; however, as much as Dre reminds me of the aforementioned royalty, he has a style all his own. The entire album is brilliant. Some stand-outs: - "Love Hater" is Dre channeling Nat Cole's croon thru George Clinton's sensibilities. A tight, jazzy joint with awesome piano. -"Happy Valentines Day" A funky joint with Dre on guitar and lead vocal that would make Prince turn from purple to green with envy. - "Spread" A sputtering drum-n-bass type song where Dre once again out-Princes Prince. - "Prototype" Smoothed out R&B/funk, reminiscent of Bootsy's "Vanish in Our Sleep" or the Ohio Players "Heaven Must Be Like This." One of my favorites on here. - "She Lives in My Lap" is destined to be a classic. It has a head-nodding beat, tight guitar work, and smooth (`Damn, he sounds like Chico DeBarge') vocals. Like Prince's best work, this song is sexual, funky, and offbeat. Brilliant. - "Hey Ya" Top 40 radio has beaten this `brown stallion hoss with skates on' to death. A good song, but not even close to being the best on the disc. - "Roses" A funky beat and 80s-style synths ride behind Dre's chastising of gold diggers. - "Behold A Lady" The beat comes in like Cameo's "Word Up" with Dre crooning over the top. The breakdown is the crown jewel on this one: "Cant get no lower...can't get no lower..." - "Pink & Blue" A funk box, Moog synths, swirling strings that would be right at home on a Barry White joint, and Dre singing about a May-December relationship. Again, Prince should hang his head in shame. - "She's Alive" A heartfelt tribute to Dre's mom and all single moms. Just piano, brushes on snares, and Dre singing his guts out. - "Dracula's Wedding" Phat Moog bass, a wickedly clever lyric, and Kelis' milkshake vocals helping to smooth thangs out. - "My Favorite Things" Yes, the one from "The Sound of Music." A tight drum-n-bass beat underlies amazing jazz piano and sax, plus a bassline that makes your thumbs hurt just listening to it. - "Take Off Your Cool" pairs Dre and Norah Jones. A short, jazzy track with silky vocals and Dre on acoustic guitar. - "Vibrate" curiously unfolds over the course of about 7 minutes. It has a backward beat ("She Lives in My Lap" played backwards maybe?) with a trumpet solo that instantly brings to mind Miles. - "A Life in the Day..." sounds like "Rosa Parks" on Quaaludes. An interesting look back on the past decade of Outkast. In all: brilliant. Dre's a genius. Period. And lastly, as a wise man once said: "If you still don't get it, it ain't for you anyway."
Speakerboxxx/ The Love Below PosterCD At a time when experimentation is taboo in most overground rap, that?s all Outkast seem intent on executing. Firstly, this double CD has no cohesive link, other than the fact that it sounds like a pair of solo albums stitched together to demo exactly how Andre?s yin works to augment Big Boi?s yang. Andre 3000?s Love Below disc rates as the more eclectic of the two, given that he?s turned in his emcee credentials to become a full-on funk-soul-jazz vocalist who mostly sings about items of love ("Happy Valentine's Day"), carnal lust ("Spread"), and female adoration ("Prototype"). Minus the big band schmaltz of "Love Hater" and cheesy cover jobs ("My Favorite Things"), Andre?s disc is sick (meaning great). As is to be expected, the Big Boi disc is less arty, more gangsta and worldly, and features the less-progressive guest raps of ATL crunk purveyors Lil? Jon and The Eastside Boyz ("Last Call") and Jay-Z who rhymes the hook on "Flip Flop Rock". Unlike Big Boi, Andre keeps his collabos to a minimum, once crooning alongside Norah Jones on the cool yet sappy "Take Off Your Cool", and once with Kelis. Boi fulfills his Dungeon Family duty with flying colors by flipping some dirty southern up-tempo raps over electro beats on "GhettoMusick". By the time Cee-Lo sermonizes on "Reset", Speakerboxx and Love Below rate mostly as majestic and inspiring, with the remaining 23 per cent being just plain incredible --Dalton Higgins
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