Free Music Notes for Day Trip

Pat Metheny Trio - Day Trip

Day Trip List Price: $18.98
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Free Music Notes for Day Trip

Free Music Review: You need to take a "Day Trip".
Hit: 5 Stars

I have listened to this over and over, I can't get enough. One of Metheny's most mature and enjoyable releases. What a pleasure to hear these three great musicians together. Pop this CD into your car stereo and I guarantee you won't be so aggressive behind the wheel. Enjoy.

Free Music Review: pat metheny and super friends
Hit: 5 Stars

after seeing this group in concert i had to get their cd (day trip ) i truly believe that these musicians can play in the level that is as good as any group i have ever heard (and i have heard all the masters after almost 40 years ) just great

Free Music Review: Another Great Pat Metheny recording
Hit: 5 Stars

I am a BIG Pat Metheny fan. Have been since his 1st recording. I like this trio recording. Helps that I'm also a Big - Big fan of Christian McBride, too. Great musician synergy here. Good tunes, great playing.

Free Music Review: it's a day 5 Stars

The more i listen to it, the better it gets.. Three great musicians just having a day trip .... this album is full of melodic treats. Could it be better?...yeh, you might expect the ultimate best with this group.

Free Music Review: Great stuff..
Hit: 4 Stars

The late jazz writer Richard Cook described Pat Metheny's enormous audience as a mixture of "progressive-rock listeners, fusion fans, and plain old lovers of guitar heroes". In other words, he manages to cover quite a few stylistic bases, but here's an album that will appeal most to the hard-core jazz listeners among Metheny's many fans.
'Metheny hooks up with his regular partners, Christian McBride on double bass and Antonio Sanchez on drums. As you'd expect for musicians who have played hundreds of dates together they're very comfortable in each other's company, with McBride's marvellously deep, rich bass really shining throughout'(BBC).
'In its early stages, "Day Trip" seems to fall into some familiar postbop traps (too much technique, overwrought themes) but it soon settles into some jubilant improvising from all three, on the kind of bluesy grooves, Latin swingers and inviting ballads that suggest Wes Montgomery has returned to life and found the hippest 21st-century world-music partners he could' (Guardian).
He dazzles on 10 new originals.
"Let's Move" is fast and boppish, "At Last You're Here" is a fine ballad, bound to become a classic - as might his bluesy "Calvin's Keys" and a bittersweet acoustic lament for flood-battered New Orleans, "Is This America?"
For technique, taste and originality, Pat's still the man.
He is alternately pastorally lyrical and hard-swinging, reminding us of his origins in the music of Wes Montgomery and Jim Hall respectively.
Apart from the unmemorable nature of some of the compositions, this is delightful stuff.
The Incredible Jazz Guitar of Wes Montgomery
Hallmarks: The Best of Jim Hall
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