Out There and Back

Paul Van Dyk - Out There and Back

Out There and Back
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Music CD Cover

Artist: Paul Van Dyk
Edition: Music CD
CD Release Date: 2000-06-20
Music Label: Mute U.S.
Soundtracks:
Music CD 1
  1. Vega
  2. Pikes
  3. Another Way
  4. Travelling
  5. Avenue
  6. Tell Me Why (The Riddle)
  7. Together We Will Conquer
  8. Face to Face
  9. Love from Above
  10. Columbia
  11. Out There and Back
  12. Alive
Music CD 2
  1. Santos
  2. All I Need
  3. Namistai
  4. Another Way (Original)
  5. Tell Me Why (Vandit Mix)
  6. Tell Me Why (Club Mix)
  7. Face To Face (Piano Mix)
  8. Together We Will Conquer (Radio)

Free Music Notes for Out There and Back

Free Music Review: trance is dead yet pvd still lives!
Hit: 5 Stars

Is trance dead as many claim? In its entirety no. But in many ways yes. No longer are the anthems of the Summer of Trance ('99) greated happily and the biggest insult to an artist is that they "have gone the way of ATB." Trance has become cheesy, and as it is reaching its peak in popularity in the US it has become Velveeta; sticky, cheap, and all consuming. So what are we to expect on the new release from the man who pioneered what used to be known as trance? Nothing less than has ever been expected of him . . .

Out There And Back is a journey . . . and as other reviewers have failed to realize, journeys are not all adrenaline all the time, but as a whole they can be remembered and blissfully relfected upon. Opening with Vega, the album gets the listener off to a peaceful start, with the slow quiet beats and airy overlay. This is followed up by Pikes, named after the famed Ibiza hotel. One can almost imagine themselves sitting in the loby at Pikes while listening to this track. Similar to Vega it is quiet and chilled, yet with more of a Balearic Beat, the kind of track that makes one wish for a nice sunny summer day with a light breeze. The next track (already well known) is Another Way, the first melodic track, and clearly, as Paul pointed out in a recent interview, a representation of his new approach of making music, he is starting over 'Another Way.' The fourth track is Traveling which Paul describes as an audio plane flight. Imagine the flight during this listen and it is clear, the takeoff, cruising, and a perfect landing, complete with the voice of a stewardess in the background. Avenue is what i would classify as the lowpoint to the album. Already well known and well played, this never did anything for me personally. The last half of the album though, is perhaps the best part. Uplifting vocal tracks such as 'Tell Me Why (The riddle)' (6), 'Together We Will Conquer'(7), and 'We Are Alive'(12) kick the listener with gorgeous vocals and are able to get away without any hint of cheese. 'Together . . .' co-written by Paul and his now wife Natascha (who has already displayed her voice on earlier tracks such as 'For An Angel' and 'Forbidden Fruit') is perfect. A true vocal track (as proven by the radio edit on the second disk) this allows Natascha's voice to shine. The rest of the tracks on the album, 'The Love From Above' (9), 'Columbia' (10), 'Out There and Back' (11) contain accents of their own, each contributing to a different part of the joirney. Perhaps the best track on the album though is track 8 'Face to Face.' Remeniscent of 'Forbidden Fruit' it is the definition of bliss and only gets better in the piano mix on the second disk. The first disk of the album is the journey, listen to it as such. Lie in the sun, walk around, save the second disk for the clubs.

Disc 2 contains all of the remixes as well as three seperate tracks (Santos, All i Need, and Namistai{w/BT}). The remixes are what the adrenaline pumping club jockeys need. The radio edits are also so tastefull and listenable that it is not hard to imagine them on US pop charts . . . .and never leaving. This album has something for everyone and can be listened to by anyone.

Trance may be dead but Paul van Dyk lives on!

Out There and Back Poster

Paul van Dyk spent most of the '90s perfecting a strain of credible, melodic Eurotrance that connected with clubbers all over the globe. Having honed his style and established a trademark sound, the East German DJ brings it all together on this, an album the overzealous are calling the first great dance record of the century. It begins in fine fashion with the cool breakbeat shimmer of "Vegas," swiftly followed by "Pikes," a valve-pumping Ibizan knees-up that's a tribute to the island's fabled hotel. So far, so good--this is topnotch progressive house that's guaranteed to make them move. However, if you're expecting more of the same, beware, because from here on in it's out with the Glo-Sticks and on with the face paint as a succession of clichéd trance anthems rudely gatecrash the party. From the lunar-landings vibe of "Avenue" through to the sweet pop lilt of "Face to Face," hypnotic riffs, sanguine chords, and hollow metronome beats take center stage. Van Dyk's no ATB, but ultimately this is just as one-dimensional. --Paul Tierney

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