Phil Collins - Both Sides
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Canadian Music Store Music CD CoverArtist: Phil CollinsEdition: Music CD CD Release Date: 1993-11-09 Music Label: Atlantic / Wea Product features:
Free Music Notes for Both SidesFree Music Review: a very serious (with a capital 'S') album, and powerfully so
With his 1993 album "Both Sides", Phil Collins made an even more deeply serious (with a capital 'S') album than he had with his 1989 predecessor "...But Seriously". Certainly serious songs were nothing new for Phil--after all, this is the man who wrote songs such as "Man On The Corner", "Take Me Home", "Another Day In Paradise", and so many others. Still, Phil really did turn a musical corner with "Both Sides"--that said, it perhaps figures then that this album marks the beginning of his considerable commercial decline in the US after having been absolutely huge from the mid-'80s to the early '90s. The thing is though, contrary to what certain people will try to lead you to believe, Phil was never a musical puppet, i.e., someone who just churns out mindless product in an attempt to cash in--through all of his massive commercial success, he's remained an ultra-sincere songwriter and performer. I was 12 years old when "Both Sides" came out in November of 1993, and I remember being extremely intrigued at the time to learn that Phil had played all of the instruments on "Both Sides". Don't get me wrong--Phil did indeed do an excellent job of doing the 'one-man-band' thing on here. The fact that he was able to make such a great album like this, writing everything himself, producing all by himself, doing all the vocals and playing all the instruments--i.e. a true SOLO album--is a major testament to Phil's incredible talent. However, I now realize that it wasn't really that much of a stretch--yes, Phil had gotten assistance on all of his previous solo albums from incredibly talented players, but he had basically always used his home demos as his basic masters, something he points out in the liner notes to "Both Sides". Here, he simply went the next step, doing all the bass parts himself & so forth. However, Phil playing all the instruments does have a major significance in a number of respects. One thing is that it results in an album with none of the signature horns that appear on all of his previous albums. Instead, Phil relied a lot on atmospheric keyboards, among other things, to fill out the sound, & he really pulled it off. Add to this that there isn't a single feel-good song on the entire album like a "Sussudio" or a "Find A Way To My Heart", this album ends up being a big change of pace for Phil.
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