Compare Prices for Pirates Of The Caribbean: At World's End

Pirates Of The Caribbean: At World's End

Pirates Of The Caribbean: At World's End Music CD Cover
Composer: Hans Zimmer
Composer: Geoff Zanelli
Composer: Tom Gire
Composer: John Sponsler
Composer: Henry Jackman
Composer: Atli Örvarsson
Conductor: Blake Neely
Conductor: Matt Dunkley
Performer: Martin Tillman
Edition: Music CD
Format: Soundtrack
CD Release Date: 2007-05-22
Music Label: Walt Disney Records
Soundtracks:
  1. Hoist the Colours
  2. Singapore
  3. At Wit's End
  4. Multiple Jacks
  5. Up Is Down
  6. I See Dead People in Boats
  7. The Brethren Court
  8. Parlay
  9. Calypso
  10. What Shall We Die For
  11. I Don't Think Now Is the Best Time
  12. One Day
  13. Drink Up Me Hearties
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Free Music Notes for Pirates Of The Caribbean: At World's End Album

Free Music Review: More of the Same Dribble
Hit: 2 Stars

The first POTC movie was great; well written, well acted, entertaining, fun and had a decent story to boot. Both of the sequels were utterly abysmal on all of the formerly mentioned levels. As for the soundtracks, Curse of the Black Pearl was composed by Klaus Badelt, who while obviously a different person than Zimmer, is a clone from the same studio. Still, this was by far the best of the three, providing the groundwork for the well-known theme that would late be expanded upon and butchered at times. Dead Man's Chest was absolutely horrific, with non-stop bombastic clashes of drums, symbols and low strings. At World's End offers little more, with Drink Up Me Hearties and Up Is Down being the only worthwhile listens. Hans Zimmer is falling down the same path as James Horner, consistently producing music that sounds too similar. However, James Horner does have a dynamic range and complexity that Zimmer seems to lack. The new score for The Dark Knight is his best work of late, almost entirely because of the (unfortunately) few additions by James Newton Howard.


If you are a fan of the movies, you may enjoy this score, because it is certainly better than the atrocious films. If you are a fan of Hans Zimmer, this may be a mixed bag because it is clearly represenative of the composer's style, but lacks the substance of his truly fantastic works like the scores for The Last Samurai, King Arthur and Crimson Tide. But on a musical level, it really is quite a disaster.
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