Sheer Heart Attack

Queen - Sheer Heart Attack

Sheer Heart Attack
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Music CD Cover

Artist: Queen
Edition: Music CD
Published: 1991
CD Release Date: 1991-03-05
Music Label: Hollywood Records
Soundtracks:
  1. Brighton Rock
  2. Killer Queen
  3. Tenement Funster
  4. Flick Of The Wrist
  5. Lily Of The Valley
  6. Now I'm Here
  7. In The Lap Of The Gods
  8. Stone Cold Crazy
  9. Dear Friends
  10. Misfire
  11. Bring Back That Leroy Brown
  12. She Makes Me
  13. In The Lap Of The Gods
  14. Stone Cold Crazy

Free Music Notes for Sheer Heart Attack

Free Music Review: Freddie Mercury's breakthrough - but the whole band shines
Hit: 5 Stars

Looking back at the 1970s, sometimes many forget how big the band Queen was. Even as Queen moved into the 1980s, while their popularity did slightly decline in the United States, it continued to be very high in Europe. Their performance at Live Aid is widely considered one of the greatest of all-time and their subsequent "Magic" tour is considered one of the all-time greatest concert tours. If it weren't for Freddie Mercury's death in 1992, we might still be talking about Queen being as big a band as the Beatles. When Queen released their 1973 self-titled debut album, it showed all of the signs of greatness to come. This album would show how the band embraced a "theatrical" feel to their music (which was something seen by other bands such as the Kinks) as well as embrace a sound that would evolve into what would become Heavy Metal. I expected the follow-up album, "Queen II" to continue much of what "Queen" had started. While "Queen II" continues down the road of theatrical music, overall this album just didn't capture my interest as much as the first album. However with Queen's third album, "Sheer Heart Attack", Queen would successfully build on the fundamentals of the first two albums and expand their sound. They would still revolve around the theatrical sound, but move away from the medieval themes of the first two albums. It would also prove to be their first breakthrough album in terms of commercial success.

Queen is an example of the sum of the parts actually being greater than the whole. However, if you take each of the four members of Queen, they easily stand on their own as a top musician in their profession. Freddie Mercury is easily known to be the emotional and flamboyant lead vocalist of Queen who indeed has a legendary voice. Brian May is the legendary lead guitarist and probably the second most popular member of the band. Roger Taylor and John Deacon go extremely underrated. Listen to Taylor's thundering drumming in the studio or live and one can easily understand why he was asked to participate in an All Star Drum Jam (The S.O.S. All-Stars) at the Live Earth concert. As for John Deacon, he might be one of music's all-time underrated bass players. Many of his bass lines have proven to be the foundation for Queen's musical sound. In addition to being top musicians, all four members play integral roles in the songwriting. As with the first two albums, the band's instrumentation continues to operate a high level. However on this album, I think its Mercury that takes it up a notch and establishes a foundation as a hall of fame vocalist.

Here is a track by track synopsis of this collection:

"Brighton Rock": This is a great track. Queen improvises by using carnival sounds (indicative of the seaside resort of Brighton). While May's guitars shine, this song is a real breakthrough for Mercury who performs both parts of a duet - simply outstanding.

"Killer Queen": Legendary track as Mercury once again takes it up a notch again with his vocals. The song has a theatrical feel to it. Terrific piano work is also done by Mercury. However the real underrated hero of this track is Deacon - his bass completely sets the tone for this track.

"Tenement Fuster": This song features Taylor on vocals who once again proves he can also be a lead vocalist. Taylor's high octaves give this song a prototype for some early Heavy Metal.

"Flick of the Wrist": This song has a great segue from "Tenement Fuster". Mercury takes over lead vocals for this track. Once again, Mercury demonstrates great harmonies. This song takes on more of a progressive rock feel.

"Lily of the Valley": This song has a segue from "Flick of the Wrist". This song takes a softer tone, yet still with a theatrical feel.

"Now I'm Here": Mercury shines again and shows he too can hit the high vocals. May's guitars are right on form. Terrific harmonies are prevalent throughout this track.

"In the Lap of the Gods": This track again showcases a theatrical feel to it - and Queen is awesome in doing so. This features some great piano work.

"Stone Cold Crazy": "In the Lap of the Gods" has a segue to this track. This song almost sounds like a cross between classic Rock of the fifties and early Heavy Metal.

"Dear Friends": Soft piano ballad. Not a bad song, but didn't have me doing handstands.

"Misfire": Much of this song was composed by Deacon and the fruits of his efforts shine. This song almost gives me a feel for what sound that the band Boston would feature in the late 70s.

"Bring Back that Leroy Brown": Queen has always they could pull off a Rockabilly sound - and this song proves it. Nice work of banjo and jangle piano are featured in this song. Great bass work by Deacon.

"She Makes Me": This song has more of a classic rock feel. Underrated track. May has some great acoustic guitar work. I like the way the use of sirens are used in this song.

"In the Lap of the Gods...Revisited": Queen wraps this one up with a theatrical finale feel to it. The perfect way to end the album.

I think Queen moving away from the Medieval themes of the first two albums has a lot to do with why they grew as a band on this album. While Mercury has his breakthrough on this album, the whole band shines. Overall, this is a terrific effort that will keep core Queen fans and casual fans happy. Highly recommended.

Sheer Heart Attack Poster

Sheer Heart Attack is a Queen album that has something for nearly everyone. There's glam, progrock, guitar pyrotechnics to spare (check out Brian May's shape-shifting performances on "Brighton Rock" and "Flick of the Wrist"), proto-speed-metal ("Stone Cold Crazy"), and Queen's unique brand of campy humor ("America's new bride to be / Don't worry, baby, I'm safe and sound," Freddie Mercury declares on "Now I'm Here," a Queen concert staple). The group takes a rocked-up turn at ragtime on "Bring Back That Leroy Brown" and downshifts memorably on the spare piano-and-voice interludes "Lily of the Valley" and "Dear Friends." Best of all is the wicked rock-and-harmony showcase "Killer Queen," the group's first international smash. If you need a reminder of everything that was right about rock's old guard before punks stormed the gates, look no further. --Daniel Durchholz
Japanese Version featuring a Limited Edition LP Style Slipcase for Initial Pressing Only.

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