Songs For The Deaf

Queens of the Stone Age - Songs For The Deaf

Songs For The Deaf
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Music CD Cover

Artist: Queens of the Stone Age
Edition: Music CD
Format: CD+DVD, Limited Edition
Published: 2002
CD Release Date: 2002-08-27
Music Label: Interscope Records
Soundtracks:
  1. You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire
  2. No One Knows
  3. First It Giveth
  4. A Song For The Dead
  5. The Sky Is Fallin'
  6. Six Shooter
  7. Hangin' Tree
  8. Go With The Flow
  9. Gonna Leave You
  10. Do It Again
  11. God Is In The Radio
  12. Another Love Song
  13. A Song For The Deaf
  14. Mosquito Song (Hidden Track)

Free Music Notes for Songs For The Deaf

Free Music Review: QOTSA are the saviors of RAWK
Hit: 5 Stars

Millionaire," the first song on Songs For The Deaf may be familiar to some because it's listed on the WWE Tough Enough 2 Soundtrack. This song slyly introduces the listener to what's to come with the muffled guitar cranking into full volume less than a minute into the track. The lead vocal position rotates among the album with Nick Oliveri going first, doing his best Iggy Pop impersonation, which is pretty much him screaming at the top of his lungs.

"No One Knows" has Homme doing lead vocals with his smirking wise-ass style. "No One Knows" lets Dave lead the way with boogie style drums. Oliveri and Homme harmonize over Josh's Ace Frehley-like riff. This is most likely the first single from Songs For The Deaf, as a video has already been made.

After a funny intro from a Mexican radio jock, "First It Giveth" comes chugging along as the third track on the album. Josh remains the vocalist. It's nice to hear someone involved in "metal" actually sing instead of growl and groan. Next is "Song For the Dead" which let's Grohl do some cool fills on the drums before Homme thuds in. Oliveri does lead vocals while Homme backs him up.

One of the most interesting elements in Songs For The Deaf are the smaller touches, like Homme and Oliveri harmonizing, Grohl's stop-start drumming that enforce Homme's tractor-beam like guitar. In "Song For The Dead" there are at least three different riffs. In most metal songs nowadays you get one riff and it wears itself out quick.

The rest of the album gets even heavier if you can believe that. "The Sky Is Falling" is a six minute song that expands and contracts like a black hole. "Six Shooter" lets Oliveri vent some anger in two minutes of his screaming. "Hanging Tree" Mark Lanegan comes to the forefront with his whiskey soaked voice to a spacey psychedelic type song that is all over the place, but in a good way. "Go With The Flow" and "Gonna Leave You" go back to that fun boogie sound like "No One Knows" And "Do It Again" sounds like a sports anthem with its "Rock and Roll Part 1" by Gary Glitter type riff.

The last four songs of the album are by far the standouts. After some crazy radio static complete with revival like radio preachers, we go into "God Is In The Radio". This Doors-esque song has one of the best guitar solos I have heard in a long time. "Another Love Song" is another trippy psychedelic song complete with organ. The title track "Song For The Deaf" is introduced appropriately by a dominatrix type DJ because this song is dark and primal. The hidden track on the CD, "Mosquito Song" is a acoustic number complemented with a horn, piano and string section, reminiscent of earlier power ballads by Led Zeppelin ("Going To California) and Black Sabbath ("Laguna Sunrise"). At the end of the song you can hear something that sounds like the opening riff to "Feel Good Hit Of The Summer" from Rated R. A nice little surprise.

With nothing but complete objectivity and sincerity, I can say that not only is this QOTSA's best album, not only one of the best albums of the year, this is one of the all time best. This ranks up here with Appetite For Destruction, Reign In Blood, and Superunknown. This album is a must purchase for anyone who loves it loud, is tired of the modern day rap-metal and poser metal scene or just wants to hear something new. Stop reading and go buy it.

Songs For The Deaf Poster

2002 album plus Pal format DVD! The bonus DVD 'Real #1' is strictly limited to initial orders only, featuring exclusive tracks from their recent LA Troubadour show featuring Mark Lanegan and Dave Grohl again on drums. The album also features two UK bonus
Despite the advent of the '00s, thoroughly blunted longhairs wearing three-quarter-length T-shirts still boot around the suburbs in painted vans listening to roaring metal. Fittingly, a whole new crop of post-Dazed and Confused-era stoner rockers--Fu Manchu, Monster Magnet, and arguably the kings of them all, Queens of the Stone Age--provide a shredding contemporary score for righteous three-finger devil salutes. On Songs for the Deaf, core members bassist Nick Oliveri and singer-guitarist Josh Homme (also see Kyuss) balance pure guitar-induced carnage with more complex, though no less aggressive, speed rock that whips by so fast it creates its own breeze. Opening with the 90-second "The Real Song for the Deaf"--a cheeky and amorphous bit of bloopy electronica quite possibly recorded at the bottom of a swimming pool--the disc explodes with track two, a toxic squall of power chords and now-classic Olivera death howls. It's here the album's recurring concept/conceit is introduced as a generic-sounding announcer from L.A.'s "Clone" radio spits out some psychobabble reinforcing the tired if true cliché that commercial radio stinks. Similar mock broadcasts surface elsewhere, but they're easily forgivable, given the bounty on offer. Homme-powered tracks dominate--the lurching, weirdly springy "No One Knows" is a kind of "Monster Mash" for grownups; the vocal harmony-driven "The Sky Is Falling" is almost dreamy until a small army of guitars surges to the front lines to begin firing. And a lyrically winking hidden track, "Mosquito Song," is either an in-joke of ridiculous proportions or a declarative statement about the level of musicianship lurking just beneath the quaking veneer of the Queens' sound. Either way, genuine excitement comes early and often on Songs for the Deaf. It's a remarkable achievement--a hard rock record so good that it immediately evokes a conspiratorial fervor that makes you want to tell everyone you can about it. Er, job done. --Kim Hughes

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