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Free Music Notes for In RainbowsFree Music Review: Dedicated To All Human Beings Hit: 5 Stars
There has never been an album release more intensely anticipated, by this Radiohead fan alongside a multitude of others, than "In Rainbows." Quickly heading a wide variety of 2007 "Best Of" lists, it is fair to say that this release has certainly garnered its share of attention. The vast amount of recognition that "In Rainbows" has received is due partially to the unusual nature of its release (which is more than thoroughly explained in previous reviews, therefore in no need of further dissection), but does the musical content warrant this album's wide awareness? As with any Radiohead album, the public opinion seems split in half. Critics have been hasty to choose a side and hold firm, which I believe has been a mistake. "In Rainbows" is an album that may take time to appreciate.
The foremost new element in "In Rainbows" is a more instantly accessible feel. The songs are catchy, tranquilizing, and not quite as dark as on former Radiohead releases. This, of course, has given critics who somehow believe approachability and simplicity to always be coexisting elements in music, an instant excuse to label "In Rainbows" as a "dumbed-down" version of Radiohead. Further listens, however, will unavoidably prove that "In Rainbows" is far from a cold slice of manufactured radio-pop. Radiohead still operates beyond the bounds of normal musical standards, coupling emotion with intellect. The imaginative, brooding darkness that haunted previous Raiohead releases is now gorgeously melded with lighter, warmer sections, providing a striking contrast that tends to better hold the listeners attention and captivate the imagination. String arrangements are provided by the Millennia Ensemble, spawning a delightful, shimmering glow throughout "In Rainbows."
There is, however, a more mysterious element beneath the calming, swelling waters of this album that is harder to pinpoint. Something lurks beneath the radiant surface that may become apparent after multiple listens. I realized this the day I bought the official "In Rainbows" CD. As I lay on the couch reading along to Yorke's exceptionally poignant performance, "In Rainbows" immediately drew me in like it had not previously done within the months of listening to the downloaded version. Even the song "Bodysnatchers," which I had formerly felt was too "rocky" in contrast with the rest of the album, took on a startling new emotional characteristic. The experience was nothing short of an epiphany that altered the way I hear this album altogether.
I had discovered a sense of intimacy between myself and the music that other Radiohead albums had not quite provided. Previous Radiohead albums, despite all their wonderful charms and virtues, had remained somewhat alienated from the listener. There would always be a song, a section, or shift that seemed somewhat obscure. Though this adds a wonderful experimental feel to earlier Radiohead albums, it unavoidably separated the listener from the music. Through over ten years of musical experience, Radiohead have finally been able balance perfectly elements of free expression and accessible splendor. "In Rainbows" openly blossoms for all to appreciate while still remaining vastly creative and unique. There is still spontaneity sparsely scattered throughout "In Rainbows," yet it does not conflict in overall density, tone color, nor rhythm, but rather, radiantly compliments what surrounds it.
"In Rainbows" not only casts a long shadow over its peer 2007 releases and all former Radiohead releases, but over the band's future as well. I believe that Radiohead has finally reached the creative apex that everyone thought had already passed with either "Ok Computer" or "Kid A." Though mine and the reader's experience with this album may be completely in conflict, I urge the disappointed fans to listen again. Listen carefully, and maybe the true beauty "In Rainbows" will become apparent. It may take time, but it will surely be time repaid in musical bliss.
Free Music Review: Superb Album - 4 ½ Stars Hit: 5 Stars
I will be the first to readily admit that I slept on Radiohead's IN RAINBOWS throughout 2008. I originally had planned to buy the album online via Radiohead's infamous download offer (which of course worked adversely against them) but I missed the deadline. I then purchased IN RAINBOWS in the store conventionally, but I only listened to the first couple of tracks and sat it aside. It was one of those albums that I said 'I would eventually listen to and critique'. After putting it off for almost an entire year, the Grammy nominations reignited my interest in IN RAINBOWS, considering the gracious Album of the Year award. I will also be the first to say that I thought that an Album of the Year nomination was a bit lofty for this album, but after listening to it and analyzing it, I can sympathize with the Recording Academy's mindset and thinking. It is a fine album. Maybe not 2008's Album of the Year, but certainly a worthy contender by all means.
The album opens as mysterious as any Radiohead album, only this time with sick electronic programming (drums) that instantly catch the listener's attention. Indeed, opening ditty "15 Steps" is not only a great opener, but a personal favorite of mine from IN RAINBOWS. I mean, who else writes in 5/4 time conventionally? Yorke sounds as solid as he did on OK COMPUTER, a historical album. The guitar work complements both the drum programming and live drums. "Bodysnatchers" opts for a more 'indie-/garage-rock' sound than "15 Steps". The guitar work is heavy, though tasteful-enough allowing for Yorke's vocals to shine through the arrangement. It too is a great listen and the mixing job is superb. So far, Radiohead is batting 1000.
"Nude" is definitely in my top 3 of tracks from IN RAINBOWS. The synth-strings coupled with vocalized-synth sounds make it one of the most immaculate productions of IN RAINBOWS. Here, Yorke's vocals sound as sincere as they ever have. The chord progression as always is out there, one of Radiohead's most redeeming qualities. As a songwriter myself, it is difficult to exit from the restrains of I-IV-V chordal progressions - Radiohead has no problems in this arena as "Nude" and the rest of IN RAINBOWS proves true. "Weird Fishes/Arpeggi" continues and upward streak of solid tracks, though it is not my favorite by any means (solid nonetheless). "All I Need" is equally as strong as anything else, with a bass line that any pop/hip-hop/urban producer would kill to have. On "All I Need", the songwriting evolves as more electronic effects are added making for quite a stimulating listen. Top notch Radiohead by all means.
"Faust Arp" features one of the most intellectualized chordal progressions of IN RAINBOWS. Again, sounds run rampant and Yorke eats it up with his phenomenal vocals. Another contender in my top three for best track from IN RAINBOWS is most certain "Reckoner" with its top-notch songwriting, great guitar work, and multi-layered drums. Second only to "Nude" is this Yorke's greatest vocal performance. "House of Cards" provides another solid Radiohead performance, while "Jigsaw Falling Into Place" is another 5-star performance in my eyes. Radiohead ends on a high note with "Video Tape", even if it falls short of the very strongest of the album. Even saying that, "Video Tape" is 110% solid as well.
Essentially, Radiohead does not make a misstep on IN RAINBOWS, save for their 'downloading' fiasco, which my have prevented the album from going platinum (it went gold). But what is commercial success these days? If an album goes gold it has accomplished something with the current state of the recording industry and the totality of the economy itself. Radiohead have proven to me that they did have one of the best albums of 2008 and I nearly passed up a golden listening opportunity by my foolishness. 4 ½ Stars!!!
Free Music Review: How could Radiohead get any better than this? Hit: 5 Stars
This album is seriously one of my favorite albums of all time. This is excatly where I wanted Radiohead to go with their music, and this CD continues to impress me. The band has moved away from moody melancholy music, and entered the realm of a sleepy, happy, and rhythmic bliss. This album could be enjoyed by anyone, Radiohead fan or not. The guitar riffs and melodies are so well thought and loveable. The lyrics are genuine and brilliant. I honestly have nothing bad to say about this album. It IS Radiohead's masterpiece.
1. 15 steps 100% 5/5 A+ The opening track is by far arguably the best song on the cd. The strings and electronic vibes are powerfully moving.
2. Bodysnatchers- Not quite as moving as the first song, but still a great song that is the most energetic of the bunch. Its about a 4.5/5
3. Nude- Now this song has to be my favorite. I've listened to it a million times. I like Radiohead's slower music and this is the slow song on the cd that sets such a powerful mood. I love this song, and you will too.
4. Weird Fishes/Arpeggi- I hate to say any of these tracks are second best, so I won't. All the tracks stand out on their own, and even though the lyrics kind of lose me on this track, this song is absolutely fantastic. It is really hard to find something bad about this album.
5. All I Need- Another great slow song with intelligent lyrics. This track probably got the most listens. Its one of the more durable tracks and it's one of my favorites.
6. Reckoner- A song that didn't get my attention right of the bat. But now it's earned its place as one of the best parts of the album. I'm running out of good adjectives because every song is so amazing, but Reckoner is really unique and inspiring.
7. Faust Arp- One of the two songs that aren't favorites. This song is still a great song, but not my favorite. "wakey wakey, rise an shine" always gets me goin though.
8. House of Cards- Second of the two songs that don't get my absolute attention. But this album wouldn't be one of my favorites if all the songs weren't great. So this song is still a genius invention by Radiohead.
9. Jigsaw Falling into Place- This song kinda stands out on its own. The music video is a little naseating, but the song is great. The vocals and strings really make this track. As is the formula for the rest of the album. Guitars and vocals are the extreme concentration. Drums come in third to bring a good addition.
10. Videotape- Too bad this Cd's really short. But anyway, this song is one of the best exiting tracks out there. The piano totally makes the song and Thom Yorke really knows how to use his vocals as an instrument. The song has some interesting electronic percussion, but it doesn't really damper the song. Videotape does its job to end the rollercoaster of In Rainbows.
Bottom Line: This song is one of the greatest albums of all time. If you like their sound or similar sounds like Interpol, please do yourself a favor and treat yourself to this CD. 15 Steps, Nude, Weird Fishes, All I Need, Reckoner, and Videotape are all equally amazing songs that will not dissapoint you. This album is proof to me that the world has not run out of unique and magnificent art. No folks, we have a great future to look forward to, because Radiohead brought in the new year with a BANG!
Free Music Review: Radiohead does what Radiohead does so well Hit: 5 Stars
"Peerless" is not a word I get to use very often but I use it in reference to this band with no hesitation whatsoever. I think of a number of my favourite pop/rock bands - and no, I won't be naming them - and while it's my view that all of them are brilliant in their own way, none of them come close to what Radiohead have managed to achieve both with their music and their videos. They're totally unique and they do 'unique' excellently on this album.
I suppose everyone's heard the story behind this particular album by now: The band walked away from their record company and what they accurately described as a "decaying business model" (Thom Yorke allegedly mouthing a few choice expletives on the way out) and decided it might be fun to release their new album on download, inviting fans to pay whatever they wanted for it. The fun quickly went out of the idea when a considerable number of fans decided they wanted to pay sod all, which though perhaps unsurprising, is a really huge shame, considering how good the album actually is. In any event, the album subsequently became available on CD - good news for download/MP3-phobics such as myself - and here we are.
None of the songs on here immediately jumped out and grabbed me by the throat in the same way "Creep" (from Pablo Honey) or "Street Spirit" (The Bends) or "Karma Police" (OK Computer) or "Everything In Its Right Place" (Kid A) or even the entire first half of Hail To The Thief did (I know I'm in a small minority on that one) but while the songs on here are all what I call 'slow growers', almost the entire album has grown on me - and in a big way. This is a big improvement on previous albums, where I often find myself reaching for the fast forward button (except, maybe for "Kid A").
Overall favourites include: "15 Step" (almost jazzy in its delivery); "Nude" (simply dreamy); "Weird Fishes/Arpeggi" (makes me want to dance); "All I Need" (I love the way the piano kicks in around the middle there); "Faust Arp" (acoustic guitar and strings - pure heaven); "House of Cards" (as naked a love song as I've ever heard); "Jigsaw Falling Into Place" (nice choice for lead single; a great introduction to the album and the closest thing to 'typical' Radiohead on here).
The only tracks I'm still struggling with are "Bodysnatchers" and "Videotape" but I have no doubt I'll get them in the long run.
And I haven't even mentioned the lyrics yet.
So what do I have here? Major chords? Feel good numbers? More than two accessible tunes on the same album? The total lack of songs that could accompany or even induce a major depression? The dudes have outdone themselves IMHO, for real. It's Radiohead but not as I knew them. So much less existential angst. But it's all good.
So if you're looking for some great (if unusual) music that will force you to pay attention and make you think, look no further. Get this.
Free Music Review: Forget About Your House of Cards... Hit: 5 Stars
As a relatively new fan to Radiohead (been listening for a little over a year!) it was a sad moment when I came to the realization that I had experienced all the band had to offer. I had fallen in love with the band as I listened to the crooning, haunting lyrics overlayed with distorted electronic sounds of the album Amnesiac while laying out on the beach. After that, I went out and got my hands on every album available to me.
Lo and behold, rumors started to spread that they were going to release a new cd! When I learned that I could buy it for my own price online, I immediately went to their website and threw down 10 pounds for the album. I spent the next couple of hours laying in my room, absorbing the music that flowed effortlessly out of my speakers. I was hooked from the opening drum beats of 15 Steps and remained rooted to the spot until the final chords of Videotape faded completely.
In my opionion, In Rainbows melds together the experimental and creative outlets of Kid A and Amnesiac while remaining accessible to a more mainstream audience. They keep the progressive, synthestic sounds that define them as a band, but allow the guitar and drums to play a more forefront roll in this album. The distortion of the guitar in Bodysnatchers hearkens back to the grunge of the 90s. Yet the song remains firmly rooted in the present when the distortion cuts out about midway through the song and the guitar takes on a more abstract sound. I think that might be what I enjoyed so much about this album. It seemed to combine the sounds the Radiohead created in the past, from Ok Computer through to Amnesiac, and blend them into something that felt recognizable while at the same time completely new and inventive.
The tracks weave in and out of one another, transitioning seamlessly from one song to the next. However, as cohesive as this album is, each song could just as easily stand on its own. The album is well paced too. It switches from the fast, upbeat tempo of songs like Weird Fishes/Arpeggi and Jigsaw Falling Into Place to the more melodic, slowed down compositions like All I Need and Reckoner. Thom's voice is truly given the chance to shine in the closing track Videotape. A haunting melody that reaches into your chest and grabs hold until the song closes, Thom's signature voice is backed solely by a simple piano for the beginning of the track. The combination of the two, so simple yet so unbelievably elegant and heartbreaking, prove that Radiohead truly are the masters of creating emotional music whose ambiance has the ability to settle deep within a person.
My personal favorite is House of Cards. Combining such a simple, peaceful melody with controversial lyrics make the piece an exquisite contradiction. The pleading to "Forget about your house of cards" followed by the imagery of the cards falling to the ground is mesmerizing. Again, this is a perfect example of how Thom Yorke's voice has the ability to create something beautiful yet agonizing all at the same time.
Overall, I found this album to be one that I could listen to in its entirety over and over again. It still has not gotten old to me. Someone who may have been hesitant to try Radiohead might find this album a means of easing into the sound of the band.
More Free Music Notes: 1 2 3 4 5 6 7 8 9 10
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