Modern Sounds in Country and Western Music

Ray Charles - Modern Sounds in Country and Western Music

Modern Sounds in Country and Western Music
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Music CD Cover

Artist: Ray Charles
Edition: Music CD
Format: Extra tracks, Original recording reissued, Original recording remastered
CD Release Date: 1990-10-25
Music Label: Rhino / Wea
Soundtracks:
  1. Bye Bye Love
  2. You Don't Know Me
  3. Half As Much
  4. I Love You So Much It Hurts
  5. Just A Little Lovin'
  6. Born To Lose
  7. Worried Mind
  8. It Makes No Difference Now
  9. You Win Again
  10. Careless Love
  11. I Can't Stop Loving You
  12. Hey, Good Lookin'
  13. You Are My Sunshine
  14. Here We Go Again
  15. That Lucky Old Sun

Free Music Notes for Modern Sounds in Country and Western Music

Free Music Review: A trail-blazing LP that stll plucks an emotional chord...
Hit: 4 Stars

Mr. Charles knew good lyrics when he heard them, and he didn't think the message of a song had to be confined to the style in which it was originally composed. Back in 1961, when much of the country still considered rhythm and blues artists to be makers of "race records" and even more of the nation thought that "country music" could only be created by Southern whites, Ray took a bunch of the best songs he could find from country artists, added an orchestra, a backing vocal group, and his "soul" sensibilities and produced this record. My sister bought it, and I was a senior in high school and wore it out. I already knew most of the tunes because I was a country fan, albeit living in New Jersey. Although "backing vocals" and "orchestral accompaniment" are terms that have largely disappeared from the labels of Top Forty singles, they work on this album better than on most from the era. Not every track here is a masterpiece, but about half of them bear up to repeated play, even continuous play, quite well. "You Don't Know Me" and "Born to Lose" and "Worried Mind" and "You Win Again" and "I Can't Stop Loving You" brought black and white artists and songwriters and fans a lot closer to the mainstream market. Rock and Roll was still young in '62, and the "Nashville Sound" was just getting off the ground. Thanks to Ray, bridges were built, friendships were cemented, and genres were combined in a way that benefitted music lovers around the world. I had not heard this album in about 40 years until I bought the CD version last week. It is good to have an old friend back in my home.

Modern Sounds in Country and Western Music Poster

Ray Charles is the Genius of Soul, but he's always had a bit of country boy in him, too. Between playing hillbilly piano when he was a kid and landing several duets on the country charts in the '80s, Charles released this 1962 classic, taking 12 country standards and proving that great songs can remain great, no matter what the setting. Behind blaring brass and thrilling strings, Brother Ray transforms "Hey, Good Lookin'" and "Bye Bye Love" into big-band swing; "You Win Again" into the Nashville Sound; and "I Love You So Much It Hurts" into the most elegant of pop. "I Can't Stop Loving You" was the big hit, but everything else here is just as timeless and beautiful. --David Cantwell
Ray broke barriers. In the '50s he invented soul by mixing the sacred and profane of black music: R & B and gospel. In 1962 he went completely crazy, interpreting classic country. It was one of his finest moments. From the start the record is an oddity. A big band pumps, female background singers rip through a chorus of "Bye Bye Love," and Ray brings high energy to the Everly Bros. teeny-bop lyrics. Some songs suffer from syrupy choir and string arrangements, but Ray is always there to set things straight. He gives country some funk, and erases, for a day, all questions of black and white. --Steve Tignor

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