The Birth Of Soul : The Complete Atlantic Rhythm & Blues Recordings, 1952-1959

Ray Charles - The Birth Of Soul : The Complete Atlantic Rhythm & Blues Recordings, 1952-1959

The Birth Of Soul : The Complete Atlantic Rhythm & Blues Recordings, 1952-1959
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Music CD Cover

Artist: Ray Charles
Edition: Music CD
Format: Box set
CD Release Date: 1991-10-01
Music Label: Atlantic / Wea
Soundtracks:
Music CD 1
  1. The Sun's Gonna Shine Again
  2. Roll with My Baby
  3. The Midnight Hour
  4. Jumpin' in the Mornin'
  5. It Should've Been Me
  6. Losing Hand
  7. Heartbreaker
  8. Sinner's Prayer
  9. Mess Around
  10. Funny (But I Still Love You)
  11. Feelin' Sad
  12. I Wonder Who
  13. Don't You Know
  14. Nobody Cares
  15. Ray's Blues
  16. Mr. Charles' Blues
  17. Blackjack
Music CD 2
  1. I Got a Woman
  2. Greenbacks
  3. Come Back Baby
  4. A Fool for You
  5. This Little Girl of Mine
  6. Hard Times (No One Knows Better Than I)
  7. A Bit of Soul
  8. Mary Ann
  9. Drown in My Own Tears
  10. Hallelujah, I Love Her So
  11. What Would I Do Without You?
  12. Lonely Avenue
  13. I Want to Know
  14. Leave My Woman Alone
  15. It's Alright
  16. Ain't That Love
  17. Get on the Right Track Baby
  18. Rock House, Pts. 1-2
Music CD 3
  1. Swanee River Rock (Talkin' 'Bout That River)
  2. That's Enough
  3. Talkin' 'Bout You
  4. What Kind of Man Are You
  5. I Want a Little Girl
  6. Yes, Indeed!
  7. I Had a Dream
  8. You Be My Baby
  9. Tell All the World About You
  10. My Bonnie
  11. Early in the Morning
  12. Night Time Is the Right Time
  13. Carryin' the Load
  14. Tell Me How Do You Feel
  15. What'd I Say, Pts. 1 & 2
  16. Tell the Truth
  17. I'm Movin' On
  18. I Believe to My Soul

Free Music Notes for The Birth Of Soul : The Complete Atlantic Rhythm & Blues Recordings, 1952-1959

Free Music Review: THIS Is How To Present A "Best Of" Collection
Hit: 5 Stars

This 3 CD box set from Atlantic should stand as a monument to the way an artist's "best of" compilation should be presented.

Ray's first charted hit came in 1949 for the Down Beat label as a member of The Maxin Trio when Confusion Blues reached # 2 on what passed then for the R&B charts. In 1951, on his own now with the Swing Time label, he then scored with Baby Let Me Hold Your Hand [# 5 R&B] and followed that in 1952 with Kiss-A Me Baby [# 8 R&B].

That led to a contract with Atlantic Records where, in May 1954, he had his first hit with It Should've Been Me [# 5 R&B] b/w Sinner's Prayer. That was followed in August by Don't You Know [# 10 R&B] b/w Losing Hand. All four sides are in this set.

Then came the seminal I've Got A Woman [sometimes listed as I Got A Woman] which soared to # 1 R&B early in 1955 b/w Come Back, itself a hit at # 4 R&B. In fact, from that point onward to 1956's Hellelujah I Love Her So, he would have only double-sided hits. And they are ALL here, as are both sides to all his following Atlantic hits up to, and including, the old Hank Snow Country smash [a hint of things to come with that genre] I'm Movin' On [# 11 R&B/# 40 Billboard Pop Hot 100 in 1959] b/w I Believe To My Soul.

It's interesting to note that it took the Pop market over eight years to "discover" Ray, and when they did it was to deliver a modest # 34 in November 1957 for Swanee River Rock (Talkin' 'Bout That River), which was the B-side to Ain't That Love, which only made the R&B charts at # 9 (Swanee River Rock also scored at # 14 R&B).

For some reason, the ONLY Atlantic hits not included are Don't Let The Sun Catch You Cryin' [# 17 R&B/# 95 Hot 100 in 1960] and its B-side, Let The Good Times Roll [# 78 Hot 100], and Just For A Thrill [# 16 R&B] and its flipside Heartbreaker. Also, while his final Atlantic hit, Tell The Truth [# 13 R&B in September 1960] IS included, the B-side, Sweet Sixteen Bars, is not.

These, however, are minor quibbles. The large 32-page booklet contains not only a complete discography of the contents, along with numerous photographs and album/45rpm/poster reproductions, but also an extensive essay as well, written by Robert Palmer.

Deserves a prize place in any serious music collection.

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