Red Hot Chili Peppers - Mother's Milk
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Canadian Music Store Free Music Notes for Mother's MilkFree Music Review: (3.5 stars) A breakthrough, but nowhere near future albums
And suddenly, magically, the Red Hot Chili Peppers became good. You know why? Four reasons: John Frusciante and Chad Smith joined the party; Flea's technique improved by leaps and bounds; and Anthony Keidis learned to actually sing rather than scream. All these elements come together on the group's first sizeable hit, the amazing antidrug funk-rocker "Knock Me Down", inspired by Slovak's recent death by overdose. Now, I'm sure not here to celebrate Slovak's death, since he was so young and had so much ahead of him at the time, and I always feel really bad inside when I learn about people dying. But he wasn't much of a guitarist, and Frusciante fits the group's style a lot better. I just wish that Slovak had left the band through less extreme measures than drug overdose, such as a firing. Regardless of that, this strikes me as the Chili Peppers' real debut album, where they really came into their own. It's true that most the funk rockers don't sound much different from your average track on, say, The Uplift Mofo Party Plan. But they're much more interesting. For instance, take "Subway to Venus". Pretty mediocre song, right? Yeah, until Flea picks up the trumpet. Or take "Good Time Boys". Again, kind of a boring, uneventful song, except for that little break where everything slows down for about ten seconds. Similarly, would the concluding "Johnny, Kick a Hole in the Sky" be as good as it is without Frusciante's guitar playing? I doubt it. Same for "Sexy Mexican Maid", though that song also has some sweet sax soloing going for it. "Stone Cold Bush" would be just a moronic sex-god funk-rocker with an irritating sex section if it weren't for Flea's quick bass solo. And there is no way the early group was capable of something as good as my favorite song on the album, "Taste the Pain", which rules for several reasons. Really, really catchy; fantastic guitar parts; and especially Flea's jazzy trumpet. Flea also does a fine job on their cover of "Higher Ground". Guess who that is playing what was originally the clavinet part? It's Flea! All Flea. Flea rules. Now the other cover (Jimi Hendrix's "Fire") is a sloppy rush job with none of the overwhelming power of Hendrix's version. I could do without it. And a couple of other songs also fall in the "suck bin", like the moronic basketball tribute "Magic Johnson"; "Punk Rock Classic", which sees the group reverting back to the Slovak sound (though the "Sweet Child o' Mine" quote is amusing); and the instrumental "Pretty Little Ditty", though at least that gives features the Frusciante Guitar Tone. On a whole, though, this is a huge leap over the early albums and is really worth checking out. |
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