Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Orff, Puccini, Rachmaninov, Strauss

Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Orff, Puccini, Rachmaninov, Strauss

Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Orff, Puccini, Rachmaninov, Strauss
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Composer: Gustave Charpentier
Composer: Charles Gounod
Composer: Jules Massenet
Composer: Antonin Dvorak
Composer: Friedrich von Flotow
Composer: Giacomo Puccini
Composer: Erich Wolfgang Korngold
Composer: Carl Orff
Composer: Richard Strauss
Composer: Sergey Rachmaninov
Edition: Music CD
CD Release Date: 1998-02-10
Music Label: London/Decca
Soundtracks:
  1. Louise (Acte 3): Depuis le jour ou je me suis donnee
  2. Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
  3. Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
  4. Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
  5. Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
  6. La rondine (Act 1): Chi il bel sogno di Doretta
  7. Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
  8. Carmina Burana (No. 21): In trutina
  9. Vier Lieder, Op. 27 No. 4: Morgen!
  10. Vocalise, Op. 34 No. 14: Vocalise
  11. Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
  12. Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
  13. LUNA: Epilogo
  14. Chants d'Auvergne, Series 1: Bailero

Free Music Notes for Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Orff, Puccini, Rachmaninov, Strauss

Free Music Review: Compelling, Poetic And Marvellously Sung!
Hit: 5 Stars

Once again Renee Fleming presents glorious collaborations in a compelling performance. The overall conception is one of beauty and unequivocal direction of line. Fleming begins with "Louise: Depuis le Jour." The spacious long phrases are profoundly evocative and the vocal timbre is crafted with glowing, long-breathed generosity. My most cherished performance is "Songs My Mother Taught Me",(A favorite of Joan Sutherland's) from the Gypsy Melodies Op.55, No.4. It is delighting in sweet textural clarity and brimming over with an infectious sense of inner purpose. Followed by "Martha: Last Rose of Summer," and "Doretta's Dream Song", Fleming sings with such a level of imagination which is rare enough, but once heard it never leaves you. "Carmina Burana: In Trutina", is absolutely angelic and sung with such radiant inwardness. In "Morgen" Op. 27 No.4, Fleming sings with such a special resonance and is, as ever, superb in the quality of her tone, the clarity of diction and innate comprehension of lieder. Fleming fills "The Merry Widow" with supple lyricism, elegance and singing at a pleasing lilt capturing its gentle energy. The overall performances culminate with "Chants D'Auvergene: Ballero". Fleming's phrases are conveyed with both elegance and intensity. The pacing is eager but never hectic and the accompaniments are scrupulous in their sensitivity. The nuanced dynamics are breathtaking and there is no denying the incandescence of the climaxes.
Whatever Renee Fleming sings makes for a delightful encounter.

Author: Raymond Vacchino M.Mus.(MT) A.Mus. L.R.S.M. Licentiate (honorary)

Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Orff, Puccini, Rachmaninov, Strauss Poster

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

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