Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]

Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]

Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]
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Composer: Nikolai Rimsky-Korsakov
Composer: Igor Stravinsky
Conductor: Fritz Reiner
Orchestra: Chicago Symphony Orchestra
Performer: Sidney Harth
Edition: Music CD
Format: Hybrid SACD
CD Release Date: 2005-01-25
Music Label: RCA
Soundtracks:
  1. The Sea And Sinbad's Ship
  2. The Story Of The Kalender Prince
  3. The Young Prince And The Young Princess
  4. Festival Of Bagdad/The Sea/The Ship Goes To Pieces On A Rock Surmounted By A Bronze Warrior (Shipwreck)/Conclusion
  5. Presto
  6. Chinese March
  7. Song Of The Nightingale
  8. The Mechanical Nightingale
  9. The Emperor's Displeasure At The Departure Of The real Nightingale
  10. The Emperor's Sickroom
  11. The Real Nightingale Returns To Thwart Death
  12. Funeral March And Finale

Free Music Notes for Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]

Free Music Review: Historic -- the best Scheherazade ever! Details follow...
Hit: 5 Stars

Scheherazade is performed a LOT. Fritz Reiner was well-aware of this fact in 1960 when he conceived this historic recording. As a consequence, he fostered no desire to yield just another run-of-the-mill performance. Here's a blurp from the notes which explains his subsequent efforts more fully:

"Some weeks before the actual recording was made, most of the existing recordings of the music were studied, re-studied, judged and re-judged. The best were very good, but short of that perfection for which all mortals strive. One version reveled in buttery sound and not always accurate execution; another proferred razor-sharp execution and equally ear-rending decibel content; still a third beckoned you from afar with a 'concert-hall' pickup, and so it went. To capture the Arabian temptress in all her glittering changes was not a simple task...

Once each of the facets of the Chicago Symphony Orchestra was heard [referring to the lengthy orchestra practice sessions], music making was in order. During the morning session the first two movements were recorded, the last two during the afternoon period. Throughout the six hours required, there was constant exhortation by Dr. Reiner to the men in the orchestra 'to play with glow, not perspiration'. The performance had to be supple and sensuous, the sound alternately to shimmer and stun, with clarity in its definition, sonority and intensity in its climaxes."

Folks, this is about as perfect as it's ever going to get.

Just to follow up, the 1956 recording of Stravinsky's "Song of the Nightingale" is also quite good and is a piece that, in this level of quality, isn't all that easy to find. And it's also a perfect second, complementary piece to Rimsky-Korsakov's "Scheherazade".

This is an ADD recording/CD.

A must-have for collectors and a superb choice for all others.
Write your own review
All Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD] Free Music Reviews

Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD] Poster

This is a classic recording of these two works, led with grand authority by Fritz Reiner. The Chicago's brass and wind section play gloriously throughout, and the final movement of Scheherazade (we learn from the original producer [1960] in an accompanying essay) was recorded in one take--an almost unheard-of feat. This fast movement is taken at breakneck speed, with no loss of clarity or power, with the strings in the hands of magicians. Stravinsky's Nightingale has never sounded so exotic, so bristling over with color, since this 1956(!) recording under Reiner, and the wonderful surprise with this new release of old material is the revamped sound: the original "Living Stereo" was a fantastic breakthrough in recording, and this new SACD format has returned the spatial relationships to something so "real" that it comes as close as I've ever heard to a true concert hall experience. Simply glorious. --Robert Levine

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