Miles Gurtu

Robert Miles, Trilok Gurtu - Miles Gurtu

Miles Gurtu
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Music CD Cover

Artist: Robert Miles, Trilok Gurtu
Edition: Music CD
CD Release Date: 2004-02-10
Music Label: Narada
Product features:
  • First track "Golden Rust" eases the listener in with deep cello grooves and a sensual keyboard arrangement, not unlike something that'd be heard in a smoky late night live jazz club.
  • This is a CD that although having the cross over appeal to incite fans of both musicians is neither entrenched firmly with either musician.
Soundtracks:
  1. Golden Rust
  2. Soul Driven
  3. Wearing Masks
  4. Tragedy: Comedy
  5. Omen
  6. Loom
  7. Languages of Conscious Thought
  8. Without a Doubt
  9. Small World
  10. Small World (Reprise)
  11. Inductive
  12. The Big Picture
  13. Xenon

Free Music Notes for Miles Gurtu

Free Music Review: A truly moving, provocative, Electronica / Percussion fusion
Hit: 5 Stars

A slightly bizarre pairing of two regarded musicians, in the form of pianist turned electronic composer "Robert Miles", and celebrated percussionist "Trilok Gurtu", have (on paper at least) nothing in common with each other musically. But here they are collaborating on a joint effort that encompasses everything from creative Jazz, to melodic electronic breakbeat. The dynamics behind this are relatively simple.....Miles provides the musician soundspaces, keyboards, melodies, breaks and string arrangments, and Gurtu provides his quite staggeringly array of tabla, snare, drums, clay pot & percussive beats either, over the top or subtly texturing the sound with compelling rhythms. (with the help of various artists such as `Nitin Sawhney' on guitar & `Adrian Bradbury' on Cello).

First track "Golden Rust" eases the listener in with deep cello grooves and a sensual keyboard arrangement, not unlike something that'd be heard in a smoky late night live jazz club. It's late night feel and seductive jazz tones feels more akin to Gurtu's multicultural arrangements, and although it doesn't sound like a radical electronic/ Percussion crossover, its still highly accomplished nonetheless, that bodes incredibly well for the rest of the album.

"Wearing Masks" is more relative to the work of Robert Miles, and his trance-like melodic passages are given ample room to morph into something more electronic and expansive sounding, negating thudding beats in favour of something more organic and contemplative, with a prominent piano arrangement the focal instrument in this track. Gurtu's percussion is subdued and understated, and focuses more on Miles' contribution to the track. And thus it's a strangely earthy sound that feels like a loose electronic arrangement, but stunningly beautiful in composition.

"Languages of Conscious Thought" is something that could have been lifted directly from Trilok's own "Glimpse" album, it's the rhythmic tabla that he made his name by, with the improvisational & Worldbeat influence jazz that earmarks his best albums. Complex tabla and clay pot rhythms are the order of the day here, and its hard not to be impressed, at how proficiently Trilok makes the execution of his playing, so superbly compelling. Miles' contribution here, is to subtly texture the music with keyboard hums & gentle samples, and appears to be helped with an additional musician that lends slight bass guitar.

"Inductive" is interesting for it use of warm synthesizers & samples, that evoke memories of prime era `Brian Eno'. Its a lush melodic effort that impresses with beautifully integrating the electronic and percussive elements of the two main artists involved, which has that balance of beautiful tension and organic percussion, all in one, that although nothing new, is brilliantly implemented and essentially taken the rich and time-honoured tradition of the tabla, and fused it with contemporary electronic studio wizardry, which feels like an reinterpretation of hypnotic Indian classical music, and more than justifies the (slightly unexpected) collaboration between these two artists.

It should also be noted that between the majority of these incredibly worthwhile tracks, these are punctuated with some truly gorgeous instrumental pieces that range from neo-classical, to soothingly detached ambient moments that are so good that it's feels incredibly short sighted not the flesh these interludes into full compositions. (Think: "Harold Budd/Brain Eno's - The Pearl").

This is a record that although having the cross over appeal to incite fans of both musicians is neither entrenched firmly with either musician. Instead its more of a even contribution from both artists, so those expecting an album or just electronica or India fusion persuccion will be disappointed, as it has its foot in both camps and makes no concession to either. What you should realise is this is an album of beautifully realised compositions and songs of undulating space and sophistication, its an album that in theory isn't restricted to musical trends, and therefore has the potential for substantial longevity. (provided you give ample time between listens), it works as elegant mood/seductive chilli music to have playing whilst you work or study. Or music that you can really lose yourself in, whilst listened to uninterrupted. Fans familiar with both artists should seek this out immediately, and those that aren't, should be aware that this is geared towards an eclectic listening audience, although it has to power to seduce new audiences.

Miles Gurtu Poster

Miles Gurtu Trilok Gurtu, Robert Miles

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