Robin Guthrie - Carousel
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Music CD Cover
Artist: Robin GuthrieEdition: Music CD
Audio: English (Unknown)
CD Release Date: 2009-09-01
Music Label: Darla Records
Soundtracks:
- Some Sort of Paradise
- Sparkle
- Delight
- Close My Eyes and Burn
- Search Among the Flowers
- Mission Dolores
- Autochromes
- The Girl with the Little Wings
- Waiting by the Carousel
- Little Big Fish
Free Music Notes for Carousel
Free Music Review: Poised to evolve
Hit: 5 Stars
There's little doubting the impact Robin Guthrie has had on modern music: groundbreaking work with the Cocteau Twins, atmospheric collaborations with Harold Budd, acclaimed soundtracks, and accomplished solo releases. There aren't many artists who can claim creation of a signature sound, but once you've heard a Robin Guthrie guitar, you'll recognize it forever.
The Cocteau Twins are my favorite band, so I was both hesitant and excited to learn that Guthrie was continuing making music after the band split up. His solo work sounds quite similar to CT recordings, and that's not surprising since the sound is his own: shimmering, floating, treated guitars and bass with delicate yet memorable melodic structures. The guitars are also used to create basic rhythms that give the songs shape and hold them together, with minimal percussive and keyboard elements further refining the sound.
Once Guthrie went solo, I wondered if he would give his sound the chance to expand, with long instrumental tracks that took their time evolving. With such a lazy, meandering atmosphere, I imagined a long journey through velvet clouds on the back of his music. This doesn't quite materialize on Carousel....but it comes really, really close. "Autochromes" is perhaps the best example of this: a heartbreakingly beautiful gossamer melody that's almost palpable in its emotion, but just as the mood is established, it dissolves, as the song is less than three minutes long. While it plays, however, it causes this journey to materialize. In fact, most of the songs on Carousel come close to making this journey a reality.
With such a common bond between tracks, I wonder if Carousel would have been more effective if there were no breaks between tracks, and if some songs (like "Autochromes") were extended. It almost seems as if Guthrie is still making music around the vocals of Liz Fraser, allowing her ghost to permeate the songs' structures. The almost pop-sounding "Sparkle", in particular, seems to be reaching for vocals; it sounds very much like an instrumental Four-Calendar Cafe-era CT song to me. This is the only song on Carousel guilty of this, however; the rest of the tracks seem to be drawn from the same breathtaking atmosphere, focusing more on mood than form.
I think this movement away from traditional rock structures is intentional. Despite Carousel's relatively short 37 minute length, there seems to be the beginning of a new direction for Guthrie. There seems to be a move towards a more aesthetic sense, towards the ambient experimentalism of the classic CT album Victorialand. The magnificently titled "Close My Eyes and Burn" is evocative and thrilling, while "Waiting by the Carousel" is heavy with longing and mystery. "Mission Dolores" skillfully fuses elements together, using a minimal keyboard melody and bass line as its foundation, while guitar textures drift closer from the distance. It's a piece of musical poetry that's over far too soon. "Search Among the Flowers" adds gentle layers of synth sweeps and guitar melody as it wanders peacefully.
This shift becomes more apparent as Carousel progresses, reaching its peak with the sublime dreaminess of the final track, "Little Big Fish". Guthrie finally does away with structure completely here, freeing his guitar to soar unchained.....or perhaps luring it to the uncharted depths of the ocean. At over five minutes, it's also the album's longest track, allowing it to grow and flourish, to establish a sense of feeling and identity often underdeveloped in Guthrie's shorter songs. It's an absolutely gorgeous piece of ambient work, and I think it's one of the best Guthrie has ever written.
I think Carousel is the best evidence to date of what Guthrie can do without the anchor of Liz Fraser, and gives me confidence he's ready to take the next step and evolve his sound even further. While his solo work has had its own identity, I think the influence of CT was still very apparent at times. With Carousel, this influence has lessened, and Guthrie is finally forming something that is truly all his own. Even the all-to-brief "Autochromes" hints at what lies just over the horizon.
As much as I anticipated this album, the subtle shift in structure and the strength of its final tracks whet my appetite even more for the follow-up. Despite Carousel being Guthrie's best solo work yet, there is still room for his gift to grow; Carousel is just short of a classic. Perhaps Guthrie is finally realizing the depths of his solo talent; throughout the record, there's a keen sense of moving, albeit slowly, towards something even more majestic than the wonders he's already created. I can't wait to find out.
Carousel Poster
2009 release from the former Cocteau Twins guitarist. Guthrie has been a massive influence on everyone from My Bloody Valentine through to Antony & The Johnsons, new 4AD act The Big Pink and M83. In recent years he's worked with School Of Seven Bells, John Foxx, Ulrich Schnauss, Harold Budd (with whom he made two albums in 2007) and Brooklyn's Mahogany and Apollo Heights.Dance & DJ Music CDs
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