Scissor Sisters - Scissor Sisters
|
List Price: Our Price: $5.95 You Save: $8.03 (57%) Availability: Usually ships in 1-2 business days Buy Used: from $0.01 (click here) Category: Music CD See more new music releases 
|
|---|
Buy this Music CD at online store in your country
Canadian Music Store
Canadian Music Store
Free Music Notes for Scissor Sisters
Free Music Review: One of the best by far....
Hit: 5 Stars
The person that gave this cd ONE star, obviously has the music knowledge of a 5 year old (no offense to 5 year olds) & the music taste of an 85 year old (again, no offense to 85 year olds).
I've only been into the Scissor Sisters since January of this year when this cd was ONLY released in Europe (to RAVE reviews I might add). Thankfully, the record label (finally) saw it fit to release it here in the states (of course without the bonus songs...that's american labels for ya).
I've worn out my copy of the cd, so I bought it again @ american prices, not to mention that it helps the band out on music sales charts.
I've played the cd for MANY people & everyone (except ONE person) has told me how much they love it & asked where can they get a copy. But my FAVORITE is when I ask them who do they sound like? I get the usual answers, but EVERYONE has added one or two other influences that i never heard in the music before & then it dawns on me, that they are right, you DO hear some of that band in there....& THEN it goes on to the next song! Everyone i've talked to has picked out different influences in every song. & no two songs on the cd sound anything like any of the other songs on the cd!
here are SOME of the musicians that have been referenced in the Scissor Sisters debut cd: Elton John, David Bowie, Abba, My Life With the Thrill Kill Kult, The Bee Gee's, Deee-Lite, The B-52's, Dead Or alive, George Michael, The Human League, Queen, The Pet Shop Boys....& the list goes on.
They have also does remixes for Blondie (Good Boys) & The Pet Shop Boys (Flamboyant). They've had the song "Comfortably Numb" remixed by Fatboy Slim. They have one of the songs off of the debut cd included in the soundtrack to "Party Monster". They have been joined ON STAGE by Pete Burns (of Dead Or Alive) & Fred Schneider (of The B-52's)...& probably more, i just can't think of the names at the moment. According to Scissor Sisters message boards, the lead singer was "blown away" after one of their shows when Sir Elton John & George Michael BOTH came backstage to meet the band, stating that they were fans of the group. (Looking forward to a possible collaboration with said artsts? Ya never know!) Not to mention the EXTENSIVE touring they've been doing. & the HUGE amount of playing to large crowds at music festivals abroad.
When they DO have a little free time, they spend it on their message boards answering questions, telling the fans what they are up to during a break in their touring schedule (& If i'm not mistaken, i believe i overheard their tour manager telling someone that they are on the road until February of next year....if i'm mistaken i apologize...but i'm pretty sure that's what was said), & at times emailing them personally (I am one of the people that was lucky enough to have received an email from one of the band members)
& again, this pretty much has all happened since the beginning of the year. Now, I realize everyone is entitled to their own opinion, but if you look at the FACTS above, the person that gave this CD one star, dissed them for being picked to open for the B-52's & made an untrue statement about the lead singers voice (who has about the same vocal range of Freddie Mercury)stated that this is the worse cd of the year...I seriously have to defend this CD (which I believe I have).
But more importantly, would any of the above things have happened if the band & their music (ESPECIALLY the cover version of Comfortably Numb, has been on the dance charts for awhile) were really as bad as the gentleman who had nothing good to say about the band were really true? I hardly think so.
So in closing, please remember, everyone is entitled to & has their own OPINION, how in this case, i believe the about of hype this band has generated deserves EVERY BIT of the hype that they have been given.
Thanks for reading this & DEFINATELY buy this cd...but don't do it because they opened for another band that's been established for over 20 years. That's a pretty lame way to critize a new bands debut cd. 'Cause if you think about, why WOULD the B-52's hand pick THIS band if they didn't think that their music would hold up as an opening act?
Free Music Review: More, Please, and Make it Soon!
Hit: 5 Stars
Okay, listen up: I love this band virtually to death, so disregard the anonymous reviews by whoever is posting them over and over anonymously on behalf of Pink Floyd. This is certainly one of the most clever and diversified pop rock bands I have heard since Jellyfish, and that was 10 years ago. Much like Jellyfish, these guys (well, four guys and one girl) have been called a novelty band that won't last. Ironically, Jellyfish still has lots of fans and, if you sit through this entire album once or twice, I bet you will still love it in 2015 too!
This New York based band dresses like a cross between Elton John meets Roxy Music, while the one female in the group, Ana Matronic (who used to work in cabarets) dresses so much like a drag queen I actually thought she was one! In fact, the best way to describe this band's sound is heavy on the Elton with some Roxy and Bowie thrown in, plus a splash or two of 70's disco for added spice. They aren't merely a group who can arrange and perform the hell out of great pop-rockers like some of us heard back in the 70's; they make the retro genre all their own in a way that's completely addictive and original in it's own way, much like the other band I mentioned before, but won't again here. They are as musically creative as they are talented, and that's in spades.
"Laura" is a great Roxy music-like opus, and immediately you will notice what a great, clear, strong voice lead vocalist Jake Shears is.
"Take Your Mama" is a cross between early Elton meets George Michael's "Freedom 90," a semi-humorous song about encouraging a young guy to come out of the closet to his mother in a disco.
"Comfortably Numb" starts out like Floyd's "You Better Run" but instantly turns into a very SNL BeeGees' falsetto version of the dreary old recovery song. I'm tired of hearing how bad this is because it's some sort of desecration to the name of Floyd. It grew on me, and if I can live with it, so can you.
"Mary" is an incredibly beautiful ballad that pays such homage to Elton ala "Goodbye Yellow Brick Road," I think tears would well in his eyes. The keyboards are absolutely dreamy throughout.
"Lovers in the Backseat" is purely slowed down sexy funk, yet it's not a ballad.
"T*ts On the Radio" is the only song on the album in which Ana does the lead vocals, and it's almost akin to an old Chaka Khan and Rufus song about conservativity gone amuck.
"Filthy/Gorgeous" is just plain raunchy rockin' disco fun with some humorous lyrics that also have great attitude.
"Music is the Victim" totally rocks and is far too short for it's own good. This one is guaranteed to get you bouncing around no matter what you're doing.
"Better Luck" is another vistit to early Elton with the verses in moderate funk and some of his old The Band influences in tow. I absolutely love that they embrace the cool old Elton instead of the Lion King dweeb with the bad toupee'.
"It Can't Come Quickly Enough" is just a really great song about missed chances, rather anthemic and thought-provoking.
"Return to Oz" is Elton meets Bowie, a somewhat dark ballad about wasting time until you realize it's running out. An effective and stormy way to end the album, somewhat like a cliffhanger. They are definitely promising a sequel but, just like Dallas's "who shot J.R.?" mania, we'll have to wait a while to see what happens next. Well, my patience sucks, but this album is so good in every way that it will suffice until then. The only gripe this new devotee to "The Scissorhood" has is that the debut isn't nearly long enough.
Free Music Review: Much more than buzzworthy. One of 2004's better releases.
Hit: 5 Stars
Although I usually like to review acts/releases that may not have received much attention, I also have to put in my 2 cents regarding the best and lesser CDs that I purchase as you guys here at Amazon.com are so helpful to me. While, Scissor Sister's self-titled debut CD has generated much buzz, this is one release that more than lives up to its buzz and should not be ignored as a novelty/fad act. This act's detractors only seem to see the group's many influences and don't see much else. While it is inarguable that Scissor Sister draw their influences from Elton John and musical genres not very popular in the US: art rock, glam rock, Seventies disco (maybe disco did have its heyday in the US), and even show tunes, those people seem to disregard not only that all groups (to greater or lesser degrees) are influenced by their predecessors, but that Scissors Sisters has managed to incorporate the above mentioned genres into something that is entirely accessible that is based singer-songwriter pop with strong lyrics, melodies, and impeccable production.
The CD opens with the muscular "Laura," which to me epitomizes what I like best about Scissor Sisters. Next comes, their huge break-out single in the U.S, "Take Your Mama," is obviously HEAVILY influenced by Elton John, it sounds like a million bucks and not like a rip-off. The third song, a cover of Pink Floyd's "Comfortable Numb," was their initial calling card in the U.K., and it's irresistible as it is completely redone and sounds like the Bee Gees meets a Giorgio Moroder production. Just try to get this song out of your head. I dare you ....
Next comes the gorgeous ballad titled "Mary," which starts out slowly like an earnest Robbie Williams ballad and then evolves into an Eltonesque anthem. I love the lyrics and particularly the choruses, which sound so soothing and simple, but must have taken much work to create the easy flow that this song evokes while moving from the ethereal to the piano-kicks. The comes "Lovers in the Backseat," which starts out in a somewhat detached glam rock-like fashion, but it does land with it's chorus and the images it evokes. I am not a huge fan of glam rock, but this song takes some of its fun elements and gives it a kick.
Next comes "T*its on the Radio," which is the only female-led vocal on the release. I think that is a female. It sounds like Human League meets Electric Light Orchestra and the results are outstanding. "Filthy/Gorgeous" is a dance floor masterpiece that combines the best of the 1970's with an 80's vibe. "Music is the Victim" sounds like the best song Sir Elton John never wrote. The song is driven by muscular drums and cheeky (I hope that was the intent) electric guitar breaks. I could go on about every single song, especially the epic finale "Return to Oz," but any more descriptions may take way from the many aces that this band has up its sleeve. This is easily one of 2004's better releases and one which has barely left my CD player, and since I buy way too many CDs this should say something about how strong I feel this release is. Scissor Sister's detractors may look at my review as further proof that the group lacks originality and I am not looking to convert or change the minds of those who have taken the time to listen to this CD; however if you are on the fence feel free to give them a chance as there is likely something that you'll like.
Free Music Review: The Most Underrated Album of 2004
Hit: 5 Stars
This self-titled debut album from Scissor Sisters is one of the most enjoyable pop albums released in years. Their flamboyant and daring antics express themselves gracefully in their music. This is a rare modern-day album that many can say that every song is monumental. Since releasing their first single "Take Your Mama" in summer of 2004, they've continually turned people's heads. Whether they love them or hate them, their presence remains undeniable. Their music has changed the outlook in music history through their mainstream listeners in the UK and their growing cult audience in the US. Unfortunately, in the US, this is one of the most underrated albums not just of 2004 but of all time. But they have quickly influenced many mainstream artists including Elton John, Britney Spears, and Erasure.
In a year that liberal-based albums became the norm (including Green Day, Janet Jackson, Ani DiFranco), Scissor Sisters take that theme a step higher. Their daring lyrics and subjects are relateable to many audiences. Topics ranging from coming out as gay to a parent ("Take Your Mama") to attacking conservative views and censorship on television brought upon the Janet Jackson Super Bowl performance ("Tits On the Radio") to overall sex ("Filthy/ Georgeous") fit wonderfully with the band's personality and outgoing performance style. Such words have not been dared by many other artists in the past. Therefore, Scissor Sisters deserve tremendous respect for staying true to themselves. This isn't limited to their lyrics.
Their lyrics are wonderfully performed by lead singer Jake Shears and backing vocalist Ana Matronic. Shears's falsetto somewhat resembles Barry Gibb's (The BeeGees). His outstanding charisma gives these songs a new meaning of fun. His overall vocal texture range gives each song its own unique twist. As with their vocalists, the other three members include their unique twist in every song through their instruments.
Every song was wonderfully written, produced, and arranged by Scissor Sisters and a few others. Their songs take listeners back to times in pop and dance music that many miss: disco, new wave, 80's techno, and others. Meanwhile, they show their musical influences greatly by resembling various legendary artists (unintentionally) including Elton John, Pink, Floyd, David Bowie, and others. Yet, they create a modern twist that many enjoy. Despite the various styles, the maintained uniqueness keeps the album flowing beautifully, even on their sole ballad "Mary". Such quality earned them a 2004 Grammy nomination for Best Dance Recording (the disco-ish Pink Floyd cover "Comfortably Numb"). (...).
This self-titled album is great listening for those looking for music outside the modern-day mainstream norm. This is sure to please a variety of listeners. They will like continue talking about this album for a long time.
Free Music Review: Ok, I'm a little pissed.
Hit: 5 Stars
As I was scrolling through the reviews, all I seemed to find was this random Kid's Review 500 million times. I would think that Amazon might keep track of this crap. He sent in a review that said almost the exact same thing several million times which changed the ranking if the cd. The reason why I am mad is that this Cd was ranked one of the best cd's of 2004 by Blender Magazine and Rolling Stone. This group is one of the most original bands in a long time. You say that they stole songs from Pink Floyd. The reason why they put Comfortably Numb on the cd is because they were given permission to cover it. That is why it is called a cover. Yes, it may not be better than the original but that is why it's a cover again. You make an old song new by adding your own vibe to it. This cd really does deserve a 5 star rating because of it's creativness. One of the best songs on the cd is "Return To Oz" which they have said is based on a friend who died from AIDS, but also describes characters and other ideas from the movie "Return To Oz" (A movie made in the 80's, the sequal to The Wizard Of Oz), which was an interesting idea to do. It is a very emotional song and very much sounds like songs used to in the 60's and 70's, when music was good. Every song on here is different, and doesnt sound the same. I feel, that the person who was childish enough to write the same review over and over is a homophobe and is afraid to hear that a gay themed band is out there, and covering a straight band's song. Well, sorry sonny boy, this band is original and has great melodies and lyrics to go with their wonderful stage act (which can be seen on their dvd "We are the Scissor Sisters and So Are You"). So I hope you (the dumb kid who wrote all of the bad reviews)have hopefully gotten a clue that you yourself deserve a 1-star rating, not the band; and I hope that more people will listen and see that this band is a great band and really deserves our recognition for being a very outrageous and outspoken band. Because there are not that many anymore that can really be called true artists and stand out in the music business.
Standout songs on the album are : Filthy/Gorgeous, Music is the victim, Return To Oz, Can't Come Quickly Enough, and Laura.