Compare Prices for Shostakovich: Symphonies #3 '1st of May' & #14 - Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks

Shostakovich: Symphonies #3 '1st of May' & #14 - Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks

Shostakovich: Symphonies #3 '1st of May' & #14 - Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks Music CD Cover
Performer: Sergey Aleksashkin
Composer: Dmitry Shostakovich
Conductor: Mariss Jansons
Orchestra: Bavarian Radio Symphony Orchestra
Performer: Larissa Gogolewskaja
Edition: Music CD
CD Release Date: 2006-07-10
Music Label: EMI Classics
Soundtracks:
  1. Allegretto -
  2. Più mosso -
  3. Allegro -
  4. Andante -
  5. Allegro -
  6. Andante -
  7. Moderato. Chorus: V pervoye Pervoye maya
  8. De profundis
  9. Malagueña
  10. Le Loreley
  11. Le Suicidé
  12. Les Attentives 1
  13. Les Attentives 2
  14. À la Santé
  15. Réponse des Cosaques Zaporogues au Sultan de Constantinople
  16. O, Del'vig, Del'vig!
  17. Der Tod des Dichters
  18. Schluß-Stück
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Free Music Notes for Shostakovich: Symphonies #3 '1st of May' & #14 - Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks Album

Free Music Review: Lacking Shostakovich Colour
Hit: 2 Stars

General consensus has confined the Second and Third Symphonies of Dmitri Shostakovich to the rubbish bin of his repertoire. Indeed, the composer himself disowned them. There is intrigue and excitement in the Second, but the present third is uneventful and totally unmemorable. Nevertheless, Jansons typically makes it sound convincing.

In the Fourteenth, Shostakovich is, again, not as spectacular as he was in his preceding compositions. Sergey Aleksashkin cannot be faulted however, his Russian is vividly caught and his sonorous tone is perfectly matched to Shostakovich's vocal vision. Larissa Gogolewskaja is not in the same league as her famed accompaniment. Jansons is typically fine, as is his fantastic Bavarian forces.

Again, both these works suffer from a lack of sparkle and are unmemorable. They certainly do not belong in a highlights collection of Shostakovich. For completists only.
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