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Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
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Music CD Cover Composer: Alfonso X (el Sabio) Composer: Anonymous Composer: Carmina Burana Anonymous Composer: Andrea Ansalone Composer: Droardus Trecensis Composer: Michael Praetorius Composer: Traditional Composer: Christmas Traditional Orchestra: Philip Pickett and the New London Consort Edition: Music CD CD Release Date: 1996-07-23 Music Label: Decca Soundtracks: - Dum pater familias
- La Bouree
- The Sylvan And Oceanic Delights Of Posilipo: Gagliarda
- Quen a Virgen ben servira
- Bransles de Villages
- Carmina Burana: Katerine collaudemus
- The Sylvan And Oceanic Delights Of Posilipo: La scesa de' Pastori dal Monte
- Orientis partibus
- Volte
- Llibre Vermell: Stella Splendens
- Carmina Burana: Tempus est iocundum
- The Sylvan And Oceanic Delights Of Posilipo: Ballo de Cigni
- Carmina Burana: Bache, bene venies
- Lux optata claruit
- Ballet Incerti
- Non e gran causa
- Passo e mezzo - Saltarello Giorgio
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Free Music Notes for Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection AlbumFree Music Review: Spirited and earthy! Hit: 5 StarsI don't know if this is the "ultimate" collection of medieval and Renaissance music, but it's certainly a darn good one, with more depth and spunk than most I've heard. The wide variety of selections, ranging from martial to spiritual and courtly to folksy, were drawn from four prior releases of Philip Pickett and the New London Consort: "The Feast of Fools", "Dances from Terpsichore", "Llibre Vermell" and "The Pilgrimage to Santiago". The CD insert suggests that "the sinners and saints that exist in everyone" will be drawn to this recording. "What you're listening to is not the domain of museums, but the music of the people, born of faith and the love of song and dance." And indeed, Philip Pickett and the New London Consort bring this music undeniably to life. Their sound is rich, full and quite winning. It is unfortunate that said insert, while containing texts and translations for all the songs, is rather lacking in information about the performers and instruments, but all in all, there seems to be a full complement of male and female singers, recorders, reeds, bowed and plucked strings, a hurdy-gurdy, drums, tamborine, and even an organ. If you enjoy this CD, you'll also like "The Little Barley-Corne: Winter Revels from the Renaissance" and "The Way of the Pilgrim: Medieval Songs of Travel" by the Toronto Consort, as well as "A la Via!: Street Music from the 13th to the 16th Centuries" by Ensemble Anonymus and Strada.
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