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Slumdog Millionaire
Music CD CoverBrand: Baker & Taylor Composer: A.R.Rahman Edition: Music CD Audio: English (Unknown) Format: Soundtrack CD Release Date: 2008-12-21 Music Label: Interscope Records Soundtracks: - O... Saya - Performed by A R Rahman & M.I.A.
- Riots - A R Rahman
- Mausam & Escape - A R Rahman
- Paper Planes - M.I.A.
- Paper Planes DFA REMIX - M.I.A.
- Ringa Ringa - A R Rahman featuring Alka Yagnik & Ila Arun
- Liquid Dance - A R Rahman featuring Palakkad Sriram & Madhumitha
- Latika's Theme - A R Rahman featuring Suzanne
- Aaj Ki Raat - Sonu Nigam, Mahalaxmi Lyer & Alisha Chinoi
- Millionaire - A R Rahman featuring Madhumitha
- Gangsta Blues - A R Rahman featuring BlaaZe & Tanvi Shah
- Dreams on Fire - A R Rahman featuring Suzzanne
- Jai Ho - A R Rahman featuring Sukhvinder Singh, Tanvi Shah & Mahalaxmi Iyer
Free Music Notes for Slumdog MillionaireFree Music Review: Exceptional - a soundtrack to be reckoned with Hit: 5 Stars
I love film music, but in recent years I have become more selective about the scores that I purchase, because if I bought every score I remember enjoying in the body of a film, I would go broke real fast. Plus, a lot of times something that is great in the film will not stand up to repeated listening on its own.
With SLUMDOG MILLIONAIRE, though, I knew I had to buy the CD as soon as the movie was over. When I got home from the film, I was annoyed to discover that Amazon (usually my go-to place for items of this nature) was estimating it would take a longer-than-usual time to ship the item (2 to 3 weeks if I recall correctly at the time that I originally checked.) This was encouraging, as it probably meant Amazon has had a lot more orders for it than they expected, but still, I wanted it sooner. Therefore, I was extremely happy that my theater was selling copies of the CD in the lobby and picked up a copy the next day when I returned there to view another film. The music stayed firmly in my head for the 30 hours or so between my first viewing of the film and the time when I was able to toss the disc in my CD player, and it did not lose any of its luster in that period.
The score is extremely bold and wholly unique, and it truly takes the film to another level. Sometimes, even though a score is quite good, there is nothing which suggests to me that another composer could not have done an equally good job. (The last couple of HARRY POTTER scores not by John Williams are an example of this; they are both enjoyable listens that work for the film, but had Williams decided to score those movies too instead of dropping out of the franchise, his score would have been equally good.) In the case of SLUMDOG, however, that is not the case.
There is no doubt in my mind that the score would have been much less interesting and supportive of the film if it had been done by anyone other than A.R. Rahman. The music here lends an electrifying kenetic energy to the film which, along with its quick-cut pace, keeps the story moving along incredibly well. Because it sounds so different from the type of score we are used to from Hollywood blockbusters, there is also a sort of otherworldly appeal to this music, which immerses you even more completely in Danny Boyle's wonderfully realized vision of India.
The album also plays wonderfully without the film, reminding you of the movie but also taking on a life of its own in your mind. I have had it for a week and it has not yet left its residence in my CD player. I don't imagine it will for a long time to come.
This is essential stuff and easily the most unique score of the year. If you've seen the film, you know how significant it is; if you haven't, go see the film and you'll fall in love with every aspect of it, including the music. And then you'll want to buy this disc. You won't regret it.
Slumdog Millionaire PosterIn composing the music for acclaimed director Danny Boyle's intoxicating new film Slumdog Millionaire, A.R. Rahman has conjured the sound of a city, fusing the frenetic scramble of daily life in Mumbai, India into beautiful fugues that ride upon the dust clouds kicked up by its everyday people. From the movie's first frames --- with children racing through alleyways, knocking over merchants and pottery, police kicking loose clay roof tiles, disrupted birds fluttering from gutters -- we hear the sound of their commotion made manifest in "O... Saya." It's a rumbling hybrid of Bollywood and hip-hop, a brand new collaboration between Rahman and M.I.A. It's the kind of cinematic moment where image and sound coexist. And that's only the first five minutes. Filmed in the streets and slums of Mumbai, India, Boyle needed just the right music to compliment the film's cinema verité urban realism. He turned to internationally renowned composer A.R. Rahman (a huge star in South Asia--selling more than 100 million albums worldwide and 200 million cassettes--Rahman is one of the world's top 25 all-time top selling recording artists.) The film's score is central to the propulsive modern grit that pervades the story, but is also a nod to classic Bollywood productions where the music is front and center. And loud. Says Rahman, "We wanted it edgy, upfront. Danny wanted it loud." M.I.A.'s appreciation for Bollywood music led her to record much of last year's Kala inside A.R. Rahman's studio in India, although the two had never worked together until now. Referring to him in URB magazine as "the Indian Timbaland," M.I.A. obviously jumped at the chance to work on "O... Saya" with the famed composer. Rahman says, "She's a real powerhouse. Somebody played me her CD and I thought, `Who is this girl? She came here and knew all my work, had followed my work for ages. I said, `Cut the crap, this "my idol" crap. You have to teach me.'" M.I.A. crops up again, later in the film, with the remix of her worldwide hit "Paper Planes" seemingly made for Slumdog, as the lyrics pronounce, "Sometimes I feel like sitting on trains..." while a light blue locomotive chugs and hurls its way through India, young boys perched up top in the sepia sunlight scoping out for a scrap of food. Other songs on the soundtrack include "Gangsta Blues," featuring hip-hop artist BlaaZe, which flutters with the rhythms of a film projector, capturing a bit of the madness of crowds as they disperse in a thousand directions to escape the claustrophobia of back alleys. And nothing quite prepares you for the triumphant climax, the overarching ode to joy that is "Jai Ho," closing out the film in a rousing sing-a-long that's had film audiences burst into spontaneous applause. As Rahman told Variety, "The energy of the film takes you through a roller coaster, and that's one of the main inspirations for the whole music."
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