Doggystyle

Snoop Doggy Dogg - Doggystyle

Doggystyle
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Music CD Cover

Artist: Snoop Doggy Dogg
Edition: Music CD
Format: Enhanced, Explicit Lyrics, Original recording reissued, Original recording remastered
Published: 2001
CD Release Date: 2001-05-22
Music Label: Death Row Koch
Soundtracks:
  1. Bathtub
  2. G Funk Intro
  3. Gin and Juice
  4. That Shiznit
  5. Lodi Dodi
  6. Murder Was the Case (Death After Visualizing Eternity)
  7. Serial Killa
  8. Who Am I? (What's My Name) ?
  9. For All My Niggaz and Bitches
  10. Ain't No Fun (If My Homies Can't Have None)
  11. Doggy Dogg World
  12. GZ and Hustlas
  13. Pump Pump

Free Music Notes for Doggystyle

Free Music Review: 5 stars
Hit: 5 Stars

Snoop Doggy Dogg's credibility and carrer has seemingly fallen since his days on Death Row Records. After appearing on the Deep Cover and the legendary Chronic Albums, he needed to debut himself. So he released one of the most highly anticipated, nearly flawless, and classic albums in the history of hip hop music Doggystyle in 1995.

This is the album that attained Snoop Dogg legendary status in hip hop music. There have been many albums labeled "The most anticipated since Doggystyle", unfortunately for them, VERY few albums ever attained the perfection that Doggystyle did. In a time when West Coast hip hop was on the rise thanks to Dr. Dre and Suge Knight, the East returned with their own classics such as Enter the Wu-Tang (36 Chambers) and Illmatic. The west needed to counter with a banging album that would appeal to everybody, and they did an amazing job with Doggystyle.

One of the things that separates Doggystyle from the rest of Snoop's seemingly mediocre releases is the pure talent, hunger and skill that Snoop possessed in this era. His lyricism was MUCH better than those used nowadays, but he never really spat anything scientific or advanced like Ras Kass or Nas did in the time, but he definetely had talent. His hilarious metaphors, similes, and extremely clever lyrics push the album and make it very fun to listen to, and pleasing for the ears. Featuring lots of blunt-smoking, mysogonystic lyricism which is very cool. Ive also noticed a bit of hypocrisy in some women. Some women think Snoop goes too far with his constant use of the word b*tch, yet when i jam ANY SINGLE track from Doggystyle, their head bobs like a maniac. So i guess this album really is for everybody...

The one attaction to Doggystyle is the masterful and flawless production by one of the greatest producers in the game: Dr. Dre. Dr. Dre laces the album with the traditional G-Funk style which we are all accustomed to, which he had a MAJOR part in inventing, but we get different types of G-Funk. We are usually treated with the traditional rolling basslines, wah wah synthesized guitars, and loud noises that trademark the Dr. Dre sound. However, we are hit with a medley of different melodies and arrangements, as well as different styles. On some tracks, we get pure jam music, and on others, Dr. Dre takes a much darker approach, with apocalyptic sounds and dark production. Whichever he chooses, he always manages to create genius instrumentals for each and EVERY song on Doggystyle. His instrumentals are extremely simple to rap over, and Snoop does a perfect job doing so.

When you combine the lyricism and cleverness of Snoop, and the unmatched producing ability of Dre, you get an album which screams perfection, and many albums cant say that. Doggystyle CAN indeed attain this status. It has NO bad tracks and no filler whatsoever and its one of my CDs that i always keep with me as im driving due to its masterfulness. Snoop has never been able to attain the power he attained with Doggystyle, and im pescimistic that he ever will. But at least he knows that Doggystyle will forever have a place in hip hop history as an all time PURE CLASSIC!!! album. If you dont own a copy.... shame on you...



Time to break down the Trizzaks:


1 - Bathtub (NOT RATED)
The introductory track to the album already showcases the humor that Snoop Doggy Dogg exemplifies on this album. Basically, Snoop is in the bathtub with a female, and all his buddies come over and talk about what living is, and basically introduces Snoop to the world.

2 - G Funk Intro f/ Lady of Rage (4 Stars)
We begin the album with a full intro to Snoop, and this time Lady of Rage spits a verse over masterful Dr. Dre production featuring heavy bass, g-funk synthesizers, and some opera-sounding effects, making this very pleasing to the ears. After Lady of Rage spits Snoop Dogg spits a small bridge to the song, setting it up for the rest of the album.

3 - Gin and Juice (5 Stars)
Arguably the most famous Snoop Dogg song ever. The Second single from Doggystyle. The subject matter features a night out with Snoop Dogg and his charismatic and clever lyricism, backed by a very cocky, laid back delivery and an ounce of storytelling makes this song an incredible listen and a PURE CLASSIC. Of course, Dr. Dre produces one of his greatest beats to date, featuring an awesome rolling and thumping bassline, high pitched synthesized wah-wah guitars, and a simple, hard to notice, drum / clap combo. This is one of Snoop's all time great tracks.

As I look up at the sky
My mind starts trippin, a tear drops my eye
My body temperature falls
I'm shakin and they breakin tryin to save the Dogg
Pumpin on my chest and I'm screamin
I stop breathin, damn I see demons
Dear God, I wonder can ya save me
I can't die Boo-Boo's bout to have my baby

4 - W-Balls (Tha Shiznit Intro) (NOT RATED)
Basically this is an interlude which introduces the next track featuring a radio announcer.

5 - Tha Shiznit (5 Stars)
Snoop tries to get a lot more lyrically advanced here, and does a good job in delivering his promise with this awesome track. Snoop uses his usual laid back approach as he rhymes, using extremely clever delivery, lyricism, and pure machismo to move the track into classic status. Dre's masterful production is shown once again here, with his amazing use of synthesizers once again, laced with high-pitched sounds, jazzy sounding bassline with a snare / drum combo. Classic.

6 - Lodi Dodi Intro (NOT RATED)
Very short interlude featuring a domino game going crazy, west coast style. Leads into the next track...

7 - Lodi Dodi (4 1/2 Stars)
On this track, Snoop Dogg takes the classic Slick Rick and Doug E. Fresh track Lodi Dodi, and now remakes it for himself, sort of like a cover song. Awesome tribute to Slick Rick, as Snoop Dogg storytells with clever lyricism and hilarious metaphors and tight punchlines about him and his VERY unique girlfriend. The instrumental is a very unique flute / synthesizer mix with some rattle noises and a banging rolling bassline.

8 - Murder Was the Case (5 Stars)
After an ominous intro, we begin with a much darker track than the others on this track. Another Snoop Dogg classic as we hear him flow charismatically dealing with death and the deceased. The storyline is amazing as Snoop makes a deal with the devil about sparing his life after he is killed. This also matched VERY WELL to the legal problems Snoop was facing during this time after the famous Orlando Anderson shootings. His performance at the MTV Video Music Awards of 95 is one to remember. Extremely eerie, yet G-Funkish production is featured here with dark, horrific sounds, but it keeps the wah wah guitars and synthesizers, yet its dark and deep. Dre does an awesome job on here with the beat as well.

9 - Serial Killa f/ Dogg Pound, RBX (5 Stars)
This is a good follow-up to the last track, featuring menacing murder lyrics. Snoop is joined by RBX, Daz and Kurupt for this track. Like the track before it, this is Snoop's attempt at horror-core, and does an awesome job. This sounds a lot like an Onyx track, and each emcee drops amazing verses. The beat uses a drum loop / snare combo with higher synthesizers than usual, and a banging bassline to match. Awesome.

10 - Who Am I (What's My Name)? (5 Stars)
The introductory track and first single from this album by Snoop. Another instant Snoop Classic. The extremely famous single which skyrocketed Snoop is this, and it must be heard. Its extremely awesome and punishing chorus by an unknown vocalist fuel this album, as well as we get an appearance from Dr. Dre on a few lines. Snoop Dogg spits his laid-back clever and braggadiocio slangarific rhymes, matching FLAWLESSLY with the beat. The production is one of the highlights of the album, as Dre puts together a medley of trumpets, wah wah guitars, synthesizers, an AMAZING synthesized rolling bassline and a seemingly invisible drum loop, making the production on here purely flawless.

It's the bow to the wow, creepin and crawlin
Yiggy yes y'allin, Snoop Doggy Dogg in
the motherf*ckin house like everyday
Droppin sh*t with my n*gga Mr. Dr. Dre
Like I said, n*ggaz can't F*CK with this
And n*ggaz can't F*CK with that
sh*t that I drop cuz ya know it don't stop
Mr. 187 on a motherf*ckin cop
Tic Toc never the glock just some nuts and a c*ck
Robbin motherf*ckers then I kill dem blood claats
Then I step through the fog and I creep through the smog
Cuz I'm Snoop Doggy (who?) Doggy (what?) Doggy [Dogg]

11 - For All My N*ggaz & B*tches f/ Tha Dogg Pound, Lady of Rage (5 Stars)
Snoop only appears on the outro here, and he puts himself aside to allow his buddies Daz and Kurupt pick it up. This is an awesome prelude and introduction to tha Dogg Pound before listening to their solo album. The chorus is one of the catchiest and coolest in the history of hip hop music. All of the artists on this track are excellent lyricists, with awesome braggadiocio rhymes. The production is one of my favorites of all time. Featuring a hard bassline, some low-key guitars, high-key pianos, and synthesizer mania when we go to the chorus. Kurupt steals the song and puts his place as one of my favorite emcees on this track. Pure Classic.

12 - Ain't No Fun f/ Kurupt, Nate Dogg, Warren G (5 Stars)
The trio of 213 are reunited here and joined by Kurupt for yet another instant classic. The three emcees drop clevery party flows, mixed with extreme charisma, and clever rhymes. The production is reminiscent of All About U by 2pac. Nate Dogg's hilarious delivery on his r&B vocals begin the track and are heard throughout this standout classic. This track is very mysogonystic, but thats good. The instrumental has a rolling bassline, with some steel guitars, and a jazzy synthesized guitar to make it that much better. Pure Classic.

13 - Chronic Break (NOT RATED)
Features some Snoop Dogg comedy, like all the rest of the interludes.

14 - Doggy Dogg World f/ Dogg Pound, Dramatics (5 Stars)
A tight driving track, in which Snoop is once again joined by the Dogg Pound, and now the Dramatics for the chorus, who do an awesome job. Snoop and his crew set the microphone on fire with their mysogonystic, braggadiocio, clevery battle rhymes and charismatic delivery. The instrumental uses, once again, the rolling bassline, a bunch of synthesizers, and some small samples. Another Classic.

Ya know, some of these n*ggaz is so deceptive
Usin my styles like a contraceptive
I hope ya get burnt, it seems ya havn't learnt
It's the nick nack patty wack, I still got the bigger sack
So put your gun away, run away, cuz i'm back (why?)
Hit em up, get em up, spit em up, now
Tell me what's goin on
It make me wanna holler, cuz my dollars come in ozones
Lone for the break-up, so take off your clothes
and quit tryin to spit at my motherf*ckin hoes

15 - You Betta Ask Somebody (NOT RATED)
VERY interesting look at Snoop's childhood. Hehe.

16 - Gz and Hustlas (5 Stars)
Snoop returns to going solo on this track. Snoop spits insane braggadiocio lyrics, once again laid back over masterful Dre production. On here, Dre uses an awesome double-piano loop, some deep drums, chimes, and an awesome bassline. Snoop goes up a bit on his lyricism and delivery on here.

17 - U Betta Recognize (Pump Pump Intro) (NOT RATED)
Intro to the next track featuring the debut of one of Snoop's enemies.

18 - Pump Pump f/ Malik (4 1/2 Stars)
Snoop is joined by Malik from Lil Hershey Loc for this track. On here, Snoop spits violent and dangerous street lyricism, mixed with a tiny ounce of mafiosio, but returns to his roots about chaos and death. Malik drops a tight verse, but in no way outmatches Doggy Dogg. The beat features an old school drum / snare loop, some continuious guitars, and a very synthesized bassline. Incredible Track.

Bonus Track - Gz Up, Hoes Down (4 1/2 Stars)
Bonus track on this album. This was removed from the second generation shipments of Doggystyle, so you gotta have an original copy to have this song on there. Snoop spits party lyrics, and keeps his braggadiocio going. On the production, Dre switches it up a bit and kinda strays away from a lot of synthesizers, using a regular bassline, some whistles, and simple drums. Tight track.

Other Snoop Albums and their Ratings:

Snoop Doggy Dogg - Doggfather (4 Stars)
Snoop Dogg - Tha Game is to be Sold, not Told (1 1/2 Stars)
Snoop Dogg - No Limit Top Dogg (3 1/2 Stars)
Snoop Dogg - Dead Man Walkin (3 Stars)
Snoop Dogg - Tha Last Meal (3 Stars)
Snoop Dogg - Paid tha Cost to be tha Boss (4 Stars)

5 Stars.... PURE CLASSIC!!!

Doggystyle Poster

No longer available in the U.S., 'Doggystyle' is one of the biggest & most influential gangsta rap albums of the '90s. 'Doggystyle', Snoop Doggy Dogg's 1993 debut, was produced by his childhood friend Dr. Dre and entered the Billboard top 200 albums chart
Produced by the infamous Dr. Dre with assistance from Mr. Suge Knight, Doggy Style was the first solo outing by Calvin Broadus a.k.a. Snoop Doggy Dog. Incorporating a straight gangsta vibe into the deep funk grooves pioneered by George Clinton and his Parliament-Funkadelic ensemble, Snoop and Dre dogmatically invent the "G-Funk" aesthetic. Espousing an irreverent dope, bitches, and guns mentality, Doggy Style garnered the Parental Advisory for explicit lyrics it sorely deserved. Still, Snoop's lazy-yet-acrobatic rap/drawl is distinctive and undeniably entertaining. With additional vocals from Tha Dogg Pound (Nate Dogg, Warren G, Kurupt, and Dat Nigger Daz), this disc is deceptively professional and musically quite slick. "Murder Was The Case" is practically an inner-city classic, while "Ain't No Fun" is another blunted, urban-rap anthem. Woof! --Mitch Myers

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