Fun House (Dlx)

Stooges - Fun House (Dlx)

Fun House (Dlx)
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Category: Music CD
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Music CD Cover

Artist: Stooges
Edition: Music CD
Audio: English (Original Language)
Format: Original recording remastered
CD Release Date: 2005-08-16
Music Label: Elektra / Wea
Product features:
  • The Stooges - Fun House Brazil Import
Soundtracks:
Music CD 1
  1. Down on the Street
  2. Loose
  3. T.V. Eye
  4. Dirt
  5. 1970
  6. Fun House
  7. L.A. Blues
Music CD 2
  1. T.V. Eye [Takes 7 & 8]
  2. Loose [Demo Version]
  3. Loose [Take 2][Take]
  4. Loose [Take 22]
  5. Lost in the Future [Take 1]
  6. Down on the Street [Take 1]
  7. Down on the Street [Take 8]
  8. Dirt [Take 4]
  9. Slide (Slidin' the Blues) [Take 1]
  10. 1970 [Take 3]
  11. Fun House [Take 2]
  12. Fun House [Take 3]
  13. Down on the Street [Single Mix][*]
  14. 1970 [Single Mix][*]

Free Music Notes for Fun House (Dlx)

Free Music Review: The loudest record ever made, and one of the best.
Hit: 5 Stars

This second, astonishing album by Detroit's The Stooges is one of the great, unadulterated, balls-out moments in rock music. This is the first--and last-- time that rock, punk, metal and psychedelia would all organically coexist on one record, and the album remains a touchstone for punk, metal and radio-rock bands. ALthough many have tried, the intricate and living fusion of hormonal scream, deep groove and self-sconsciousness has never been re-attained. In this, their supreme moment, the Stooges wander through the drugged and adrenal detritus of the '60s with both distortion AND wah-wah pedals way up, and the result is simply intoxicating.

What appears to be on first listen simple three-chords-and-a-scream protopunk turns into something much more interesting. Don Galucci's production makes "Fun House", unlike their eponymous effort, really open up and breathe. Galucci creates a dark hint of space behind the lumbering swagger of "Down on the Street," and on the buzz-saw "T.V. Eye," the scream-and-howl sequence at the song's climax echoes eerily as the rhythm section shakes the listener buy the throat. Guitarist Ron Ashton uses wah-wah, fuzz, distortion, echoes, layered lines and everything from scratching to full-on howling feedback to give the songs layers and suprising intricacy. The rhythm section is as heavy as it is wiggly-- Dave Alexander throbs when necessary and noodles when possible.

Riding this monster wave are Iggy's vocals. From quiet moaning of "Hurt" to the twisted screaming at the end of "T.V. Eye," Pop is almost as mesmerising on record as, fights and broken glass antics and huge see-your-soul eyes, playing live. The music avoids the macho and sexist cliches of what would become metal and punk by not identifying Pop's Id with any political or social agenda. Pop, unlike the metalheads he so inspired, is not afraid of mocking himself, leading to an odd and yet captivating emotioanl vulernability. Mix this with the lumbering swagger of f*ck-me tunes like the animal-out-of-the-cage "Loose" and you get a kind of stoner sonnet cycle. You get the feeling listening to this disc that Iggy is coming to you straight and effortlessly from the unconscious-- from the straightforward tunes like "Loose" to the paranoia and simple weirdness of "She's got a T.V. eye on me..."

The songs are heavy and groovy, sometimes tightly structured ("Down on the Street"), here and there touching ("Hurt"), and sometimes, as Henry Rollins once said, housewreckers that just beg you to pick things up and destroy them ("L.A. Blues"). This is deeply sexy, groovy and massively, MONSTROUSLY loud stuff, like its cover a maelstrom of sound, since unsurpassed. Like "Exile on Main Street" and "Zen Arcade", this record works as both beer drinking and dope-smoking music, equal parts adrenalin and groove. The Stooges, like Curt Cobain, felt hugely "stupid/and contagious", and mananged to infect all of subsequent musical history. This is THE loudest record yet made, heavy, groovy, nasty and totally sexy.

The Stooges grab your neck. They pound your head into the wall. You begin to bleed. And then you find yourself begging for more. What else is there to say? Get it and turn it up, way up.

Fun House (Dlx) Poster

Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger band with Iggy's primal vocals and mad brilliance more potent than ever. Each immortal album is now remastered and twice as amazing with a second disc of rarities and previously unreleased tracks.
Of course the Stooges were stupid, that was the whole point. Three chords were okay, two were even better, one or none (the cacophonous "L.A. Blues") was best of all. Drunk on their own testosterone, Iggy Pop and Co. kept things simple, loud, and brutal--and he's been coasting on the band's rep ever since. Slow and thuddy as it sounds now, almost nobody had ever made rock as primal as this second album. Iggy howled like a psycho, the band sounded like they could barely play the elementary riffs, and occasionally a moment of bone-headed poetry made it through the glorious muck. --Douglas Wolk

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