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Strauss: Der Rosenkavalier
Music CD CoverComposer: Richard [1] Strauss Conductor: Edo de Waart Orchestra: Rotterdam Philharmonic Orchestra Performer: Ad Kooijmans Performer: Adriaan van Limpt Performer: Angela Bello Performer: Derek Hammond-Stroud Performer: Evelyn Lear Performer: Frans Fiselier Performer: Frederica Von Stade Performer: Henk Smit Performer: James Atherton Performer: José Carreras Performer: Jules Bastin Performer: Marianne Dielemann Performer: Matthijs Coppens Performer: Nelly Morpurgo Performer: Paul Bindels Performer: Renée van Haarlem Performer: Rudolf Vedder Edition: Music CD Format: Enhanced CD Release Date: 2003-07-01 Music Label: Decca Soundtracks: Music CD 1- Einleitung - Introduction
- Wie Du Warst! Wie Du Bist!
- Marie Theres'! - Octavian!
- Quinquin, Es Ist mein Mann!
- Selbstverstandlich Empfangt
- Hat Sie Schon Einmal Mit Einem Kavalier
- Nein, Er Agiert Mir Gar Zu Gut!
- I Komm' Glei
- Di Rigori Armato Il Seno
- Als Morgengabe
- Mein Lieber Hippolyte
- Da Geht Er Hin
- Ach, Du Bist Ist Ein Sonderbar' Ding
- Die Zeit, Die Ist Ein Sonderbar' Ding
- Mein Schoner Schatz, Will Sie Sich Traurig Machen Mit Gewalt?
- Ich Werd' Jetzt In Die Kirchen Geh'n
- Ich Hab' Ihn Nicht Einmal Gekusst
Music CD 2- Einleitung - Introduction: Ein Ernster Tag, Ein Grosser Tag!
- In Dieser Feierlichen Stunde Der Prufung
- Mir Ist Die Ehre Widerfahren
- Ich Kenn' Ihn Schon Recht Wohl, Mon Cousin!
- Jetzt Aber Kommt Mein Herr Zukunftiger
- Eh Bien! Nun Plauder' Sie Uns Eins
- Wird Kommen Uber Nacht
- Wird Sie Das Mannsbild Da Heiraten, Ma Cousine?
- Herr Baron Von Lerchenau!
- Mord! Mord! Mein Blut!
- Er Muss Mich Pardonieren
- Is Gut! Is Gut! Ein Schluck Von Was Zu Trinken!
- Da Lieg' Ich!
- 'Ohne Mich, Ohne Mich Jeder Tag Dir So Lang'
Music CD 3- Einleitung - Introduction
- Hab'n Euer Gnaden Noch Weit're Befehle?
- Kein, Nein, Nein, Nein! I Trink' Kein Wein
- Die Schone Musi!
- Es Is Ja Eh All's Eins
- Halt! Keiner Ruhrt Sich! Was Ist Los?
- Zur Stelle! Was Wird Von Mir Gewunscht?
- Sind Desto Eher Im Klaren. Ich Zahl', Ich Geh'!
- Muss Jetzt Partout Zu Ihr!
- Lass Er Nur Gut Sein Und Verschwind' Er
- Leopold, Wir Geh'n!
- Mein Gott, Es War Nicht Mehr Als Eine Farce
- Marie Theres'! - (Hab' Mir's Gelobt, Ihn Lieb Zu Haben... )
- Ist Ein Traum, Kann Nicht Wirklich Sein
- Bonus Track 1
Free Music Notes for Strauss: Der RosenkavalierFree Music Review: COMPLETE IN ALL ITS GLORY. Hit: 5 Stars
I couldn't help but notice the scathing opinions posted here about this recording; I will hazard a guess that they were written by opera absolutists who shine a harsh, glaring light on every sound that issues forth from every singer in question. And while I find myself now in a similar mode, let me report that EVERY note sung by the principals in this performance is delivered with the utmost artistry and emotion; this cast really understands and projects everything in this complex and lengthy opera, presented here complete without cuts.
Top honors, though, go to Edo de Waart, who conducts this monumentally demanding score brilliantly, being totally in command of every measure. He observes every tempo marking, in addition to eliciting phenomenally detailed playing. The sound is clean, clear and rich, with a nice sense of spaciousness.
Two remarkable passages among many: 1.)the excitement near the beginning of Act 2 as Sophie and Marianne await the imminent arrival of the Rose Bearer, with the men's hearty cries of "Rofrano" growing gradually nearer---it's so glorious in its sound and pacing that I can't imagine it done better. Similarly, 2.)the orchestral scherzo-introduction to Act 3, as wickedly challenging as anything in the orchestral repertoire, is performed as flawlessly as humanly possible. Unfortunately, opera fanatics will barely take notice of such things. Here is a rare performance led by a conductor who can shape, delineate, propel and/or caress every phrase, resulting in a reading that positively radiates character in every measure.
True, Evelyn Lear is past her prime (as is the character she portrays), but she artfully disguises her limitations (using every trick in the book during the endless conversational passages in Act 1), and amply conveys the emotional world of the Marschallin. Von Stade is all one could ever ask for as Octavian, and Ruth Welting is a fine Sophie. Jules Bastin uses his somewhat colloquial sound---bawling, bellowing and often vibrato-less---in what can only be described as a supremely virtuostic realization of the role of Ochs. Yeah, a couple of the minor roles sound pretty hideous---but at least they are enthusiastcially sung.
Too bad this recording is overlooked. But I would advise anyone looking for an excellent and inexpensive (not to mention NOTE-COMPLETE) recording of this great work to look no further.
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