Cop / Greed / Holy Money

Swans - Cop / Greed / Holy Money

Cop / Greed / Holy Money
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Music CD Cover

Artist: Swans
Edition: Music CD
CD Release Date: 1999-03-23
Music Label: Thirsty Ear
Soundtracks:
Music CD 1
  1. Half Life
  2. Job
  3. Why Hide
  4. Clay Man
  5. Your Property
  6. Cop
  7. Butcher
  8. Thug
  9. I Crawled
  10. Raping A Slave
  11. Young God
  12. This Is Mine
  13. Sealed In Skin
  14. Fool
Music CD 2
  1. Time Is Money (Bastard)
  2. Money Is Flesh
  3. Another You
  4. Blackmail
  5. A Screw (Holy Money)
  6. Fool #2
  7. Stupid Child
  8. Anything For You
  9. Nobody
  10. A Screw
  11. Heaven
  12. Coward
  13. A Hanging
  14. You Need Me
  15. Greed

Free Music Notes for Cop / Greed / Holy Money

Free Music Review: Agony in droves
Hit: 5 Stars

SWANS early experiments in audio horror cannot be pigeonholed as metal, ambient, or industrial music. Transcending normal classification, SWANS brewed the most sullen and loathsome music I've ever had the (dis)pleasure of hearing. Along with this double disc, and "Filth" / "Body to Body, Job to Job"; they should all be listened to in one sitting, to achieve the appropriate (hopefully desired) effect.

If the pure essence of dread could be captured and harnessed into audio form, it would result in these particular recordings.
Norman Westberg's sluggish, discordant riffs consistently keep the listener off balance. The drums pound, clank, and plod along in the same gloomy manner; akin to the sounds one might hear inside a decaying industrial factory. Michael Gira's vocals apathetically wail and shout with a great sense of misanthropy. Gira's baritone delivery can at one moment lull you into a dark reverie, and the next moment, intimidate you with his confrontational bark. As for the lyrics? Minimalist and depraved. They represent a multitude of grotesque thoughts and dismal commentaries on various sociopathic behaviors and societal ill's. These are the enraged messages of a calloused individual.

As an enthusiast of avant-garde and eccentric music, I tend to listen to a lot of Doom and Dark Ambient, for it helps create a unique mood, and that brooding sense of hopelessness (which I happen to enjoy).
SWANS, however, were certainly not a metal band; just an artistic collective, years ahead of their time. They created music that would scare the daylights out of most brutal Death Metal, and even the heaviest of Doom bands.
This expression is what naturally flowed out of Michael Gira and Co. and I don't believe their intention was to be "heavy". SWANS simply were. Their emotions, ideas, and abilities came oozing forth from their shadowy depths, and these are the grim results of their negative output.

If one "enjoys" the primal origins of SWANS, I would recommend taking the plunge into their live albums. Public Castration is a Good Idea and Real Love are completely different beasts in comparison to their studio counterparts. Live Swans induced unreasonable amounts of cynicism and anxiety. The songs are performed minimally, and produce a quality of dilapidation. Both recordings are equally, if not, more disturbing than their studio efforts.

Too dissonant and morose for the average listener, and too "artsy" and industrialized (not the pseudo, dance/pop nonsense) for the staunch metal aficionado. This is only for the most extreme and open-minded individuals who appreciate music for its ability to create moods and a lasting impression. Personally, I could listen to this era of SWANS all day long.

...There must be something wrong with me.


Note: A few years after SWANS released these recordings, a band came along known as Godflesh (from the ashes of Fall of Because). Godflesh was fronted by Justin Broadrick, who was also a brief member of Head of David, and a founder of Napalm Death. If you happen to listen to their first two albums, you'll notice a resemblance to the early years of SWANS. Many believe Godflesh are the originators of this style of extremity, but to overlook SWANS would be a criminal offense. Coincidentally, one time drummer of SWANS Ted Parsons performed on the final Godflesh album "Hymns", and is now involved in Justin's jesu project.

I recommend this era of SWANS to fans of Godflesh, Skin Chamber, and Khanate.

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