Live at the Fillmore East

Ten Years After - Live at the Fillmore East

Live at the Fillmore East
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Music CD Cover

Artist: Ten Years After
Edition: Music CD
Format: Live
CD Release Date: 2002-01-08
Music Label: Capitol
Soundtracks:
Music CD 1
  1. Love Like a Man
  2. Good Morning Little School Girl
  3. Working on the Road
  4. The Hobbit
  5. 50,000 Miles Beneath My Brain
  6. Medley
Music CD 2
  1. Help Me
  2. I'm Going Home
  3. Sweet Little 16
  4. Roll Over Beethoven
  5. Spoonful
  6. I Woke up This Morning

Free Music Notes for Live at the Fillmore East

Free Music Review: Live at Filmore Mott
Hit: 5 Stars

There was a Jazz / Blues band called the Jaybirds in 1966, who changed their name to "Ten Years After" thinking that they had formed a decade late to miss the crest of a wave from their mid fifties hero's, such as Chuck Berry who became one of their major influences, along with other blues greats such as Sonny Bay Williamson, & Willie Dixon, all of whom have had their songs covered here by the band. Many bands have covered Chuck Berry songs with many laying down definitive versions, like "Johnnie B. Goods", by Jimi Hendrix, "Tulane" by Joan Jett, "Roll Over Beethoven" by the Beatles or even "The Electric Light Orchestra", "Little Queenie" or "Carol" by the Rolling Stones, the list is endless, but certainly Ten Years After can claim "Sweet Little Sixteen" as their own.

If this album had been released at the time of its recording (1970) I am sure that it would of gone down in history as one of the great Rook `n' Roll live albums of all time, (along with albums like Deep Purple's "Made In Japan" & U.F.O's "Strangers In The Night") As it was recorded when the band were at their glorious peak, in between their show stealing performances at Woodstock U.S.A in 1969 and The Isle Of Wight Festival in the U.K. in the summer of 1970 (by the time the band released a live album "Recorded Live" in 1973 the band had burnt themselves out, and put in a very lack luster performance).

But anyone who has been to the wonderful Tahitian Queen Rock `n' Roll Happy Hour on Friday will have seen the thirteen minute version of the Ten Years After standard bearer closing song "I'm Goin Home" on D.V.D and will bare out that this was a red hot band in the day when the band come in for the finale of the song, the roof nearly comes off the place.

What you actually get here is the full set from 1970 selected from four sets recorded by sound wizard Eddie Kramer at the Fillmore East probably Americans leading venue at the time. Three of the guys are basically the rhythm section, a fine one true, but basically there to do a job, I mean keyboard player Chick Churchill, doesn't bother with anything so fancy as a Mellotron, or Moog Synthersiser or even piano, just sticking to his trusty Hammond organ.

This albums star of the show Alvin Lee gets full reign to lay out his wares, Billed as the fastest guitar in the west, Lee would often leave all behind in his wake. And here he is given plenty of opportunity to show off his talents, of the twelve songs on this collection two are over 15 minutes long, and only three are shorter than eight minutes, subtlety may not be a part of Ten Years After repertoire, but my word these boys could Rock `n' Roll. This live set was released thirty three years too late, but don't let that fool you, it is still a great slab of fat, dirty, Rock `n' Roll, played like they don't know how any more.
Mott the Dog.

Live at the Fillmore East Poster

UK live compilation for the British blues-rock quartet. Featuring 12 tracks recorded during two nights at the legendary venue, September 27th & 28th 1968. Highlights include, 'Spoonful' & 'The Hobbit'. 2001.
With its devotion to '50s rock and blues coupled to a manic, if decidedly middlebrow performance tack, Ten Years After could seem positively Jurassic, even by late-'60s standards. This collection culls magnificently recorded performances (kudos to Hendrix/ELP engineer Eddie Kramer) from a February 1970 weekend stand at the Fillmore East, capturing the band at its post-Woodstock performing peak. The running times of most of the tracks (three-quarters of which clock in at seven-plus minutes) will tip listeners to the show's jam-heavy take on covers of Sonny Boy Williamson (an ominous, revamped "Good Morning Little Schoolgirl"), Willie Dixon (a slow, 16-minute burn through "Help Me"), and Chuck Berry (atypically economic romps of "Sweet Little Sixteen" and "Roll Over Beethoven"). But with the band's own primordial originals (the titles "Skooby-Oobly-Doobob" and "Extension on One Chord" speak for themselves) there's an elemental, effusive--and, dare we say it--Ramones-like stoopidity to the tracks. Even Alvin Lee's trademark fret-burner "I'm Going Home" is hard to resist. This set perfectly captures one of the era's hardest working bands in a concise, double-disc time capsule. --Jerry McCulley

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