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The Ballad of Baby Doe
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Music CD Cover Composer: Douglas S. Moore Conductor: Emerson Buckley Orchestra: New York City Opera Orchestra Performer: Beverly Sills Performer: Frances Bible Performer: Walter Cassel Edition: Music CD Format: Original recording remastered CD Release Date: 1999-04-20 Music Label: Deutsche Grammophon Soundtracks: Music CD 1- Opening
- It's a hang-up job (Tabor, Cronies, Girls)
- Horace, what is this? (Augusta)
- I beg you pardon (Baby Doe)
- What a lovely evening (Leadville Ladies and Men)
- Willow, where we met together (Willow Song) (Baby Doe)
- Oh, Mr. Tabor (Baby Doe)
- Warm as the Autumn light (Tabor)
- Now, where do you suppose? (Augusta)
- Have you seen her? (Augusta)
- What are you looking for, Horace? (Augusta)
- Why, Mrs. Doe! (Hotel Clerk)
- Dearest Mama (Letter SonG0 (Baby Doe)
- Excuse me (Augusta)
- I knew it was wring (Baby Doe)
- No! No! No! (Baby Doe, Horace)
- What do you intend to do? (The friends and Augusta)
- Everything looks beautiful (Mama McCourt)
- Gold is a fine thing (Silver Aria) (Baby Doe)
- And I'll show yoy something else (Tabor)
Music CD 2- Opening
- The fine ladies (Baby Doe)
- Mama, go inside (Baby Doe)
- Augusta, what are you doing here? (Tabor)
- I'll raise you (The Four Cronies)
- Turn tail and run! (Tabor)
- La, la, la, la (Leadville Ladies)
- Good people of Leadville (William Jennings Bryan)
- Extra! Extra! (Newsboys)
- Augusta! Augusta! (Augusta)
- Hey, Mister! (Stage Doorman)
- The cattle are asleep (Tabor)
- Tabor owns the big hotel (Chorus)
- Horace! (Baby Doe)
- Always through the changing (Baby Doe)
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Free Music Notes for The Ballad of Baby Doe AlbumFree Music Review: Welcome back, old friend! Hit: 4 StarsSince the advent of the CD format, every "Baby Doe" afficianado has dreamed of having this classic recording in the new format, and at last it's here.True, the clarity of the CD format does remind us that this recording's sound quality wasn't even state-of-the-art 40 years ago. But sometimes you have to listen *through* crude sound to hear a magnificent performance, and this is one of those cases. And, to be honest, the sound isn't quite as bad as many of us have made it out to be over the years. Most of all, we have new access to three heartfelt portrayals. Beverly Sills probably never had a finer role than Baby Doe: it suits her voice perfectly, and she recorded it at just the right moment in her career. Walter Cassel vividly portrays Horace Tabor's obssessive devotions to silver and to his "Baby." And Frances Bible, nominally the "villain" of the piece, reminds us that Augusta Tabor, more than the others, is actually the wronged character here. All three show us real human beings who make mistakes that bring tragedy down upon them, and it's all the more compelling for being drawn from the pages of America's history. Emerson Buckley's conducting has forward thrust, and if the New York City Opera Orchestra and Chorus are more than a little scrappy, they at least have energy. And since the composer attended rehearsals, performances, and recording sessions, we can assume that this version carries Moore's blessing. There is a newer recording available in better sound, but the performance there pales in comparison to this version. Newcomers should give this folksy American score a try, and old-timers should quickly embrace the chance to welcome this old friend back into the active catalog.
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