The Derek Trucks Band - Soul Serenade
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Free Music Notes for Soul Serenade
Free Music Review: koolest blues playing
Hit: 5 Stars
Derek Trucks has proven that there is still room for improvement on the creative platform. He and is super talented band are the best I've heard in a long time. These boys use the full musical palette of colour...it aint just BLUE!!Free Music Review: Truckin'
Hit: 5 Stars
Soul Serenade (Columbia) by the Derek Trucks Band is one of the best albums I have heard this year(2003). It won't matter how this album is classified, either, because it has it all. For those who liked Allman Brothers guitarist Trucks on his eponymous band's major-label debut, 2002's Joyful Noise, will find this CD to be even more impressive. Soul Serenade was actually recorded three years ago, before Joyful Noise, but is being released only now. It's been worth the wait because the Derek Trucks Band is hitting on all cylinders from start to finish.
The album begins with covers from two musical music legends-King Curtis and Bob Marley. Trucks uses "Soul Serenade" by Curtis and "Rasta Man Chant" by Marley to deliver one of the more exhilarating musical moments of the year. Trucks' guitar-sling and the fine work of his band show that the difference between the rock-steady beat of Jamaican reggae and Afro-American soul is so slight that it hardly matters. The next track, "Bock to Bock," is even better. Bassist Todd Smallie and drummer Yonrico Scott set the table for the band to deliver a powerful yet subtle swinging blues number. Trucks is on the case with his ax, and his band stays tight and focused at all times, letting the guitarist roam where he needs. The magic of this album doesn't end there although the first two songs will leave you awestruck.
The Derek Trucks Band then pumps the soul classic "Drown in My Own Tears," with Gregg Allman providing a heavy, blues-drenched vocal, which is followed by a tricky version of Mongo Santamaria's "Afro Blue." By this point you will have no doubt about the importance of Derek Trucks and his band. They defy category. They challenge those preconceived conclusions that often muzzle music, and they will leave you wondering why this album had been held up for so long.
-Brian Gilmore
Free Music Review: Eclectic Synthesis?
Hit: 4 Stars
I read most of the reviews and the words 'jam band' crop up way too often. And to try to pigeon hole this stuff as jazz/fusion/southern rock doesn't do it justice. "Derek should use his fingers to play". Believe me, he uses his fingers! He's obviously 'cut the umbilical' to Warren and the ABB. He stays with them because he loves it. I believe he can play/sit in with anybody. To say it's 'courageous' is not quite accurate either, since the ABB has fooled around with Soul Serenade quite a bit; not to mention some jazz licks, etc. Words that come to mind when I listen to this album: range, eclectic, inventive, stretching, synthesis, experimental. I listen to it and imagine this may be very similar to what Duane would have done. My only concern is that Derek throws in licks from Mountain Jam a little too often. The ensemble is tight and this CD has a laid back feel. A righteous effort. A definite 'buy' rating.Free Music Review: continued growth by a prodigy
Hit: 4 Stars
Derek Trucks continues to blur the lines between jazz, blues, and world music. His slide playing, always among the best around gives several standards a new twist and the bands playing is first rate.
The record starts with a sweet taste of King Curtis' Soul Serenade seguing into Rasta Man Chant. Bock to Bock slides into cool jazz and afro Blue is a trip to the heart of Coltrane country. the two are sandwiched around an outstanding take on Ray Charles' Drown in My Own Tears featuring Gregg Allman doing some of his best singing in years.
As the disc moves toward conclusion it takes some interesting turns. The band plays (pun intended) tribute to Elvin Jones in the original Elvin. A sweet turn on Wayne Shorter's Oriental Folk Song leads to the acoustic Sierra Leone which takes the band out with the same mood altering dubro turn that Duane Allman lent to Eat A Peach with Little Martha.
Definately a record for those who love good playing on good songs.
Free Music Review: WHERE DUANE LEFT OFF......>>>>>
Hit: 5 Stars
The unexpected tradgedy of Duane Allman left the band with a continuation of what they were left with, and the Band did its best, which was Jam! Wth defined Soul, and Blues, the Allman Brothers Band strived for this continuance for many years. Dicky Betts, was obvioulsy a limiting factor in the Allman Bros. Band's later progression, and then came Warren Haynes, form Gov't Mule with a reinvigorated "Southern Rock 'n Roll"!
However, what Derek Trucks passionately embraces is the brilliant diversity of what Duane Allman was searching for (Remember Duane Allman An Anthology), continuing to incorporate the diversity of appreciation and foundations from which they learned, within the defined already successfull style of The Allman Brothers Band>>> Never forget how it was Duane Allman who was the creative spark, and intuitively so, Derek Trucks is running with the torch in a way that will make Duane Allman proud of how magnificent Coltrane's AFRO BLUE could sound with the smooth manifesto of a slide guitar. An hey, what's wrong with a flute intro???
This "KID", which is a joke for calling him young, for discerning his musical appreciation, as well as his bravado for attempting to record measures fromm the brilliance of John Coltrane, deserves a more acute measurement in the dimension the Derek Trucks Band is presenting here in the 21st Century.
This Band is a deserved embodiment of how the blues, jazz, and pure rock 'n 'roll can all come together. An amalgum of music is what every musician strives for in there fortitude of composition!!!!!!!!!!!!!!!!