The Indiana Jones Trilogy (Soundtrack)

The Indiana Jones Trilogy (Soundtrack)

The Indiana Jones Trilogy (Soundtrack)
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Composer: John Williams
Edition: Music CD
Audio: Arabic (Original Language); English (Original Language); German (Original Language); Greek (Original Language); Hebrew (Original Language); Nepali (Original Language); Spanish (Original Language)
Format: Soundtrack
CD Release Date: 2003-01-21
Music Label: Silva America
Soundtracks:
  1. The Raiders March
  2. The Map Room: Dawn
  3. The Basket Game
  4. Marion's Theme
  5. Airplane Fight
  6. The Ark Trek
  7. Raiders of the Lost Ark
  8. Anything Goes
  9. Nocturnal Activities
  10. The Mine Car Chase
  11. Finale & End Credits
  12. Indy's First Adventure
  13. Escape From Venice
  14. Keeping Up With The Joneses
  15. Finale & End Credits
  16. Anything Goes (Bonus Track)

Free Music Notes for The Indiana Jones Trilogy (Soundtrack)

Free Music Review: "Silva Screen stays true to the spirit of Indiana Jones"
Hit: 5 Stars

If you are a big fan of Spielberg, Lucas, John Williams or Nic Raine with The City of Prague Philharmonic Orchestra and chorus, then my friends of "The Indiana Jones Trilogy", you've come to the right place. Get ready for action, adventure and an all around good time as we visit Doctor Indiana Jones and the film scores he has left behind.

Nic Raine has total understanding of the action cues with the thrilling counter-love-themes blending in whenever and wherever needed. John Williams is widely known for all of his film scores, this one has to rank among his best. From the memorable main theme "THE RAIDERS MARCH", to the touching "MARION'S THEME" filled with the tender meeting between Indy and Marion that will linger in our minds forever.

Spielberg and Williams collaboration is always faithful to the storytelling, thus we have the 1984 "Indiana Jones and the Temple of Doom", opening with a classic Cole Porter tune of "ANYTHING GOES", with a fine vocal interpretation from Helen Hobson. And who can forget the "MINE CAR CHASE", with the brass sections blaring as the percussion answers the beckon call. Let's listen to the arrangement of "FINALE & END CREDITS", from Temple of Doom The City of Prague arises to the occasion. This is where the "new digital surround sound" from Silva demonstrates quality film music from your own personal music system.

Outstanding performance in the opening "INDY'S FIRST ADVENTURE", from "The Last Crusade" gives the musicians a work out, that they must thoroughly enjoy. From this suite we hear the clarity of "FINALE & END CREDITS", over eleven minutes of of incredibly addictive film scoring---some powerhouse brass explodes from your speakers, spilling all over the room. Thus we hear action scoring at it's finest hour. Exiciting action cues with bouncy woodwinds and bold brass fanfares abound.

This album contains some of the best of selections of the series. It may not be as complete as we would have it, but this my "film-score-buffs", is the ultimate in the life and times of our hero ~ INDIANA JONES. As Silva Screen stays true to the spirit of all the fans of the cinema and the music that makes us laugh and cry, gotta love it!

Total Time: 43:03 on 16 Tracks ~ Silva America (FILMCD 365) ~ (2003)

The Indiana Jones Trilogy (Soundtrack) Poster

Fresh from their box-office triumphs on Close Encounters and the initial Star Wars chapters, Steven Spielberg and George Lucas used their combined studio clout to foster what must have seemed a long shot to some: a revival of the long-moribund action-adventure movie serials of their youth. The resulting exploits of Indiana Jones added another billion dollars or so to their coffers--and offered yet another opportunity for scoring legend John Williams to exercise his preternatural abilities to both inform the films with a nigh-perfect musical sensibility and play to the grandstands with rousing aplomb; "The Raiders March" quickly became one of cinema's most recognizable and enduring melodies. The three generous suites here (performed by the City of Prague Philharmonic under the baton of Nic Raine) re-create Williams's music with faithful energy, from the brass flourishes and Biblical mysteries of the first installment to the bright exuberance of Temple of Doom and the playful recapitulation of The Last Crusade. This 73-plus-minute collection also includes a bonus vocal performance of one of Temple of Doom's key motifs, Cole Porter's "Anything Goes." --Jerry McCulley

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