Compare Prices for The Red Violin: Original Motion Picture Soundtrack

The Red Violin: Original Motion Picture Soundtrack

The Red Violin: Original Motion Picture Soundtrack Music CD Cover
Composer: John Corigliano
Edition: Music CD
Audio: English (Original Language); French (Original Language); German (Original Language); Italian (Original Language)
Format: Soundtrack
CD Release Date: 1999-05-18
Music Label: Sony
Product features:
  • The Red Violin OST
Soundtracks:
  1. The Red Violin: Anna's Theme
  2. The Red Violin: I. Cremona: Main Title
  3. The Red Violin: I. Cremona: Death Of Anna
  4. The Red Violin: I. Cremona: Birth Of The Red Violin
  5. The Red Violin: I. Cremona: The Red Violin
  6. The Red Violin: II. Vienna: The Monastery
  7. The Red Violin: II. Vienna: Kaspar's Audition; Journey To Vienna
  8. The Red Violin: II. Vienna: Etudes; Death Of Kaspar
  9. The Red Violin: III. Oxford: The Gypsies; Journey Across Europe
  10. The Red Violin: III. Oxford: Pope's Gypsy Cadenza
  11. The Red Violin: III. Oxford: Coitus Musicalis; Victoria's Departure
  12. The Red Violin: III. Oxford: Pope's Concert
  13. The Red Violin: III. Oxford: Pope's Betrayal
  14. The Red Violin: IV. Shanghai: Journey To China
  15. The Red Violin: IV. Shanghai: People's Revolution; Death Of Chou Yuan
  16. The Red Violin: V. Montreal: Morritz Discovers The Red Violin
  17. The Red Violin: V. Montreal: Morritz's Theme
  18. The Red Violin: V. Montreal: The Theft
  19. The Red Violin: V. Montreal: End Titles
  20. The Red Violin: 'The Red Violin': Chaconne For Violin And Orchestra
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Free Music Notes for The Red Violin: Original Motion Picture Soundtrack Album

Free Music Review: staggerinly complex music makes for music hard to listen to
Hit: 3 Stars

This score features one of the greatest violinists of our day and was written by a master composer, but those who do not appreciate dissonant, modern classical music will not enjoy this album. It is not pleasant-sounding melodic themes that most movie scores are. The writing in this music is terribly complex and theoretically intriguing, but this is not a score that I sit down and listen to as I read a book or something. This is not background music. With the exception of a couple tracks, this is not music that will please the lay people of the film music world. I give this score 3 stars because it has brilliance behind it, but will only appeal to very (modern) classically minded listeners. I'm sorry to say I don't fancy myself one of those. I recognize this piece for what it is, and honestly admit that I don't enjoy it much.
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