 |
Free Music Notes for December's Children (And Everybody's)Free Music Review: Their best early release in the US Hit: 5 Stars
Even though it's a US compilation of British leftovers that weren't on the previous US albums. No matter, this record plays as the Stones best and strongest pre-aftermath album.
Free Music Review: Finding Classics Hit: 5 Stars
Quick reponse on getting the product to the customer and the price was excellent. A good way to have customers return for more buying of your products. Thank You. Mick Macias.
Free Music Review: The real Stones Hit: 5 Stars
For the newer fans from the 90's and up, this is the roots of the
Rolling Stones.
Free Music Review: Clearing Up The UK-US Release Confusion Hit: 4 Stars
With the release of the remastered super audio CDs (SACD) of the Stones ABCKO catalog (which includes all the early Decca/London material), there is now mass confusion about the Out Of Our Heads releases, which includes the December's Children release. Allow me to clarify for you:There are 3 Out Of Our Heads Releases (all were released with lower case titles): July 30, 1965 - U.S. London Records vinyl out of our heads (the heads cover with Keith at center) September 24, 1965 - U.K. Decca Records vinyl out of our heads (the hallway cover with Brain at front) December 3, 1965 - U.S. London Records vinyl december's children (and everybody's) (the hallway cover with Brain at front) This new remastered SACD is the December 3, 1965 U.S. London Records vinyl december's children (and everybody's) release. Note: ABCKO acquired the Stones' catalog when Allen Klein became their manager in the 70s. The resulting legal battles produced releases that the Stones opposed (they took out full page adds asking fans not to buy them), including the controversial Metamorphosis releases (which are now available on CD for the 1st time ever). But the sad fact is that the Stones lost control of their great early material. With these remastered SACD releases, we at last have some idea of what they really sounded like in the studio. I guess if we had these 40 years ago they would have ended up Greatest Rock And Roll Band in the Universe instead of just our tiny little World. You must buy all 3 releases to get all the tracks, although if you bought the 2 U.S. releases + the earlier U.S. release The Rolling Stones, Now! you would get everything that is included on the U.K. Out Of Our Heads release. Here is a listing of which tracks are on which release: U.S. Out Of Our Heads tracks .....The Last Time .....I'm All Right .....Satisfaction .....Play With Fire .....The Spider And The Fly .....One More Try U.S. Out Of Our Heads & U.K. Out Of Our Heads tracks .....Mercy Mercy .....Hitch Hike .....That's How Strong My Love Is .....Good Times .....Cry To Me .....The Under Assistant West Coast Promotion Man U.K. Out Of Our Heads tracks .....Oh, Baby (we got a good thing going) .....Heart Of Stone U.K. Out Of Our Heads & U.S. December's Children tracks .....She Said Yeah .....Gotta Get Away .....Talkin' `Bout You U.S. December's Children tracks .....I'm Free .....You Better Move On .....Look What You've Done .....The Singer Not The Song .....Route 66 .....Get Off Of My Cloud .....As Tears Go By .....Blue Turns To Grey .....I'm Moving On U.S. London Records vinyl December's Children (And Everybody's) (the hallway cover with Brain at front) was released December 3, 1965. It used the U.K. Out Of Our Heads cover. This is an odd one for the Stones, released only in the U.S. on Dec 3, 1965 (their 3rd album release that year). It was a compilation of 2 hit singles (Get Off Of My Cloud released 7-24-65 and As Tears Go By released 12-17-65) along with other tracks that had not been released in the States. This was the last album where the record execs had total control. After this one, the Stones got into the studio enough and produced new tracks so that they were able to exert at least some influence on their releases from here on out. Keith has been quoted in several sources as saying their fans in the UK would not have accepted an album like this. He was later proven right when the UK market failed to pick up on the many greatest hits releases by Klein and Decca after the Stones formed their own label in the 1970s. The album does mark the advent of Jagger and Richards as ballad writers with I'm Free, As Tears Go By, Blue Turns To Grey, and The Singer Not The Song. They also did Gotta Get Away and Get Off Of My Cloud. The rest of the album includes the premature rocker She Said Yeah, Chuck Berry's Talkin' 'Bout You, and Look What You've Done from the Chess Studio sessions in Chicago when Muddy himself was present. I'm Movin' On is a live track from their live UK EP and You Better Move On and Route 66 were from the earlier UK EP "The Rolling Stones." Now a bit about the hits: Get Off Of My Cloud was the follow up to Satisfaction and was their 2nd #1 single in the States. As Tears Go By was first done as a demo on March 11 or 12, 1964 but was finally finished on Oct 26, 1965 and was also released by Mick's girlfriend at the time, Marianne Faithful. The tracks were recorded from 1963-5 as follows: Nov 14, 1963 at De Lane Lea Studios in Kingsway, London .....You Better Move On (originally released on the UK EP The Rolling Stones) June 10-11, 1964 at Chess Studios in Chicago .....Look What You've Done Live in the UK on March 5 (Regal Theatre in Edmonton), March 6 (Empire in Liverpool), 7 (Palace in Manchester), or 16 (Granada in Greenford) .....I'm Moving On .....Route 66 Sep 6-7, 1965 at RCA Studios in Hollywood .....I'm Free .....Get Off Of My Cloud .....The Singer Not The Song .....She Said Yeah .....Gotta Get Away .....Blue Turns To Grey Oct 26, 1965 at IBC Portland Place Studios, London .....As Tears Go By Also of interest, the UK Out Of Our Heads used the same artwork as the US release of December's Children. This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own collection.
Free Music Review: Some classic Rolling Stones' moments Hit: 4 Stars
The first thing that strikes me as I look at the cover is how young the Stones looked back in the mid-1960s! It's amazing how well they have maintained their level of performance even as their faces now show their age. The second thing is that the center of this work is "Get Off of My Cloud." It was playing so widely that, in the middle of my first year living in a dorm at Bradley University, all sorts of variations on the song took place. I remember one of my floor mates, for example, telling someone "Hey, hey, you, you, Get out of my room." And everyone chuckled, knowing that Jim was riffing from this song.
This CD/album has no thematic coherence. It is a set of songs, most recorded in the studio plus a bit of live music, some covers, and some original Stones' tunes. Still, it's nice to revisit the raw energy and raw playing of the young Rolling Stones.
The CD starts off with a cover of Chuck Berry's "Talkin' about You." They do a good job here, and display a strong blues flavor to their playing and to Mick Jagger's singing. A nice start to this CD.
The Stones began their career as a group focusing on the blues. One of the most important bluesmen of that (or any other) time was, of course, Muddy Waters. "Look What You're Done" shows the Stones up to playing a song by one of the masters of the genre.
And then, "Route 66," a live version. Sound quality muddies what I hear when I listen; the sometimes shouting by the audience drowns things out. But I can tell that the Stones are playing energetically and Jagger's singing is fine.
And, of course, "Get Off of My Cloud," one of their great songs. One characteristic is a whole series of interesting lines with some cool wording. One illustration: "In flies a guy all dressed up just like a Union Jack." The song begins with a great riff; the drumming chugs right along.
Another classic, "I'm Free." A pair of lines speak to me.
"I'm free to do what I want any old time. . .
I'm free to sing my song though it gets out of time."
The latter line reminds one that sometimes in their early works, the playing gets a little ragged. But that somehow worked, showing off their energy and even some spontaneity.
There are some other interesting works, too, although I have never much enjoyed "As Tears Go By."
Anyhow, not a cohesive album, but I don't really care. There are some top-notch early Rolling Stones' moments throughout this CD, with lots of raw energy.
More Free Music Notes: 1 2 3 4 5 6 7
|
 |