Tori Amos - American Doll Posse
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Music CD Cover
Artist: Tori AmosEdition: Music CD
CD Release Date: 2007-05-01
Music Label: Sony
Soundtracks:
- Yo George
- Big Wheel
- Bouncing Off Clouds
- Teenage Hustling
- Digital Ghost
- You Can Bring Your Dog
- Mr. Bad Man
- Fat Slut
- Girl Disappearing
- Secret Spell
- Devils and Gods
- Body and Soul
- Father's Son
- Programmable Soda
- Code Red
- Roosterspur Bridge
- Beauty Of Speed
- Almost Rosey
- Velvet Revolution
- Dark Side Of the Sun
- Posse Bonus
- Smokey Joe
- Dragon
Free Music Notes for American Doll Posse
Free Music Review: Where have all the Tori fans gone?
Hit: 5 Stars
I bought this CD on a trip to Washington D.C., so maybe I'm a bit predisposed to think of it as an amazing work of art. Any true Tori fan can remember getting a piece of material that inspired him or her to buy an album of hers in the past. For example, I watched the movie "Higher Learning," and in the score, the beautiful song "butterfly" moved me with its amazing and moody melancholy. I literally watched the same scenes in a very forgettable movie just to hear that song. So, I bought Tori's CDs out of sequence which I know is not at all common for Toriphiles. Surprisingly, I bought "Strange Little Girls first," which honestly, if you're gonna get into Tori, is not the most mainstream or newbie-friendly material she's had to date. But, with time, I kept listening... Somehow Tori's music eats at you slowly. It's sort of like watching a really intense movie and not exactly knowing how you feel about it - which brings me to my favorite CD, Boys for Pele - I hated it! I absolutely loathed that album. I could not, for the life of me, forgive myself for ever purchasing it - but something happened over time and upon repeat listens... Somehow, the amazing lyrics that are so incredibly hard to decipher began to make sense. The idea that her lyrics can be completely obscure is correct, but maybe the obscurity of her lyrics can provide an amazing result for the listener. You can put YOURSELF into her songs. She leaves so much open that you literally can relate to thoughts and words that you would have never put together so delicately on your own. Tori's CDs are not to be interpreted right away, but studied rather - like a really fine wine. Delving into a Tori CD is like reading a really good book. I think some of her former fans who are "throwing their arms up" with the "new" Tori need to understand that he or she may be suffering through the same emotional limitations that her previous works seemed to soothe. My Mom died - I turned to "Horses" and "Winter" and "The Beekeeper." My boyfriend broke up with me - I turned to "Hey Jupiter," "Caught a Lite Sneeze," and "A Sorta Fairytale." The point I'm trying to make is that her new material is not for the masses or hard-core fans - it's for those of us who have matured - just as she has. Emotions change over time, and although we find ourselves reverting to past loves, thoughts, scenes, images, regret, timelines, happiness, unhappiness - we have to remember that all of us change, grow, and eventually move on. Don't move on from Tori, though... just learn to love her in a different way. You know as well as I do that there are no artists in this entire world of overblown pop-induced hype that can hold a candle to Tori's amazing talent. NONE!
As for ADP, take this CD for what it is. Study the CD. Study the mythological influences behind Tori, Pip, Clyde, Santa, and Isabel. Just look at the CD! Tori is standing while holding a chicken and wearing a red wig! In the concert, she wears a sequined pant suit. She is obviously learning to make light of herself... This is her way of healing at this time. All of the pain, sorrow, and frustration that she found herself in during Little Earthquakes, Under the Pink, Boys for Pele, and Choirgirl - she has realized that the extent of her pain was limited to herself - she, the individual going through the torment. What I believe she has realized is that the world is more important - the idea of archetypes, religion, war - how can one limit oneself to be so self-centered. If anything, Tori has rediscovered what she wants her fans to hear! If you've watched YOUTUBE and you see Pip pull out the knife and gun at her show in Chicago while singing a rock version of "Me and a gun," you realize that these alter-egos are helping Tori destroy those figures that caused her pain in the past. To illustrate, while Tori was lying helpless in a car being raped at knifepoint, Pip would have made the guy wish he had never been born! I think you Toriphiles have gotten lazy! You have wanted Tori to release another version of Little Earthquakes, and the reality is that she is not going to! That was her life then. This is her life now! If you choose to walk away after years of being a fan because she hasn't written what you wanted to hear, maybe you should learn to play the piano and write some remake of Little Earthquakes yourself. If you can appreciate a good bottle of Chianti, then buy this CD. Buy all of her CDs, and you would be surprised by how much she really has to say... and how much you really have to learn.
American Doll Posse Poster
In an era of digital downloads and singles, Tori Amos embraces the concept album in a sprawling 23-song oratorio. Firing across the American psychological, social, and political landscape, she takes on the state of the world, war, and feminism. To help her, she adopts five personas--her American Doll Posse--who take their characteristics from Greek gods, but not their names: Clyde, Pip, Isabel, Santa, and Tori. You need a scorecard to keep track, but don't worry. It's still Tori Amos, bending syllables in improbable pretzels with rippling piano themes and choruses that threaten to go Broadway at any moment. Amos vents her political spleen through "Isabel," leaving no doubt as to her targets on tracks like "Yo George," and comments on our impersonal age and computer addiction with "Digital Ghost." That's sung by the character "Tori," who is reputedly based on Demeter and Dionysus, representing the split between Amos's earth-mother side and her wilder, more libertine tendencies. Anti-war and pro-feminist themes are plastered across American Doll Posse like sloganeering posters. "Dark Side of the Sun" laments both sides of the war, including the Islamists who lay down their lives "for some sick promise of heaven." Amos adopts a big '80s rock sound on many tracks, with guitarist Mac Aladdin pealing off Brian May-style guitar licks over an arena-rock beat. It's where Amos details a more personal sound that American Doll Posse leaves a lasting impression. "Girl Disappearing," sung by "Clyde," holds echoes of the Beatles' "Eleanor Rigby," not only because of the string quartet and nostalgic tone, but the updated tale of a woman losing herself. "Smokey Joe" brims with dark atmospheres, Robert Fripp-like guitar sustains, and Amos's most elaborate vocal arrangements, interweaving two sets of lyrics for "Pip." More than a concept album, American Doll Posse is a convergence experience, mixing online blogs from each character, videos, MySpace sites, and more. --John DilibertoPop Music CDs
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