Free Music Notes for Inside Out

Trisha Yearwood - Inside Out

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Free Music Notes for Inside Out

Free Music Review: Trisha at the top of her game!!
Hit: 5 Stars

I have purchased every single Trisha Yearwood CD since her self-titled debut in 1991, and I can honestly say, this is truly her best effort to date (closely followed by 1995's THINKIN' ABOUT YOU)! From the powerfully uplifting "Love Alone" to the mournful "When We Were Still In Love", Trisha does not miss a single beat throughout the entire CD!

Contrary to previous reviews, I believe Trisha's rendition of "Seven Year Ache" is a major improvement and worthwhile update of the original, considering Trisha's vocal ability far surpasses that of Rosanne Cash by miles!

"I Don't Paint Myself Into Corners" is a clear indication of the power in Trisha's pure, crystal-like voice - I get goosebumps on the final line where she holds the extended note in the word "myself". She puts so-called "divas" Shania, Faith and Celine to total shame!!

"Harmless Heart" and "Melancholy Blue" are the two greatest ballads she has recorded since "How Do I Live" and "Where Your Road Leads". Both cuts should be future singles and are totally Grammy-worthy next year!

"Inside Out" is clearly a feel-good, fun song to kind of break up the tear-jerking ballads on either side of it on the CD, and does a magnificent job of doing so! It should have been a bigger chart hit than it was, but, hey, it's a great addition to her catalog! The cut is not very "country" in production, but big deal - it's Trisha!!! Her voice transcends all musical barriers! (Faith, Shania and Jo Dee don't even come close!!)

Finally, to disagree with a previous review on the opening cut "Love Alone", another stand-out track on this compilation by the way, Ms. Yearwood pulls it off effortlessly! Perfect voice control, strength and power!

I feel some of these "reviewers" are stuck in the twangy, cry-in-your-beer country of 25-30 years ago - come on people, it's 2002! Trisha's lyrics, orchestrations and vocal prowess are intelligent, mature and flawless! Country, pop, AC - who cares?! It's music you can listen to once and find yourself pressing the "Repeat All" button on your CD player!!! If you want female country twang, buy a Terri Clark or Dixie Chicks CD!! For total class, it's Trisha and, closely second, Martina McBride!


Free Music Review: TRISHA THRILLS AGAIN!
Hit: 5 Stars

I have all of Trisha's CD's, and this her tenth, is undoubtedly the best! What a voice, and what a wonderful ability Trisha has to wrap that angelic voice around her lyrics, making you feel the joy, the hurt, the love. Wow, what a sensational collection. Aside from the remake of "Seven Year Ache," there's not a song on here that isn't overwhelming. (And even "Ache" is by no means bad---just mundane.)

Trisha has truly transcended the "country" genre, but she has always proven herself versatile: (did you ever hear her "I Have a Love" from the "West Side Story" compilation a few years back?--it's chilling!!!). I feel the production, instrumentation and background vocals are impeccable and provide the CD with a smooth flow, and excitement.

It's hard to pick favorites on a collection like this, but surely "Harmless Heart," "Melancholy Blue," and "When We Were Still in Love" are some of the most heartfelt ballads of her career. And what's this unnecessary comparison of "I Would've Loved You Anyway" with Celine Dion songs? What's wrong with power ballads, especially when executed with such style and class? Don't compare Celine and Trisha---they're equally good, worlds apart, but I'd prefer these kind of love songs to the tripe we have to put up with in the pop world!!! Back to the real issue though.

"Love Alone," "For A While" "Love Let Go" and "Love Me or Leave Me Alone"---awesome performances, and so different from what you've expected from Trisha. They're not country, but let's face it, at heart Trisha Yearwood is a singer, not a country singer, not a pop singer, just one of the industry's most outstanding vocalists.

She started out getting compared to Linda Ronstadt, and although there are some vocal similarities, Trisha manages to stand on her own, and come out shining!

If you love Trisha, this is definitely a CD you must own! If you think you don't like her (and who could possibly not?), give this one a try---it's great!


Free Music Review: Pretty Impressive
Hit: 5 Stars

After buying "Real Live Woman" on a whim after the 2000 Grammys, I became a total Trisha Yearwood fan, completely immersed in her incredible talent and great songs. So when "Inside Out" was released, I went and purchased it right away to see what Trisha came up with to follow such an amazing album. She didn't disappoint me.

This album, for me, is not up to par with "Real Live Woman," but I think that's an unfair standard for any artist. "Inside Out" is a pretty impressive effort by its own right, and Trisha provides some pretty thrilling vocal moments. "Love Alone" and "I Don't Paint Myself Into Corners" prove Trisha can belt with the best of the industry. "Corners" is one of my favorite Yearwood tracks, ranking up there with "Down on My Knees," "You Can Sleep While I Drive," and "Hearts in Armor." It's so powerfully written and so beautifully performed. "Melancholy Blue" was another favorite and vintage Trisha. She really knows how to tug at someone's heartstrings!

The title cut was surprisingly energetic and while I expected Don Henley to take a more active role in the vocals, I still think this pairing is pretty dynamite. "Love Let Go" grew on me after many spins and "Love Me Or Leave Me Alone" is incredibly catchy. "For Awhile" had such a wonderful sense of humor; she really shines when she's allowed to get intimate with her listeners.

"Inside Out" is far and away superior to Faith Hill's recent effort "Cry" and Shania Twain's "Up!" especially the latter. It won't enjoy the same commercial success, but I, for one, am glad Trisha doesn't care either.


Free Music Review: She's the real deal
Hit: 5 Stars

Inside Out is the latest release from Trisha Yearwood. I bought this CD nearly a month ago and I have yet to remove it from my CD player! "One Love" is terrific, it's bluesy, edgy and I love the background vocal track. The song selections are gutsy and bold and Trisha sings them all to perfection. Although she is a "country" artist, she can hold her own in any genre. "For A While" is a kick and a lot of fun, I think most women can relate to it. The two ballads, "When We Were in Love" and "Harmless Heart" are wonderful examples of her trademark sound. But, "Melancholy Blue" broke my heart! As I listened to it the first time, I had no idea the direction it was taking me until near the end. Pull over if you are driving! Trisha has complete mastery over her own voice, such control and power is unleashed throughout this work. I loved "I Don't Paint Myself Into Corners Anymore" because it sounds most like her traditional country styling. I think it should certainly be released as a single. I think "Melancholy Blue" should be released as a single too, but with a warning first! TY is incredible and there may be other artists getting most of the airplay on radio today, but don't count her out...she's still right there, holding her ground and throwing her heart and soul into every song she graces with her voice. She is an artist and what a beautiful picture she paints with it on this album!

Free Music Review: Trisha Still at the Top of the Game!
Hit: 5 Stars

Admist some controversy over the slightly "new" direction Trisha has taken, her vocal abilities prove once and again that she is one of (if not) the best. Heavy production? Yes, on some numbers. Not country enough? Depends on who you ask. The obviously country "I Don't Paint Myself into Corners" is excellent. Other songs diverge from the country formula (Love me or Leave me Alone) but still remain good music. I think the variety on the album is what makes it great - from the power ballads (I would've loved you anyway) to the upbeat songs (Love Alone) to the excellent covers (Seven Year Ache). The whimsical "For a While" is a wonderful song. I don't think there is really a misstep on this album. I can't even skip over my least favorite songs (Second Chance; When we were still in love) because I can't get them out of my head once they start.

As a fan of all of Trisha's music, I really see how this both compliments and extends her previous work. It has been over two months since the album was released and it is still in my CD player. As a fan of most types of music, I think this is a great album (time, of course, will be a better judge of this). Trisha has an excellent voice and a great sense of material.

As for the debate over the amount of "production" - it's beautiful music, plain and simple. As for how is fits into the sceme of Trisha's work - I rank it up there with the superb Everybody Knows and Real Live Woman.

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