Trisha Yearwood - Inside Out
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Free Music Notes for Inside Out
Free Music Review: I Would've Loved You Anyway......by Trisha Yearwood
Hit: 5 Stars
I would've loved you anyway could only be sung and expressed so beautifully by Trisha Yearwood. The emotion of her voice captures the beauty of the lyrics, and the arrangement and the video location in Spain add such a rich texture to complement that....powerful...stirring...emotional...touching...my heart understands the message.Free Music Review: The Best From Trisha Yearwood
Hit: 5 Stars
I think this is the best cd she has done so far. This cd lets you see just how great a singer she is. I can not say enough about how she is showing people how far she can take that voice and still do a great job on this whole cd. I'm a fan and have been from the start, she has out done herself on this one.Free Music Review: it is the best album ever
Hit: 5 Stars
this is the best trisha yearwood cd ever.she has a great voice and it shows on this album.its got beautiful songs like love alone,manancholy blue and i would've loved you anyway.not to forget inside out.each song is beautifully written with enchanting melodiiesgo and buy this album now
Free Music Review: GREAT!!!
Hit: 5 Stars
It's about time that Trisha release another CD and this one was definitely worth the wait. The songs range from upbeat to bluesy. Absolutely love this CD!Free Music Review: Another solid effort.
Hit: 4 Stars
"Real Live Woman" was Trisha's career album. It was full of emotion, gritty Southern-Cal rock/pop/country production, with fantastic songs and performances all around. It's a landmark album in a consistent career that should've won Grammy's and reserved a spot on everyone's mantel. The problem is: it didn't sell. So now we have "Inside Out." What's interesting is that while this album isn't as great as it's predecessor, it still eclipses everything that came out of Nashville in 2001. That's how good a record maker Trisha is.
Which is why this release is so frustrating sometimes. The production seems to get in the way of these songs. Now I should point out that I'm not a purist...my own music is a melting pot of Linda Ronstadt, Delbert McClinton, Bonnie Raitt, and Marc Cohn with sarcasm thrown in for good measure. But that being said, some of the production on this record is simply unnecessary. The strings on the opening "Love Alone" come out of nowhere and are meant to punch up the song that was busy enough. Typical Nashville production. "It ain't busy enough, then hell, let's add in these strings in there. It ain't big enough. It needs to be big. It needs to be huge!" That might work for Celine Dion, who would still be louder than a 100-piece orchestra, but it doesn't work so well for Trisha. Because Trisha, unlike many female contemporary singers, uses nuance and subtlety full of intelligence and wit. That gets buried in the first two numbers. "For A While" is a perfect song for her, though she manages to rise above the cheesy keboards and Rain Stick effects. See, why are those in there? What's the point! It doesn't add anything to the song, all it does is make me think, "What the hell is that? A Rain stick? And bongos? Or is someone drumming on the mixing board?" It distracts from the song and when that happens, that's called "Bad Production." What a concept, most producers should learn it.
Take for instance "Inside Out." A good, Memphis shuffle complete with harmonica and a horn section. Perfect. But then, what, what, galaxy swells? Why? Are we in space? No, we're in Memphis and even though Elvis was abducted by a UFO, that still doesn't mean they NEED TO BE THERE.
Production aside, this is still a solid effort by Yearwood and is another showcases her immense talent. Hands down, the best performance on this album as well as any other country record released in this decade, let alone this year, is "I Don't Paint Myself Into Corners Anymore." Fantastic song that gets shot to the rafters by Trisha's huge voice. It should've been a hit, but then it didn't mention cute socks and it was intelligently written, and oh yeah, it had a fiddle, so of course country radio wouldn't play it. They'd rather play country's answer to the "Backstreet Boys." But that is a separate issue.
As a buyer, you can't go wrong with Trisha Yearwood and this record proves it. Despite lousy production, she still manages to release an album full of smart, emotional songs, better performances, and proves she has more class than any country artist before or after her.