U2 - The Joshua Tree
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Music CD Cover
Artist: U2Edition: Music CD
Audio: German (Unknown)
CD Release Date: 1990-06-15
Music Label: Island
Product features:
- U2 JOSHUA TREE
- Where The Streets Have No Name
- I Still Haven't Found What I'm Looking For
- With Or Without You
- Bullet The Blue Sky
- Running To Stand Still
- Red Hill Mining Town
- In God's Country
- Trip Through Your Wires
- One Tree Hill
- Exit
- Mothers Of The Disappeared
Free Music Notes for The Joshua Tree
Free Music Review: A Beckoning Towards Redemption and the Promised Land
Hit: 5 Stars
Yes, I'm back. You must excuse the lapse. I have been busy setting up shelters (a Seer's work), for the chronically wayward or the chronologically confused. It really doesn't matter. It helps people. It's a good cause. Donations are gladly accepted, (and forms for tax write-offs are at the door). Yes, I know it's selfless work. And I have taken a Seer's oath for the good of humanity and I can't back out. Rats. I can't make exceptions but so what? Pure intent is hard to come by these days. They never warned me-whoever "they" are.
That being said, I have come here to review an exceptional, exceptional work by U2. These guys never cease to amaze me, and little did I know when they first arrived into my conciousness. I thought at the beginning "how nice, another typical 80's band", for I really wasn't impressed by them. The Edge's guitar grated on me and I couldn't adjust to the sound. But, glad to say, U2 were not to be deprived of their just place in the hierarchy of rock. They have built a tabernacle of considerable and reflective music over time. And, I must say, the quality and workmanship and thought and care that go into their profferings are nothing less than astounding. They care deeply about the music they make and present it to us in a way that many do not. It is this diligency towards excellence that comes to the forefront each and every time.
Admittedly, I do not know alot about their history or how they came into being. I don't think that it matters in the least with music this good. Bono, The Edge, Adam Clayton, and Larry Mullen Jnr. have created their own unique sound, their own unique journey towards salvation and universal concerns. With "The Joshua Tree", they reveal their search, achingly, to God and to all heavenly powers. They reveal their weaknesses, their human frailties, and take us on a voyage of discovery and enlightenment. They take us on a journey of strength. And these are just a few of the things that set them apart from most.
To begin with, the Edge's guitar work is outerworldy, and I cannot attempt to explain it to anybody. It can be subtle and sweet and then turn into virile, powerful excursions somewhere that defy description. Whatever he uses (is it a synthesizer?) to make it sound this way-he has definitely created his own unique sound that nobody can copy. You can hear pure emotion in his playing- and this is just one component to U2.
Adam Clayton and Larry Mullen provide the considerable skeletal backbone which gives their sound such heft. They provide the balance to the sound. There is no grandstanding here-but essential stability that compliment The Edge in every single way. Professional and clear, they weave the tapestry, the contour that great edifices are built upon.
And what of Bono? Perhaps the glue that ties it all together. He is probably the most known member of this band, and alot of the reason may lie in his poetry and delivery. He sings from his soul- and he puts the full range of human emotion into his delivery. He doesn't hold back and it shows in songs like "With Or Without You" or ""Red Hill Mining Town" with the urgency and compassion of the line "I'm still waiting-I'm hanging on- You're all that's left to hang on to". These vocals are so impassioned that they send shivers out. Yes, he's that good.
But what of the songs here and their meaning? It seems that Mr. Bono has thoughts of sheer martydom running throughout many of these tunes. Plus, many of the poetic inferences harken back to Christianity or spiritual uplifting in some way. He wants to break free and evolve to a place where "The Streets Have No Name". Could this be heaven? Or, a place where things are not categorized? And after speaking with Angels and holding the hand of the devil- he is in-between and "Still Haven't Found What I'm Looking For". The eternal search of salvation and redemption. "With or Without You" is just pure genius. Allusions to Christ with "See the STONE set in your eyes, see the THORN twist in your side". But, not only that, but, "On a bed of NAILS, she makes me wait". And, furthermore, "my hands are tied-my body bruised". It seems that the relationship in this song has made Bono a martyr of sorts. And, in a strange way, Christ can't live with or without you either. So entirely remarkable. So many biblical terminology throughout- the drout conveyed with the lines "the rivers run, but soon run dry" in "In God's Country". "Thunder, thunder in the mountain, there's a rain cloud in the desert sky" in "Trip Through Your Wires". There are many more examples. The need for human relief, and elevation, whether it be from a bruised relationship or inner spiritual need, is foremost and deeply embedded within the poetry. Many discoveries await here. Many gems to mine. All yours for the asking.
In closing- a superb achievement for a group relatively new into their career. The landscapes are a wonder and the music on a higher and grandiose level that satisfys so fully in the pop/rock genre. I cannot say enough.
And now, I think I finally have gotten the courage to ask Bono for a donation to my shelters. That is, if I can even get his public relations agent on the phone. But regardless, I can always play this c.d. for my clients. Get it. It's a classic.
Refreshingly subtle and amazingly devout--your own, Metamorpho
The Joshua Tree Poster
The CD format features remastered audio, liner notes by Bill Flanagan (author of "U2 At The End Of The World") and previously unseen Anton Corbijn photos.Having nearly exhausted their capacity for pop-song politics on War and The Unforgettable Fire, U2 turned toward themes of personal identity and complex relationships on The Joshua Tree. Not that the group was willing to come down off the barricades entirely: "Mothers of the Disappeared" and "Bullet the Blue Sky" turned a jaundiced eye toward Central America and the United States' role there. But the predominant mood here is one of self-discovery and the hunger for something more on tracks like the pulsating "Where the Streets Have No Name" and the gospel-ish "I Still Haven't Found What I'm Looking For." The album's masterstroke, however, is "With or Without You," a nasty love song dressed up as an ode of devotion and care. It ranks with the Police's "Every Breath You Take" as the most misread smash hit of the '80s. --Daniel Durchholz
U2's most successful album (their first No. 1 album and the 1987 Grammy award-winner for Album of the Year) is also their most dour. From the stark, black and white cover photography, with U2 looking like missionaries (or at least M*A*S*H extras), to the existential angst at the heart of each track, The Joshua Tree is one long, atmospheric wail at the abyss. Producers Brian Eno and Daniel Lanois turn in an austere production that heightens the drama substantially. --Rob O'Connor
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