Anodyne

Uncle Tupelo - Anodyne

Anodyne
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Music CD Cover

Artist: Uncle Tupelo
Brand: UNCLE TUPELO
Edition: Music CD
Format: Extra tracks, Original recording reissued, Original recording remastered
CD Release Date: 2003-03-11
Music Label: Rhino / Wea
Soundtracks:
  1. Slate
  2. Acuff-Rose
  3. The Long Cut
  4. Give Me Back the Key to My Heart
  5. Chickamauga
  6. New Madrid
  7. Anodyne
  8. We've Been Had
  9. Fifteen Keys
  10. High Water
  11. No Sense in Lovin'
  12. Steal the Crumbs
  13. Stay True (bonus track, previously unreleased)
  14. Wherever (bonus track, previously unreleased)
  15. Are You Sure Hank Done It This Way (bonus track, previously unreleased)
  16. Truck Drivin' Man (bonus track, live)
  17. Suzy Q (bonus track, live)

Free Music Notes for Anodyne

Free Music Review: A raw, passionate parting shot
Hit: 5 Stars

Upon the first listen to Uncle Tupelo's 1993 album Anodyne, the aura of something coming to an end is clear. Nearly every one of Farrar's songs contain lyrics hinting at separation: "The time is right for getting out while we still can", "No sign of reconciliation", "We can't seem to find common ground", and finally "No more will I see you". In hindsight, we should have seen Uncle Tupelo's demise as clearly as we should have seen Kurt Cobain's suicide. But we didn't, and that only makes the music more haunting and timeless.

As splintered as some Tupelo albums are, it is ironic that Anodyne is cohesive and flows effortlessly from track to track. Jeff Tweedy clearly caught up with Jay Farrar on the album, his songs emitting the buoyant and upbeat antidote to Farrar's mournful ballads. The frenetic energy of the band's early days is gone, replaced with a more balanced and subdued mix of rock and country. The band's sophistication has always stood in contrast with its age, but while listening it's hard to imagine that this band has only been releasing albums for 4 years. While Anodyne is UT's first release on a major label, it retains the raw edge of earlier releases; this can be attributed to the band's standards of getting the songs down live in one take. Mistakes are clearly audible and some parts could be tightened, but the deficiencies actually add to the quality and credibility of the album creating an achingly vulnerable atmosphere. Remarkably, the orchestration is stunning in most places and you have to remind yourself that there were no overdubs or studio trickery in place. Mandolins and guitars drive in sync, lap steel floats over the mix, bass hooks abound creating a sound that at the same time soothes and rubs against the grain of your eardrums. The songs are the best the band ever created as a unit and the lyrics, Farrar's especially, reveal the anatomy of the band's breakdown in a poignant manner. By the time the chorus of the closing track "Steal the Crumbs" comes around anyone who cares about the band's music will feel saddened and deprived of what this band could have become.

The bottom line: Anodyne is essential for any fan of rock music. Pick it up, it's impossible to be let down.

Anodyne Poster

Vinyl LP versionl. Seminal alternative country-rock group Uncle Tupelo was formed in the Midwestern backwater of Belleville, Illinois, by high school friends Jay Farrar, Jeff Tweedy, and Mike Heldorn. Their marriage of punk rock animus with the simplicity of American roots music ignited a major movement heralding rock's return to traditional country origins. Heldorn had departed, Ken Coomer signed on, and in 1993 the band released one final album, ANODYNE, widely considered their definitive work. Recorded live in an Austin studio, the disc reinterprets country, rock, and folk idioms with the compelling vision that was Tupelo's own. After parting ways, members went on to found Wilco and Son Volt, but the brief and shining moment that was Uncle Tupelo will forever cast a long shadow on American roots rock.
Before Anodyne, Uncle Tupelo already had one masterpiece in 1991's noisy and tense Still Feel Gone, but this album, the band's major-label debut, had even grander ambitions. Replacing the group's grungy guitar with soaring lap and pedal-steel fills, plus fiddle and mandolin breaks both sweet and raucous, Anodyne is overflowing with a spacious grandeur that alludes to, and then makes it own, everything from the Band and the Stones and Neil Young (both as a solo artist and with Crazy Horse) to old Acuff-Rose songs--all of which is just to say that it's among the best roots-rock records ever made. The 2003 remastered and expanded edition offers three unreleased tracks from the original sessions plus a pair of live covers from a 1993 Chicago show. --David Cantwell

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