Vaughan Williams: Serenade to Music; The Lark Ascending; Fantasia on Greensleeves; English Folk Song Suite; In the Fen Country; Norfolk Rhapsody No. 1
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Free Music Notes for Vaughan Williams: Serenade to Music; The Lark Ascending; Fantasia on Greensleeves; English Folk Song Suite; In the Fen Country; Norfolk Rhapsody No. 1
Free Music Review: The Perfect Marriage: Vaughan Williams and Boult
Hit: 5 Stars
Though this recording is a compilation of recordings created between 1967 through 1987 and then re-mastered, it remains the critic's and the public's choice for this amazingly beautiful selection of the works of Ralph Vaughan Williams. Sir Adrian Boult conducts both the London Philharmonic Orchestra and the New Philharmonia Orchestra in the way that only he could produce the strange beauty of Vaughan Williams little pieces.
No expense was spared for the original pressings. Hugh Bean is the incomparable soloist for 'The Lark Ascending', very likely the finest recorded performance of this work. And the sixteen soloists for the 'Serenade to Music' include such luminaries as Sheila Armstrong, Norma Burrowes, Ian Partridge, John Noble, Alfreda Hodgson - some of Britain's finest vocalists. Even the evergreen 'Fantasia on 'Greensleeves' sounds new and the less often performed 'In the Fen Country' and 'English Folksong Suite' and 'Norfolk Rhapsody' are performed with such seamless beauty that they 'are such stuff as dreams are made on.'
For lovers of Vaughan Williams this CD is indispensable: for those who know little of his output, this is one fine start toward a deeper appreciation of the power of Ralph Vaughan Williams. Highly Recommended. Grady Harp, February 06
Free Music Review: These performances have never been out of print . . .
Hit: 5 Stars
These performances have never been out of print and there's a good reason. They are treasured by many lovers of Vaughan Williams as being the best modern-era recordings of some of his most lovable music. Short of having a recording of the 1930s première of 'Serenade to Music', I can't think of another recording that even comes close. It's the version for sixteen solo voices, not the choral version or the orchestra-alone version. It's the music as RVW wrote it. As for Hugh Bean's ecstatic performance of 'The Lark Ascending', it's never been bettered.
I have a friend who was so enamored of the Folk Song Suite that he and his bride had selections played at their wedding. Guess which version they had piped over the PA system? You guessed it. (This recording, by the way, is the arrangement for full orchestra that Gordon Jacobs made from the wind band original.)
Don't hesitate. As for me, this is one of my Desert Isle CDs. (I wonder if I can get batteries for my Discman on that desert isle?)
Free Music Review: A wonderful cd!
Hit: 5 Stars
Many devotees of Vaughan Williams will most definately NOT be dissapointed in this cd. The late Sir Adrian Boult did a masterful job interpreting the complexities and nuances of Vaughan Williams works. Of particular note is "The Lark Ascending" with violinist Hugh Bean. It is almost dream-like without succumming to "shmaltz".Would I recommend this recording? A resounding YES!
Free Music Review: very good cd
Hit: 5 Stars
Like very much that record; it contains one of my favorite songs:Serenade To Music (Boult), is an excellent performance. I recommend this highly.There's a variety of light classical music contained herein.Free Music Review: The commitment of Sir Adrian Boult.
Hit: 5 Stars
This silvery disc contains rapturous readings of some very good works of genuinely English music. Overall sound is really good (fares quite well, even when compared to the "audiophile" records of the day). The choice of "tunes" is representative.
Recently, i revisited a couple of versions of `The Lark Ascending' which hark back to the good old days of "stereo" : One by Neville Marriner with his excellent musicians of St.Martin's and a few others, including Boult's. In fact, Boult's record certainly has "the edge" over Marriner and his authority makes no doubt ; that being said, they both give us strong and credible readings of a timeless work written for the violin. The Boult recording is especially top-level. Hugh Bean, a soloist of choice , has a masterful presence that complements fittingly Boult's fine orchestral control. For an historic recording of 'The Lark' you should look for Boult's seemingly unsurpassed version with violinist Jean Pougnet (released on Dutton). Be warned : Sound quality of the latter -a vintage mono recording- is far from the excellence provided by EMI or Decca in their later stereo recordings. Brilliant conductor Richard Hickox, in a superb EMI collection, offers another stupendous reading of 'The Lark' ; the solo violin of Bradley Creswick and the magnificent play-through of the orchestra deliver one of the top performances on disc - i venture to say it is nearly as good as the EMI/Boult!
Additionally to 'The Lark', there are lovely performances offered on the EMI/Boult cd : 'Serenade to Music' is not quite outclassed by the original performance under Henry Wood--which is a glorious 1930's recording but with somewhat limited sound. Boult's rendition is also better than the one from Matthew Best on Hyperion, though very good the latter is. No wonder since Boult had set up a first-class team for the recording, featuring a handful of artists chosen among the finest singers from Europe. There also exist a very good choral-only version by Vernon Handley (again, on EMI). The 'Norfolk Rhapsody No.1' is another treasured piece of music in which Boult does fairly better than the "competition" (for instance, Barry Wordsworth's version with the New Queen's Hall Orchestra isn't as good a reading). 'In the Fen Country', with its refreshing musical atmosphere, also receives a charming and colorful presentation. The comparatively brief 'Fantasia on Greensleeves' is as delightful as its name suggests, though i will always have a sweet spot for the likes of Abravanel or Previn for their superlative virtues.
The 'English Folk Song Suite' does pretty well here, thanks notably to careful orchestral touches ; perhaps, the Intermezzo is slightly more efficient under Vernon Handley, the glorious strings of the RLPO redefining the loftiness of that "pastoral" piece. Neville Marriner did, as well, a particularly beautiful recording of it. However, for some sheer sound and bursting percussive impacts, one shall look at a handful of excellent versions for wind bands--much preferable in that case (after all, the suite was intentionally written for military -wind band- sonorities). This is the best way to hear the work at it's fullest (i urge you to hear the Grenadier Guards, issued on Emblem as EMBL8001).
In conclusion : Reliable sound and honest interpretations. EMI Records offer a real gift of music with this splendid album of works by Vaughan Williams. Check it out!
*****