Vaughan Williams: Symphonies 4 & 6

Vaughan Williams: Symphonies 4 & 6

Vaughan Williams: Symphonies 4 & 6
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Composer: Ralph Vaughan Williams
Conductor: Adrian Boult
Orchestra: New Philharmonia Orchestra
Edition: Music CD
Format: Import
CD Release Date: 2000-11-14
Music Label: EMI Classics Imports

Free Music Notes for Vaughan Williams: Symphonies 4 & 6

Free Music Review: Superb Sixth, but can't match the composer's 1937 Fourth
Hit: 4 Stars

The Fourth and Sixth Symphonies of Vaughan Williams obviously share a good deal of the same emotional traits, but I find the Sixth more enjoyable---its coloring and musical design more to my liking. I have commented before on the Fourth ( See two of my recent reviews of recordings by Haitink and the composer. ) While I consider Boult's interpretation to be a pretty good one, I'm afraid I have been spoiled by the composer's own mono reading from 1937. It is absolutely scorching. I want to move then to the Sixth, but first, a few comments about that work in general. I could imagine some listeners finding it difficult initially making a connection with this somewhat arcane but spellbinding symphony. Further, seeking written explanations in an effort to render it programmatically comprehensible is probably fruitless. The best or perhaps only sensible thing to do is simply listen. Boult's performance is about the best place to start. For me, at least, it reveals more than the accounts of Previn, Handley, Thomson or Andrew Davis. Right from the start, Boult demonstrates a take charge attitude that doesn't quit. It is reflected in his bold rhythms and incisive accents during the opening movement. His way with the cynical, intensely charged third movement scherzo sparkles with an almost iridescent quality. And he is virtually ideal in setting the mood for the curious second movement moderato, and portraying the sense of eerieness and loneliness characteristic of the mesmerizing epilogue. For a conception that's a bit more somber, I would recommend Andrew Davis with the BBC Symphony. However, though well recorded, the sound on his Teldec disc is set at a lower volume level. By contrast, Boult's EMI recording tends to emphasize a brighter, slightly brassier sound. Also, Davis' approach intermittently scores on tautness, while Boult gains points with his slightly more open, free-wheeling interpretation. Overall, I find him decidedly more convincing. Along with the First ( "Sea" Symphony ) and Seventh ( Sinfonia Antartica ) this Sixth might be the finest contribution in his traversal of the Vaughan Williams Symphonies.

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