Verdi: Aida (complete opera live 1951) with Maria Callas, Mario del Monaco, Oliviero de Fabritis, Orchestra & Chorus of del Palacio de Bellas Artes, Mexico City

Verdi: Aida (complete opera live 1951) with Maria Callas, Mario del Monaco, Oliviero de Fabritis, Orchestra & Chorus of del Palacio de Bellas Artes, Mexico City

Verdi: Aida (complete opera live 1951) with Maria Callas, Mario del Monaco, Oliviero de Fabritis, Orchestra & Chorus of del Palacio de Bellas Artes, Mexico City
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Music CD Cover

Composer: Giuseppe Verdi
Conductor: Oliviero de Fabritiis
Orchestra: Mexico City Orquesta del Palacio de Bellas Artes
Performer: Carlos Sagarminaga
Performer: Giuseppe Taddei
Performer: Ignacio Ruffino
Performer: Maria Callas
Performer: Mario del Monaco
Performer: Oralia Dominguez
Performer: Roberto Silva
Performer: Rosa Rodriguez
Edition: Music CD
Format: Live
CD Release Date: 2003-11-04
Music Label: EMI Classics
Soundtracks:
Music CD 1
  1. Preludio
  2. Si, Corre Voce Che L'Etiope Ardisca
  3. Se Quel Guerriero Io Fossi!
  4. Celeste Aida
  5. Quale Insolita Gioia Nel Tuo Sguardo!
  6. Vieni, O Diletta, Appressati
  7. Alta Cagion V'aduna
  8. Su! Del Nilo Al Sacro Lido
  9. Ritorna Vincitor!
  10. Possente Ftha...Tu Che Dal Nulia Hai Tratto
  11. Immenso Ftha!...Mortal, Diletto Ai Numi
  12. Nume, Custode E Vindice
  13. Chi Mai Fra Gl'inni E I Plausi
  14. Dance Of The Moorish Slaves
  15. Vieni, Sul Crin Ti Piovano
  16. Fu La Sorte Dell'armi A' Tuoi Funesta
  17. Pieta Ti Prenda Del Mio Dolor
  18. Su! Del Nilo Al Sacro Lido...Numi, Pieta
  19. Gloria All'Egitto, Ad Iside
  20. Triumphal March
  21. Ballet
  22. Vieni, O Guerriero Vindice
  23. Salvator Della Patria
  24. Che Veggo! Egli? Mio Padre!...Anch'io Pugnai...Ma Tu, Re, Tu Signore Possente
  25. Il Dolor Che In Quel Volto Favella
  26. O Re, Pei Sacri Numi...Gloria All'Egitto
Music CD 2
  1. O Tu Che Sei D'Osiride
  2. Vieni D'Iside Al Tempio
  3. Qui Radames Verra!
  4. O Patria Mia
  5. Ciel! Mio Padre!
  6. Rivedrai Le Foreste Imbalsamate
  7. Pur Ti Riveggo, Mia Dolce Aida
  8. Nel Fiero Anelito Di Nuova Guerra
  9. Fuggiam Gli Ardori Inospiti...La, Tra Foreste Vergini
  10. Ma Dimmi: Per Qual Via
  11. L'aborrita Rivale A Me Sfuggia
  12. Gia I Sacerdoti Adunansi
  13. Ohime! Morir Mi Sento!
  14. Spirto Del Nume
  15. A Lui Vivo, La Tomba!...Sacerdoti: Compiste Un Delitto!
  16. La Fatal Pietra Sovra Me Si Chiuse
  17. Vedi? Di Morte L'angelo...Immenso Ftha
  18. O Terra, Addio

Free Music Notes for Verdi: Aida (complete opera live 1951) with Maria Callas, Mario del Monaco, Oliviero de Fabritis, Orchestra & Chorus of del Palacio de Bellas Artes, Mexico City

Free Music Review: The AIDA of a generation
Hit: 5 Stars

I agree with other reviewers that this is, by far, the most exciting live AIDA in existence.

This 1951 Mexico broadcast crushes all critics who accused Maria Callas of never having the voice for the role. They must have been referring to her, admittedly quite ordinary and uneven, 1955 recording. Maria sang Aida live on stage often from 1948 to 1953, then dropped the role from active repertory.

This Mexican evening is simply electrifying, with Oralia Dominguez, Mario del Monaco, and Giuseppe Taddei all in excellent voice, and Oliviero de Fabritiis superb on the podium. Dominguez is especially admirable as Amneris in Act IV Scene 1, which by itself justifies this opera's greatness.

Maria was just 28 years old in 1951, not yet the great international star, and singing in her second Mexican season. The voice is enormous, the instrument untarnished. She offers a passionate, full-bodied, desperate Aida, rich and smooth of tone, even if she sings the exposed high C in "O patria mia" forte, not dolce. But oh what elegant phrasing in the long spinning lines of the Nile Scene, what endless breath control, what a caressing, seductive, magical Aida this is! The final scene is unforgettable, with both Callas and del Monaco having no problem in decibels, soaring effortlessly in the arching phrases of "O terra addio", the orchestra violins swelling and subsiding, and love vanquishing the darkest of destinies. Listen, people, and marvel.

This AIDA (like the 1950 performance, also from Mexico City, which is however inferior in the overall cast) of course features Maria's stunning high E-flat in the end of Act II: held for 7 seconds, the note flashes like a comet over the heavy orchestration with such roundness and accuracy, your jaw drops.

Absolutely, highly recommended.

For another superb live AIDA please refer to the 1982 Berlin Varady/Pavarotti/Barenboim recording, creamy and smooth and beautifully balanced. My favorite studio recording remains the first Leontyne Price (1962) with Jon Vickers, Rita Gorr, and Solti conducting. Vickers is outstanding as Radames. The 1974 Caballe/Domingo/Muti recording comes a close second.

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