Verdi - La Traviata / Cotrubas ? Domingo ? Milnes ? Bayerisches Staatsorchester ? Carlos Kleiber
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Free Music Notes for Verdi - La Traviata / Cotrubas ? Domingo ? Milnes ? Bayerisches Staatsorchester ? Carlos Kleiber
Free Music Review: Warmth and power.....
Hit: 4 Stars
La Traviata is among my favorites, but initially I thought I'd made a mistake getting this one. The 2nd act reassured me. Cotrubas and Milnes are outstanding together! Their interaction is touching and poignant. She really has a rich, silky voice that was at its best in that act. I like Domingo here -- he's a fine tenor. While I agree that his voice is a little heavy (or mature) for this role, he still conveys that callow youth. Free Music Review: El despertar de los sentidos
Hit: 5 Stars
Efectivamente para quienes gustan y conf?an en el talento del maestro Keliber, no se equivocar?n con esta producci?n, ya que la intensidad, el tiempo y la forma han sido cuidados minuciosamente, haciendo de esta obra una verdader gu?a musical para el alma en cada cuadro... "della gioia a la morte"...
Domingo es poderoso y apasionado Alfredo, aunque se limite en los altos, muy altos; y Milnes un Don Caballero, elegante, duro y tierno. Ambos grandes acompa?antes para Violetta.
Ileana Cotrubas es Violetta, y no hay m?s. Es r?pida y coqueta en el primer acto, dubitativa al conocer a Alfredo, y luego sufre, hasta la muerte. La interpretaci?n de la Cotrubas es tal que el auditor puede imaginar la belleza herida de la cortesana. El recitado de la carta es conmovedor, y aunque la potencia de un Amami Alfredo! no sea de gusto para algunos, le creo cada frase y cada nota. Es una Violeta adictiva que en conjunto con la batuta de Kleiber ser? pasi?n garantizada.
Free Music Review: Sublime!
Hit: 5 Stars
Easily one of the best "La Traviata" recordings EVER if not THE best. A perfect cast, and everything about this recording is simply beautiful in every way. A must-have in the collections of all opera lovers!Free Music Review: The Best Studio Traviata?
Hit: 3 Stars
I have to confess that the only reason why I bought this recording was because of Kleiber. I never cared for Cotrubas's voice because I always found it nasal and not very attractive. I'm a big Callas fan and her voice is certainly not everyone's taste and is also slightly on the nasal side but she delivers so much that I can overlook the faults. I've never been a big fan of Domingo's because I strongly believe a tenor should have high notes. And I never really understood what was so great about Milnes. He certainly had a big voice and was a barihunk but those lunges at the high notes and piano singing in the back of his throat always turned me off. But, I was pleasantly surprised by the performances in this recording. Cotrubas is one of the best Violettas in a studio made recording. She certainly understands what she's singing about. Domingo is youthful and ardent, although the high notes are strained and the high C in the cabaletta to his aria is obviously spliced in. I noticed that immediately even without using headphones. Milnes is at his best here although the performance is wooden and he really does nothing in the duet with Violetta nor with his aria.
But for me the star of this recording is Klieber and since the great maestro recorded only a few operas, I couldn't resist having this one, which is also a favorite opera of mine.
Overall it doesn't compare with the live Callas La Scala and is several notches below Anna Moffo's recording which does have a tenor with ringing high notes (Richard Tucker) and a much more adept and convincing Germont (Robert Merrill). In fact if sound is a consideration, you might want to go with the Moffo recording in it's Living Stereo release. Avoid the first edition which is really lousey.
Free Music Review: Verdi - La Traviata / Cotrubas ? Domingo ? Milnes ? Bayerisches Staatsorchester ? Carlos Kleiber
Hit: 5 Stars
There are just no words that explain how the music over whelms the soul and has the body swaying whilst the voice attempts to reach the various notes of these accomplised artists. One can only feel an overwhelming envy of those having the capability of, dear I say, such vocal talent, that only the listener can share with many that have only an ear of appreciation.